Search

Related Music Theory Alchemy

**

“1979” by The Smashing Pumpkins is a classic alternative rock song that cleverly uses uncommon, sophisticated chords to evoke an emotional, melancholic atmosphere.

**

“1979” by The Smashing Pumpkins is written in the A major key and showcases various examples of modal interchange, also known as borrowed chords. The song switches often between the major and minor modes, providing a dynamic interplay of moods. The outro particularly stands out due to its use of both major and maj7th chords, a somewhat unusual combination. Emaj7 adds color and complexity to the progression, as a borrowed chord from the E major scale.

“Fake Plastic Trees” by Radiohead is in the key of A major and features an alternative rock style with a strong emphasis on the melody and a hauntingly beautiful vocal progression. The song contains a unique mix of simple and complex chords that give it a sense of tension and unease.

“Strawberry Fields Forever” by The Beatles is an iconic psychedelic rock track marked with rich harmonies and sophisticated musical elements. The song is primarily constructed around the key of A, but it employs several modal mixtures and non-diatonic chords, contributing to its intriguing tonality.

“Time To Pretend” by MGMT features a non-conventional and interesting chord progression. The progression can be primarily analyzed in the key of D Major with a brief modulation to the relative minor (F#m). The chords are not sophisticated in terms of extensions, but the arrangement and harmonic movement provide a unique and memorable melody. This chorus is an example of diatonic and modal mixture, using chords not only from the primary key but also borrowing chords from other modes.

The Smashing Pumpkins – 1979 – Chorus 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘F#m7’, ‘B’, ‘Emaj7’, ‘E’]

Chord Progression Analysis

Chorus:
“`
1. E (I)
2. Emaj7 (I7)
3. Amaj7 (IV7)
4. E (I)
5. Emaj7 (I7)
6. Amaj7 (IV7)
7. E (I)
8. Emaj7 (I7)
9. Amaj7 (IV7)
10. F#m7 (ii7)
11. B (V)
12. Emaj7 (I7)
13. E (I)
“`

Similar Chord Progressions

Although unique in many ways, the chord progression of “1979” can be compared to that of “Life in Technicolor” by Coldplay. The song also has an unconventional progression with multiple seventh chords. The progression starts on D (I), moving to G (IV), Bm7 (vi7), G (IV) and A (V). This progression shows similar use of major seventh chords, and ends on a dominant chord, as does “1979”.

Musical Analysis

The song begins and ends with the ‘Emaj7’ chord (I7), which signifies a certain resolve, but within the progression there is a noticeable tension, particularly when it transitions to the ‘Amaj7’ (IV7) chord, which is a major seventh in place of a more typical major or minor chord. In addition, the chord progression includes the ‘F#m7’ (ii7) and ‘B’ (V), a common sequence that creates a cadence back to the ‘E key’.

Overall Analysis

The song “1979” by The Smashing Pumpkins has a chord progression that can be considered experimental for Pop and Rock music, which typically tend to use simple and easily predictable progressions. In this song, the progression is notably more complex and unpredictable, shifting between ‘E’ and ‘Emaj7’ gives this track a moody feel, and the Amaj7 gives it another color. This progression is in the key of E major.

Style Analysis

Known for their grungy sound and complex guitar work, The Smashing Pumpkins push the boundaries of typical chord progressions with songs like “1979”. The band often uses seventh chords and unexpected chord changes to create an unique and interesting sound. The use of ‘Emaj7’ and ‘Amaj7’ gives the song its distinctive, melancholy sound that sets it apart from other songs in the same genre.

Chords in the Chorus 1 section of 1979 by The Smashing Pumpkins are:

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘F#m7’, ‘B’, ‘Emaj7’, ‘E’]