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Related Music Theory Alchemy

“1979” by The Smashing Pumpkins is written in the A major key and showcases various examples of modal interchange, also known as borrowed chords. The song switches often between the major and minor modes, providing a dynamic interplay of moods. The outro particularly stands out due to its use of both major and maj7th chords, a somewhat unusual combination. Emaj7 adds color and complexity to the progression, as a borrowed chord from the E major scale.

“Bullet with Butterfly Wings” by The Smashing Pumpkins can be categorized as alternative rock. The chord progression showcases the grunge influence, with an emphasis on power chords and the use of suspended second chords which are often used to create ambiguity or tension.

The chorus of the Pink Floyd song “Breathe” features a mixture of diatonic and non-diatonic chords and creates a dreamy, spaced-out mood. The combination of major and minor seventh chords, as well as dominant 7th chords with altered 9ths, contributes to this atmospheric quality.

Radiohead’s “Fake Plastic Trees” is an alternative rock ballad from their 1995 album, “The Bends.” The moody and atmospheric track is characterized by its emotive vocal delivery, contrasting dynamics, rich arrangement, and engaging chord progression. This progression, in particular, features an interesting mixture of diatonic and borrowed chords that create a sense of tension and resolution throughout the piece.

The chorus maintains a feeling of resolution and tension by alternating between the IV (F major) and V (G major) chords, while the vi (A minor) to V/vi (E major) progression provides a smooth transition back to the IV chord (F major).

In terms of borrowed chords, the E Major is a borrowed chord.
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E major (V/vi)
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The Smashing Pumpkins – 1979 – Chorus 2

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Chord Progression

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘B’]

Chord Progression Analysis

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* E (‘I’)
* Emaj7 (‘Imaj7’)
* Amaj7 (‘IVmaj7’)
* E (‘I’)
* Emaj7 (‘Imaj7’)
* Amaj7 (‘IVmaj7’)
* E (‘I’)
* Emaj7 (‘Imaj7’)
* Amaj7 (‘IVmaj7’)
* B (‘V’)

“`Borrowed chords: none in this particular section“`

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Similar Chord Progressions

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1. The Beatles – “Something”: The verses follow a similar structure with their usage of maj7 chords, albeit in a different key.

Chords: C (‘I’), Cmaj7 (‘Imaj7’), Am7 (‘vim7’), D7 (‘II7’)

2. Radiohead – “Paranoid Android”: Incorporates maj7 chords and progresses in a similar oscillating manner, but in a different key and with the addition of a minor iv chord.

Chords: C (‘I’), Cmaj7 (‘Imaj7’), G (‘V’), Fmaj7 (‘IVmaj7’), Fm (‘iv’)

Please note that the use of maj7 chords in the context of rock genre is a distinguishing feature. While not identical, these pieces showcases similar stylistic choices.

Musical Analysis

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This progression oscillates between E and E major 7th, marking a standard I-Imaj7 progression. Transition from Emaj7 to Amaj7 presents a smooth stepwise up movement in the bass(From E to G# to A), hence creating a light dissonance but resolves it in the next E chord. Concluding in the B chord intensifies a strong melodic pull back to the tonic.

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Overall Analysis

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The piece, ‘1979’ by The Smashing Pumpkins follows an overarching structure with a mix of major and minor chords, what stand out are the rich extended chords, ‘Emaj7’ and ‘Amaj7’. The piece displays a balance between tonic chords and dominant chords, expressing a classic pop-rock style whilst frequent usage of maj7 chords adding a distinctive jazziness to the tune.

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Style Analysis

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The Smashing Pumpkins are known for their innovative fusion of different genres. While ‘1979’ maintains a strong rock sensibility, it exhibits interesting incorporations of jazz elements, as evident in the inclusion of major 7th chords. Repeated use of the same chords underlies a characteristic feature of pop-rock genre – repetition and the use of catchy, addictive loops.

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Chords in the Chorus 2 section of 1979 by The Smashing Pumpkins are:

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘B’]