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Related Music Theory Alchemy

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“1979” by The Smashing Pumpkins is a classic alternative rock song that cleverly uses uncommon, sophisticated chords to evoke an emotional, melancholic atmosphere.

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“Tonight, Tonight” by The Smashing Pumpkins draws from the band’s unique style of alternative rock influenced by a distinct palette of harmonic choices. Particularly in the songwriting of Billy Corgan (the band’s primary songwriter), the band tends to use a mix of common and uncommon chords, together with a tendency of exploring different tonalities. Often, the chord changes are driven by guitar inversions, suspensions, or additions.

“Castles Made of Sand” is a song by Jimi Hendrix, found on his 1967 album “Axis: Bold as Love.” The song is in the key of G major and features a chord progression that is both simple and innovative in its use of borrowed chords and voice leading. The progression can be seen as an indirect approach to the IV chord (C) which gives the progression a sense of unresolved tension. The overall sound of the song is characterized by its dreamy, psychedelic atmosphere.

The chorus of “California Kids” by Weezer features an interesting mix of primarily diatonic chords, with some borrowed chords and chromaticism. The chord progression has a pop-rock feel, with uplifting major and minor chords, and the use of the E major chords adds tension and intrigue.

“Good Old Fashioned Lover Boy” by Queen exhibits rich harmonic complexity that falls within the signature rock style of the band. This is evident in the fluctuation between major and minor chord quality, frequent use of 7th chords as well as borrowed chords from the parallel minor. The progression moves fluidly between the tonics, subdominants, and dominants, with a strong cadential movement towards the end that resolves the tension built upon earlier in the piece.

The Smashing Pumpkins – 1979 – Chorus 1

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Chord Progression

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘F#m7’, ‘B’, ‘Emaj7’, ‘E’]

Chord Progression Analysis

Chorus:
“`
1. E (I)
2. Emaj7 (I7)
3. Amaj7 (IV7)
4. E (I)
5. Emaj7 (I7)
6. Amaj7 (IV7)
7. E (I)
8. Emaj7 (I7)
9. Amaj7 (IV7)
10. F#m7 (ii7)
11. B (V)
12. Emaj7 (I7)
13. E (I)
“`

Similar Chord Progressions

Although unique in many ways, the chord progression of “1979” can be compared to that of “Life in Technicolor” by Coldplay. The song also has an unconventional progression with multiple seventh chords. The progression starts on D (I), moving to G (IV), Bm7 (vi7), G (IV) and A (V). This progression shows similar use of major seventh chords, and ends on a dominant chord, as does “1979”.

Musical Analysis

The song begins and ends with the ‘Emaj7’ chord (I7), which signifies a certain resolve, but within the progression there is a noticeable tension, particularly when it transitions to the ‘Amaj7’ (IV7) chord, which is a major seventh in place of a more typical major or minor chord. In addition, the chord progression includes the ‘F#m7’ (ii7) and ‘B’ (V), a common sequence that creates a cadence back to the ‘E key’.

Overall Analysis

The song “1979” by The Smashing Pumpkins has a chord progression that can be considered experimental for Pop and Rock music, which typically tend to use simple and easily predictable progressions. In this song, the progression is notably more complex and unpredictable, shifting between ‘E’ and ‘Emaj7’ gives this track a moody feel, and the Amaj7 gives it another color. This progression is in the key of E major.

Style Analysis

Known for their grungy sound and complex guitar work, The Smashing Pumpkins push the boundaries of typical chord progressions with songs like “1979”. The band often uses seventh chords and unexpected chord changes to create an unique and interesting sound. The use of ‘Emaj7’ and ‘Amaj7’ gives the song its distinctive, melancholy sound that sets it apart from other songs in the same genre.

Chords in the Chorus 1 section of 1979 by The Smashing Pumpkins are:

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘F#m7’, ‘B’, ‘Emaj7’, ‘E’]