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“The Smashing Pumpkins” in the song ‘1979’ has used a somewhat unconventional yet memorable chord progression, particularly in the bridge section. This progression creates a certain mood and melodic texture befitting the song’s laid-back yet emotionally resonant feel.

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“Disarm” by The Smashing Pumpkins is a piece that showcases a rather common chord progression structure in pop music, but with added embellishments and variations. The featured chords include Dsus, Em7, Cadd9, G, and Dsus/F# with a key signature suggesting that the song is in the key of G major or E minor. The prominent chord in the outro is Dsus which suggests that the song might be interpreted in the D Mixolydian mode. The use of the slash chord (D/F#) diversifies the sound of the progression and adds harmonic richness. This chord progression uses both diatonic and borrowed chords creating a familiar but interesting sound.

The chord progression in the chorus of “Breathe” by Pink Floyd is a non-diatonic progression, meaning it does not strictly follow a specific key. The progression features some borrowed chords and a dominant seventh alteration. The style is influenced by blues and jazz, with a relaxed and reflective mood.

Chorus 1

The chorus of “California Kids” by Weezer features an interesting mix of primarily diatonic chords, with some borrowed chords and chromaticism. The chord progression has a pop-rock feel, with uplifting major and minor chords, and the use of the E major chords adds tension and intrigue.

“Time To Pretend” by MGMT features a non-conventional and interesting chord progression. The progression can be primarily analyzed in the key of D Major with a brief modulation to the relative minor (F#m). The chords are not sophisticated in terms of extensions, but the arrangement and harmonic movement provide a unique and memorable melody. This chorus is an example of diatonic and modal mixture, using chords not only from the primary key but also borrowing chords from other modes.

The Smashing Pumpkins – 1979 – Chorus 1

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Chord Progression

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘F#m7’, ‘B’, ‘Emaj7’, ‘E’]

Chord Progression Analysis

Chorus:
“`
1. E (I)
2. Emaj7 (I7)
3. Amaj7 (IV7)
4. E (I)
5. Emaj7 (I7)
6. Amaj7 (IV7)
7. E (I)
8. Emaj7 (I7)
9. Amaj7 (IV7)
10. F#m7 (ii7)
11. B (V)
12. Emaj7 (I7)
13. E (I)
“`

Similar Chord Progressions

Although unique in many ways, the chord progression of “1979” can be compared to that of “Life in Technicolor” by Coldplay. The song also has an unconventional progression with multiple seventh chords. The progression starts on D (I), moving to G (IV), Bm7 (vi7), G (IV) and A (V). This progression shows similar use of major seventh chords, and ends on a dominant chord, as does “1979”.

Musical Analysis

The song begins and ends with the ‘Emaj7’ chord (I7), which signifies a certain resolve, but within the progression there is a noticeable tension, particularly when it transitions to the ‘Amaj7’ (IV7) chord, which is a major seventh in place of a more typical major or minor chord. In addition, the chord progression includes the ‘F#m7’ (ii7) and ‘B’ (V), a common sequence that creates a cadence back to the ‘E key’.

Overall Analysis

The song “1979” by The Smashing Pumpkins has a chord progression that can be considered experimental for Pop and Rock music, which typically tend to use simple and easily predictable progressions. In this song, the progression is notably more complex and unpredictable, shifting between ‘E’ and ‘Emaj7’ gives this track a moody feel, and the Amaj7 gives it another color. This progression is in the key of E major.

Style Analysis

Known for their grungy sound and complex guitar work, The Smashing Pumpkins push the boundaries of typical chord progressions with songs like “1979”. The band often uses seventh chords and unexpected chord changes to create an unique and interesting sound. The use of ‘Emaj7’ and ‘Amaj7’ gives the song its distinctive, melancholy sound that sets it apart from other songs in the same genre.

Chords in the Chorus 1 section of 1979 by The Smashing Pumpkins are:

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘F#m7’, ‘B’, ‘Emaj7’, ‘E’]