Music Theory Alchemy

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Patterns in music are fundamental for creating musical identity. This repetition ensures the music is coherent and familiar for the listener. In the case of “Perfect” by Smashing Pumpkins, the song makes use of a common popular music chord progression known as the I – vi progression.

“Bullet With Butterfly Wings” by The Smashing Pumpkins features a chord progression that uses a lot of power chords (fifth chords) which demonstrates its grungy, rock oriented style. It also incorporates major, minor, and suspended second chords, making it an interesting combination of simplicity and complexity.

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“Here Comes the Sun” written by The Beatles is a seminal work from the Beatles’ output in pop music. The piece is composed in a modified strophic form with a circular pattern augmented with a repetitive and distinct bridge that modulates in key. The use of major chords and open voicings gives the song a sunny and positive feel, hence its title. It’s also notable for its mixed use of diatonic and borrowed chords, contributing to its unique sound.

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The chord progression of “Get You” by Daniel Caesar is intriguing and rich. The progression has a smooth, soulful sound with interesting uses of borrowed chords that add an alluring complexity to the song.

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

The Smashing Pumpkins – Perfect – Bridge

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Chord Progression

[‘G’, ‘Em’, ‘D’, ‘G’, ‘Em’, ‘D’, ‘Bm’, ‘D’, ‘Bm’]

Chord Progression Analysis

The bridge progression is as follows:

– G Major (IV)
– E minor (ii)
– D Major (I)
– G Major (IV)
– E minor (ii)
– D Major (I)
– B minor (vi)
– D Major (I)
– B minor (vi)

“`Borrowed Chord: None in this progression“`

Similar Chord Progressions

1. “Let It Be” by The Beatles:
– C Major (I)
– G Major (V)
– A minor (vi)
– F Major (IV)
– C Major (I)
– G Major (V)
– F Major (IV)
– C Major (I)

2. “Wonderwall” by Oasis:
– E minor7 (Em7)
– G Major (G)
– D sus4 (Dsus4)
– A7 sus4 (A7sus4)
– E minor7 (Em7)
– G Major (G)
– D sus4 (Dsus4)
– A7 sus4 (A7sus4)

While these songs may not share the exact chord sequence with “Perfect” by The Smashing Pumpkins, they demonstrate similar use of IV – ii – I, and I – V – vi – IV progressions that provide a rich sonic environment and give a nod to the kind of nostalgic melancholy found in much of The Smashing Pumpkins’ music.

Musical Analysis

The bridge chord progression starts with the subdominant (G Major or IV), which then goes to the supertonic (E minor or ii), and resolves back to the tonic (D Major or I). This progression repeats once, before transitioning to the relative minor (B minor or vi), and then resolves back to the tonic (D Major or I), repeating again to finish the sequence.

The use of the relative minor (vi) provides a somber tonal shift in the composition, typical of Smashing Pumpkins’ introspective style. The IV – ii – I progression adds both a melodic interestingness and harmonic richness, leaning on the softer and more emotional side of the spectrum.

Overall Analysis

“Perfect” by The Smashing Pumpkins is written in the key of D major. The song takes a relatively standard and common approach in chord progression, particularly with the cyclical variations that have the onset within a classic pop/rock realm. The tonality and mid-tempo pacing give the song a melancholic and nostalgic tone.

Style Analysis

The Smashing Pumpkins, especially in their earlier works, are known for their grunge-infused alternative rock sound, which frequently uses standard chord progressions but with twist to accommodate their unique sound. Billy Corgan, the band’s primary songwriter, often applies a sort of “sweet and sour” approach to his compositions, blending uplifting major chords with gloomy minor relatives to create a signature tension and release within his music.

Chords in the Bridge section of Perfect by The Smashing Pumpkins are:

[‘G’, ‘Em’, ‘D’, ‘G’, ‘Em’, ‘D’, ‘Bm’, ‘D’, ‘Bm’]