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Related Music Theory Alchemy

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The piece, ‘1979’ by The Smashing Pumpkins follows an overarching structure with a mix of major and minor chords, what stand out are the rich extended chords, ‘Emaj7’ and ‘Amaj7’. The piece displays a balance between tonic chords and dominant chords, expressing a classic pop-rock style whilst frequent usage of maj7 chords adding a distinctive jazziness to the tune.

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“Landslide” by The Smashing Pumpkins is a cover of the original song by Fleetwood Mac, and it blends rock and folk styles. The song features a variety of chords which predominantly mixes major and minor chords to evoke strong emotions. The simple yet effective chord progression emphasizes the sentiment of the lyrics, illustrating the theme of introspection and feeling a loss of control.

The chord progression in the bridge of “Gone, Gone” by Tyler, The Creator can be described as a combination of diatonic and borrowed chords from the parallel minor key. The key of the song is F major, and the progression combines elements of pop, R&B, and jazz, creating a distinctive harmonic sound.

The bridge of George Benson’s “Give Me The Night” features a blend of jazz, R&B, and pop elements. The harmonic progression showcases a series of descending chords, interspersed with borrowed chords that provide an interesting twist to the overall tonality of the piece.

The bridge of Beck’s “Think I’m In Love” is an interesting combination of chords, showcasing unusual harmonic choices and unexpected modulations. The tonal center of this progression appears to be ambiguous, as several key centers are explored throughout the progression, creating a sense of harmonic tension and release.

The Smashing Pumpkins – 1979 – Bridge

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Chord Progression

[‘C#m’, ‘A’, ‘B’, ‘C#m’, ‘A’, ‘B’, ‘C#m’, ‘A’, ‘F#m7’, ‘B’, ‘Emaj7’, ‘E’]

Chord Progression Analysis

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The song is in the Key of E Major. The chord progression in the Bridge is constructed as:

“`C# Minor (vi) – A Major (IV) – B Major (V) – C# Minor (vi) – A Major (IV) – B Major (V) – C# Minor (vi) – A Major (IV) – F# Minor7 (ii7) – B Major (V) – E Major 7 (IMaj7) – E Major (I)“`

In code block:

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“C# Minor (‘vi’) – A Major (‘IV’) – B Major (‘V’) – C# Minor (‘vi’) – A Major (‘IV’) – B Major (‘V’) – C# Minor (‘vi’) – A Major (‘IV’) – F# Minor7 (‘ii7’) – B Major (‘V’) – E Major 7 (‘IMaj7’) – E Major (‘I’)”
“`

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Similar Chord Progressions

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Similar to the vi-IV-V-I progression used in ‘1979’, Green Day has used similar progression in their hit song ’21 Guns’:

“`D minor (vi) – Bb Major (IV) – F Major (I) – C Major (V)“`

Coldplay’s ‘The Scientist’ also shares a familiar chord progression:

“`D minor (vi) – Bb Major (IV) – F Major (I) – C Major (V)“`

Avril Lavigne’s ‘Complicated’ also involves a similar progression:

“`F Major (I) – C Major (V) – Bb Major (IV) – D minor (vi)“`

In code block:

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“D minor (‘vi’) – Bb Major (‘IV’) – F Major (‘I’) – C Major (‘V’)”
“D minor (‘vi’) – Bb Major (‘IV’) – F Major (‘I’) – C Major (‘V’)”
“F Major (‘I’) – C Major (‘V’) – Bb Major (‘IV’) – D minor (‘vi’)”
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Musical Analysis

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This chord progression revolves around the vi-IV-V, which is a popular progression in pop music as it creates a strong sense of resolution when it finally lands on the ‘I’ chord. It begins and ends on the ‘E’ while it deviates slightly in the middle by incorporating an F# minor 7 chord, which works as a borrowed chord and provides a unique flavor to the progression.

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Overall Analysis

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“The Smashing Pumpkins” in the song ‘1979’ has used a somewhat unconventional yet memorable chord progression, particularly in the bridge section. This progression creates a certain mood and melodic texture befitting the song’s laid-back yet emotionally resonant feel.

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Style Analysis

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The Smashing Pumpkins are known for their diverse approach to songwriting, often incorporating various music styles ranging from pop, punk, gothic rock, and heavy metal. Their chord progressions often have a sense of resolution but with unexpected twists which make their music unpredictable yet melodically strong. ‘1979’ is an excellent example of this stylization as it combines the use of common and borrowed chords to create a distinctive sound.

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Chords in the Bridge section of 1979 by The Smashing Pumpkins are:

[‘C#m’, ‘A’, ‘B’, ‘C#m’, ‘A’, ‘B’, ‘C#m’, ‘A’, ‘F#m7’, ‘B’, ‘Emaj7’, ‘E’]