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Related Music Theory Alchemy

“1979” by The Smashing Pumpkins is written in the A major key and showcases various examples of modal interchange, also known as borrowed chords. The song switches often between the major and minor modes, providing a dynamic interplay of moods. The outro particularly stands out due to its use of both major and maj7th chords, a somewhat unusual combination. Emaj7 adds color and complexity to the progression, as a borrowed chord from the E major scale.

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“1979” by The Smashing Pumpkins is a classic alternative rock song that cleverly uses uncommon, sophisticated chords to evoke an emotional, melancholic atmosphere.

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The song constantly oscillates around C#m, which is the presumed root key. Harmonically, the 8-bar verse progression involves the frequent use of borrowed chords, as well as secondary dominants, which are frequently used in the Beatles’ compositions, to provide a colorful and subtle tension.

** The chord progression in Verse 3 of Radiohead’s “Fake Plastic Trees” is a combination of diatonic and non-diatonic chords in the key of A major, featuring the use of suspended chords, 9th chords, and 6th chords. The progression has a tonally ambiguous and ethereal quality, which is characteristic of Radiohead’s style.

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“Sexx Laws” by Beck is a unique and interesting piece that combines elements of various musical styles including funk, rock, and pop. The chord progression found in Verse 3 is quite simple yet effective, creating a sense of tension and release.

The Smashing Pumpkins – 1979 – Verse 3

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Chord Progression

[‘A’, ‘Emaj7’, ‘E’, ‘A’, ‘Emaj7’, ‘E’, ‘A’, ‘F#’, ‘A’]

Chord Progression Analysis

The Verse 3 chord progression is:

– A Major (‘I’)
– E Major 7th (‘V7’)
– E Major (‘V’)
– A Major (‘I’)
– E Major 7th (‘V7’)
– E Major (‘V’)
– A Major (‘I’)
– F# Major (‘ii’)
– A Major (‘I’)

Borrowed Chord:

“`
F# Major (‘ii’)
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This F# Major is a borrowed chord. Normally in the key of A, the ii chord would be F# minor, so this is a departure from the expected pattern.

Similar Chord Progressions

Neil Young’s “Heart Of Gold” has a similar progression:

– Em (‘ii’)
– Cmaj7 (‘IV7’)
– D (‘V’)
– G (‘I’)
– Cmaj7 (‘IV7’)
– G (‘I’)
– D (‘V’)
– G (‘I’)

Radiohead’s “High and Dry” is also reminiscent:

– Fmaj7 (‘IV7’)
– Am (‘v’)
– Dm (‘ii’)
– E (‘V’)
– Am (‘v’)
– Em (‘ii’)
– G (‘I’)
– E (‘V’)

In both cases, observe the use of the seventh chords injecting a sense of complexity and the movement of major to minor chord progression which resonate with the chord pattern in “1979”.

Musical Analysis

The main component driving the progression in “1979” is the I-V7-V-I movement, which, with the addition of the borrowed ii chord of F# Major, gives the song a unique twist. The E Major 7th chords provide a sense of resolution, adding a leisurely, relaxed feel and allowing the melody to flow above the chords.

Overall Analysis

“1979” by The Smashing Pumpkins employs a variety of chords throughout the song, including major, major 7th, and minor 7th chords. The chord progression varies between sections but is based mostly on a mid-tempo groove in the key of E Major. The song utilizes common pop/rock conventions to create a dreamy and nostalgic soundscape, with the juxtaposition of the major and minor 7th chords adding complexity.

Style Analysis

This song represents The Smashing Pumpkins’ signature blend of alternative rock and electronic elements. The chord progression, distinct melody, and the penetrating lyrics contribute to its timeless appeal. This combination illustrates the band’s ability to craft songs that are complex and full of emotional depth, yet also catchy and accessible.

Chords in the Verse 3 section of 1979 by The Smashing Pumpkins are:

[‘A’, ‘Emaj7’, ‘E’, ‘A’, ‘Emaj7’, ‘E’, ‘A’, ‘F#’, ‘A’]