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Related Music Theory Alchemy

“Bullet With Butterfly Wings” by The Smashing Pumpkins is an alternative rock song released in 1995. The song is in the key of E minor and primarily uses power chords derived from the E minor scale throughout the song. Power chords or ‘5’ chords, like B5 or G5, don’t have a major or minor quality and are often used in rock music for their strong and neutral sound. The song also applies modal mixture (borrowing chords from parallel keys) for color and tension.

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The piece, ‘1979’ by The Smashing Pumpkins follows an overarching structure with a mix of major and minor chords, what stand out are the rich extended chords, ‘Emaj7’ and ‘Amaj7’. The piece displays a balance between tonic chords and dominant chords, expressing a classic pop-rock style whilst frequent usage of maj7 chords adding a distinctive jazziness to the tune.

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The bridge of “Say Goodbye” by Beck features a simple two-chord progression. However, this simplicity allows space for an interesting interplay between melody and harmony while still evoking strong emotions. Despite being simple, the progression still manages to create a sense of tension and resolution.

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

“I Am The Walrus” is a composition by The Beatles in which the song varies in key and progressive elements, with fascinating uses of borrowed chords from parallel modes and chromatic bass motion. The melody resides predominantly within a pentatonic framework, frequently rotating around subversions. The Bridge section beautifully showcases Beatles’ experimentation with descending chord progression built around chromatic movement.

The Smashing Pumpkins – Bullet With Butterfly Wings – Bridge

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Chord Progression

[‘Em’, ‘G5’, ‘F#5’, ‘E’, ‘F#5’, ‘A5’, ‘Em’, ‘G5’, ‘F#5’, ‘E’, ‘F#5’, ‘A5’, ‘Em’, ‘G5’, ‘F#5’, ‘E’, ‘F#5’, ‘A5’, ‘Em’, ‘G5’, ‘F#5’, ‘E’, ‘F#5’, ‘A5’, ‘Em’, ‘G5’, ‘F#5’, ‘E’, ‘F#5’, ‘A5’, ‘Em’, ‘G5’, ‘F#5’]

Chord Progression Analysis

Let’s analyze the chords in the Bridge and identify them using Roman numerals. The song is in the key of E minor, so that will be our point of reference.

Em (i), G5 (♭III), F#5 (ii), E (I), F#5 (ii), A5 (IV), repeat four times

Similar Chord Progressions

1. “Smells Like Teen Spirit” by Nirvana also uses simple power chord progressions in E minor to invoke ambiguity and dissonance.
2. “Karma Police” by Radiohead uses power chords that don’t clearly state a major or minor tonality, while their transition from major to minor chords echoes the Smashing Pumpkins’ tonal shifts.
3. “Under The Bridge” by Red Hot Chili Peppers can be similarly analyzed, though it relies more on clear major and minor chords for its melancholic tone.

Here’s the chord progression for “Smells Like Teen Spirit”: [‘E5’, ‘B5’, ‘G5’, ‘C5’], or in terms of Roman numerals: E5 (i), B5 (v), G5 (♭III), C5 (♭VI).

Musical Analysis

The song uses a mix of major and minor chords (and power chords, which are neither major nor minor), contributing to a tense and unstable feeling, characteristic of much of The Smashing Pumpkins’ music.

The use of power chords (a root note and a perfect fifth with no third) also adds to this mix of “unresolved” feelings; they are neither major nor minor and hence do not have a clear emotional tone, which matches the song’s theme of frustration and confusion.

Overall Analysis

“Bullet With Butterfly Wings” by The Smashing Pumpkins is a rock song that alternates between heavy distortion and calm sections. Interestingly, the song is mostly in E minor, but uses a lot of power chords (5th chords) and sus2 chords which give the song a distinctively undecided, floating feeling, as these chords don’t have a clear major or minor character. The song uses a rather straightforward progression with a few deviations and embellishments which provide tension and release.

Style Analysis

“Bullet With Butterfly Wings” features several hallmarks of the 1990s alternative grunge-rock style – including distorted guitars, power chords, and a vocal line that rises and falls in intensity echoing the lyrical themes. The song also showcases Smashing Pumpkins’ signature style, which includes Corgan’s nasally vocals, heavy use of distortion, and high-octane choruses contrasted with quieter verses.

Chords in the Bridge section of Bullet With Butterfly Wings by The Smashing Pumpkins are:

[‘Em’, ‘G5’, ‘F#5’, ‘E’, ‘F#5’, ‘A5’, ‘Em’, ‘G5’, ‘F#5’, ‘E’, ‘F#5’, ‘A5’, ‘Em’, ‘G5’, ‘F#5’, ‘E’, ‘F#5’, ‘A5’, ‘Em’, ‘G5’, ‘F#5’, ‘E’, ‘F#5’, ‘A5’, ‘Em’, ‘G5’, ‘F#5’, ‘E’, ‘F#5’, ‘A5’, ‘Em’, ‘G5’, ‘F#5’]