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Related Music Theory Alchemy

Patterns in music are fundamental for creating musical identity. This repetition ensures the music is coherent and familiar for the listener. In the case of “Perfect” by Smashing Pumpkins, the song makes use of a common popular music chord progression known as the I – vi progression.

“Disarm” by The Smashing Pumpkins is a piece that showcases a rather common chord progression structure in pop music, but with added embellishments and variations. The featured chords include Dsus, Em7, Cadd9, G, and Dsus/F# with a key signature suggesting that the song is in the key of G major or E minor. The prominent chord in the outro is Dsus which suggests that the song might be interpreted in the D Mixolydian mode. The use of the slash chord (D/F#) diversifies the sound of the progression and adds harmonic richness. This chord progression uses both diatonic and borrowed chords creating a familiar but interesting sound.

The bridge of Weezer’s “Say It Ain’t So” features an intriguing chord progression, which presents both diatonic and borrowed chords, as well as chromatic harmony. The song’s key is C major, but it touches on the parallel minor key and incorporates unusual chords such as the Eb major chord, which adds tension and surprise. The chord progression and harmonic rhythm are fairly consistent throughout the bridge, creating a sense of unity.

The chord progression appears to be in the key of Bb Major, and showcases various diatonic chords along with a few borrowed chords. This progression is characterized by a blend of smooth and rich harmony, primarily due to the use of 7th chords and suspensions. The introduction of the dominant B7 chord adds interest, making the progression more unpredictable and complex.

“Creep” by Radiohead is a well-known song that features a fairly simple chord progression in its bridge. The progression is memorable for its fusion of diatonic and chromatic elements, creating a sense of tension and interest.

The Smashing Pumpkins – Perfect – Bridge

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Chord Progression

[‘G’, ‘Em’, ‘D’, ‘G’, ‘Em’, ‘D’, ‘Bm’, ‘D’, ‘Bm’]

Chord Progression Analysis

The bridge progression is as follows:

– G Major (IV)
– E minor (ii)
– D Major (I)
– G Major (IV)
– E minor (ii)
– D Major (I)
– B minor (vi)
– D Major (I)
– B minor (vi)

“`Borrowed Chord: None in this progression“`

Similar Chord Progressions

1. “Let It Be” by The Beatles:
– C Major (I)
– G Major (V)
– A minor (vi)
– F Major (IV)
– C Major (I)
– G Major (V)
– F Major (IV)
– C Major (I)

2. “Wonderwall” by Oasis:
– E minor7 (Em7)
– G Major (G)
– D sus4 (Dsus4)
– A7 sus4 (A7sus4)
– E minor7 (Em7)
– G Major (G)
– D sus4 (Dsus4)
– A7 sus4 (A7sus4)

While these songs may not share the exact chord sequence with “Perfect” by The Smashing Pumpkins, they demonstrate similar use of IV – ii – I, and I – V – vi – IV progressions that provide a rich sonic environment and give a nod to the kind of nostalgic melancholy found in much of The Smashing Pumpkins’ music.

Musical Analysis

The bridge chord progression starts with the subdominant (G Major or IV), which then goes to the supertonic (E minor or ii), and resolves back to the tonic (D Major or I). This progression repeats once, before transitioning to the relative minor (B minor or vi), and then resolves back to the tonic (D Major or I), repeating again to finish the sequence.

The use of the relative minor (vi) provides a somber tonal shift in the composition, typical of Smashing Pumpkins’ introspective style. The IV – ii – I progression adds both a melodic interestingness and harmonic richness, leaning on the softer and more emotional side of the spectrum.

Overall Analysis

“Perfect” by The Smashing Pumpkins is written in the key of D major. The song takes a relatively standard and common approach in chord progression, particularly with the cyclical variations that have the onset within a classic pop/rock realm. The tonality and mid-tempo pacing give the song a melancholic and nostalgic tone.

Style Analysis

The Smashing Pumpkins, especially in their earlier works, are known for their grunge-infused alternative rock sound, which frequently uses standard chord progressions but with twist to accommodate their unique sound. Billy Corgan, the band’s primary songwriter, often applies a sort of “sweet and sour” approach to his compositions, blending uplifting major chords with gloomy minor relatives to create a signature tension and release within his music.

Chords in the Bridge section of Perfect by The Smashing Pumpkins are:

[‘G’, ‘Em’, ‘D’, ‘G’, ‘Em’, ‘D’, ‘Bm’, ‘D’, ‘Bm’]