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Related Music Theory Alchemy

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“The Smashing Pumpkins” in the song ‘1979’ has used a somewhat unconventional yet memorable chord progression, particularly in the bridge section. This progression creates a certain mood and melodic texture befitting the song’s laid-back yet emotionally resonant feel.

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“Bullet With Butterfly Wings” by The Smashing Pumpkins features a chord progression that uses a lot of power chords (fifth chords) which demonstrates its grungy, rock oriented style. It also incorporates major, minor, and suspended second chords, making it an interesting combination of simplicity and complexity.

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The given chord progression is from the verse 3 of the song “The Good Life” by Weezer. The song is in the key of G major and features a mix of diatonic chords from the G major scale and a borrowed chord from the parallel minor (G minor).

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The chord progression of the Verse 3 in the song “California Kids” by Weezer features a blend of diatonic and chromatic chords in the key of C major, exhibiting a classic pop-rock feel with some variations in the chord structure. The progression also showcases the use of chromatic bass motion to add harmonic interest.

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“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song characterized by various compositional techniques including chromaticism, borrowed chords, and unexpected chord progressions. The harmonic choices show Hendrix’s innovation as a songwriter, with influences of blues, rock, and jazz. The chord progression in Verse 3 mixes diatonic and non-diatonic chords, creating a sense of tension and release throughout the progression.

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The Smashing Pumpkins – 1979 – Verse 3

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Chord Progression

[‘A’, ‘Emaj7’, ‘E’, ‘A’, ‘Emaj7’, ‘E’, ‘A’, ‘F#’, ‘A’]

Chord Progression Analysis

The Verse 3 chord progression is:

– A Major (‘I’)
– E Major 7th (‘V7’)
– E Major (‘V’)
– A Major (‘I’)
– E Major 7th (‘V7’)
– E Major (‘V’)
– A Major (‘I’)
– F# Major (‘ii’)
– A Major (‘I’)

Borrowed Chord:

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F# Major (‘ii’)
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This F# Major is a borrowed chord. Normally in the key of A, the ii chord would be F# minor, so this is a departure from the expected pattern.

Similar Chord Progressions

Neil Young’s “Heart Of Gold” has a similar progression:

– Em (‘ii’)
– Cmaj7 (‘IV7’)
– D (‘V’)
– G (‘I’)
– Cmaj7 (‘IV7’)
– G (‘I’)
– D (‘V’)
– G (‘I’)

Radiohead’s “High and Dry” is also reminiscent:

– Fmaj7 (‘IV7’)
– Am (‘v’)
– Dm (‘ii’)
– E (‘V’)
– Am (‘v’)
– Em (‘ii’)
– G (‘I’)
– E (‘V’)

In both cases, observe the use of the seventh chords injecting a sense of complexity and the movement of major to minor chord progression which resonate with the chord pattern in “1979”.

Musical Analysis

The main component driving the progression in “1979” is the I-V7-V-I movement, which, with the addition of the borrowed ii chord of F# Major, gives the song a unique twist. The E Major 7th chords provide a sense of resolution, adding a leisurely, relaxed feel and allowing the melody to flow above the chords.

Overall Analysis

“1979” by The Smashing Pumpkins employs a variety of chords throughout the song, including major, major 7th, and minor 7th chords. The chord progression varies between sections but is based mostly on a mid-tempo groove in the key of E Major. The song utilizes common pop/rock conventions to create a dreamy and nostalgic soundscape, with the juxtaposition of the major and minor 7th chords adding complexity.

Style Analysis

This song represents The Smashing Pumpkins’ signature blend of alternative rock and electronic elements. The chord progression, distinct melody, and the penetrating lyrics contribute to its timeless appeal. This combination illustrates the band’s ability to craft songs that are complex and full of emotional depth, yet also catchy and accessible.

Chords in the Verse 3 section of 1979 by The Smashing Pumpkins are:

[‘A’, ‘Emaj7’, ‘E’, ‘A’, ‘Emaj7’, ‘E’, ‘A’, ‘F#’, ‘A’]