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Related Music Theory Alchemy

“1979” by The Smashing Pumpkins is written in the A major key and showcases various examples of modal interchange, also known as borrowed chords. The song switches often between the major and minor modes, providing a dynamic interplay of moods. The outro particularly stands out due to its use of both major and maj7th chords, a somewhat unusual combination. Emaj7 adds color and complexity to the progression, as a borrowed chord from the E major scale.

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Given by the chords you’ve provided, it appears the song “Today” by The Smashing Pumpkins is primarily in the key of D Major with occasional borrowed chords from D minor and E minor. The varying uses of D Major, D minor, and E minor really showcase the variety in Billy Corgan’s guitar writing.

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“The Long And Winding Road” by The Beatles presents us with a classic example of their innovative approach to harmony and composition. Drawing from various sources of influence, the song incorporates elements of traditional pop ballad form with a hint of the Baroque harmonic palette. This song is an excellent study in complex harmony and modulation within a pop music context, a trait that underpins much of The Beatles’ later work.

The bridge of “Say Goodbye” by Beck features a simple two-chord progression. However, this simplicity allows space for an interesting interplay between melody and harmony while still evoking strong emotions. Despite being simple, the progression still manages to create a sense of tension and resolution.

The song ‘Today’ by The Smashing Pumpkins is a classic example of mixing major and minor modes in rock music. The majority of the song is modal, centered around D major and B minor. However, the bridge section changes gears and revolves around E minor.

The Smashing Pumpkins – 1979 – Bridge

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Chord Progression

[‘C#m’, ‘A’, ‘B’, ‘C#m’, ‘A’, ‘B’, ‘C#m’, ‘A’, ‘F#m7’, ‘B’, ‘Emaj7’, ‘E’]

Chord Progression Analysis

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The song is in the Key of E Major. The chord progression in the Bridge is constructed as:

“`C# Minor (vi) – A Major (IV) – B Major (V) – C# Minor (vi) – A Major (IV) – B Major (V) – C# Minor (vi) – A Major (IV) – F# Minor7 (ii7) – B Major (V) – E Major 7 (IMaj7) – E Major (I)“`

In code block:

“`
“C# Minor (‘vi’) – A Major (‘IV’) – B Major (‘V’) – C# Minor (‘vi’) – A Major (‘IV’) – B Major (‘V’) – C# Minor (‘vi’) – A Major (‘IV’) – F# Minor7 (‘ii7’) – B Major (‘V’) – E Major 7 (‘IMaj7’) – E Major (‘I’)”
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Similar Chord Progressions

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Similar to the vi-IV-V-I progression used in ‘1979’, Green Day has used similar progression in their hit song ’21 Guns’:

“`D minor (vi) – Bb Major (IV) – F Major (I) – C Major (V)“`

Coldplay’s ‘The Scientist’ also shares a familiar chord progression:

“`D minor (vi) – Bb Major (IV) – F Major (I) – C Major (V)“`

Avril Lavigne’s ‘Complicated’ also involves a similar progression:

“`F Major (I) – C Major (V) – Bb Major (IV) – D minor (vi)“`

In code block:

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“D minor (‘vi’) – Bb Major (‘IV’) – F Major (‘I’) – C Major (‘V’)”
“D minor (‘vi’) – Bb Major (‘IV’) – F Major (‘I’) – C Major (‘V’)”
“F Major (‘I’) – C Major (‘V’) – Bb Major (‘IV’) – D minor (‘vi’)”
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Musical Analysis

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This chord progression revolves around the vi-IV-V, which is a popular progression in pop music as it creates a strong sense of resolution when it finally lands on the ‘I’ chord. It begins and ends on the ‘E’ while it deviates slightly in the middle by incorporating an F# minor 7 chord, which works as a borrowed chord and provides a unique flavor to the progression.

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Overall Analysis

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“The Smashing Pumpkins” in the song ‘1979’ has used a somewhat unconventional yet memorable chord progression, particularly in the bridge section. This progression creates a certain mood and melodic texture befitting the song’s laid-back yet emotionally resonant feel.

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Style Analysis

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The Smashing Pumpkins are known for their diverse approach to songwriting, often incorporating various music styles ranging from pop, punk, gothic rock, and heavy metal. Their chord progressions often have a sense of resolution but with unexpected twists which make their music unpredictable yet melodically strong. ‘1979’ is an excellent example of this stylization as it combines the use of common and borrowed chords to create a distinctive sound.

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Chords in the Bridge section of 1979 by The Smashing Pumpkins are:

[‘C#m’, ‘A’, ‘B’, ‘C#m’, ‘A’, ‘B’, ‘C#m’, ‘A’, ‘F#m7’, ‘B’, ‘Emaj7’, ‘E’]