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“Paint It Black” plays with minor tonality, which isn’t extremely common in rock and roll music of the era. The song is in the key of E minor and uses the chords Em, B, D, G, and A. The verse has an interesting use of harmonies, incorporating the minor i, major V, minor iv, major bIII, and major IV chords.

“Heartbreaker” by The Rolling Stones is a rock song that exhibits some fundamental rock and blues progressions and chord changes. The chorus of the song is a three-chord progression [E, G, C] that repeats four times.

The song “Eight Days a Week” by The Beatles is an interesting example of pop music songwriting from the mid 1960’s. It showcases Paul McCartney and John Lennon’s ability to use common chord progressions and tweak them in a unique and recognizable way. It utilizes a simple progression in the verse but what makes it different is their use of 7th and borrowed chords. The key of the song is D major.

The song “Hallelujah” written by Leonard Cohen and popularly covered by Jeff Buckley is a solemn ballad consisting of poetic lyrics set to a haunting melody. This particular chord progression in Verse 4 highlights the song’s delicate balance between tension and resolution. The tonality revolves around C major, with deviations into other tonal areas, which adds complexity and emotional impact.

“Can’t Buy Me Love,” a song by The Beatles, exhibits a style that’s emblematic of their earlier work, with a clear, upbeat tonality and an elegant yet straightforward chord progression. The tune is predominantly centred in the key of C major, but it utilizes both major and dominant 7th chords to create tension and resolution, modulating away from the home key. The particular progression you’ve given, ‘C7’, ‘F7’, ‘C’, isn’t rare and demonstrates the Beatles’ precision and understanding of pop and rock music’s creative possibilities.

The Rolling Stones – Paint It Black – Verse 4

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Chord Progression

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]

Chord Progression Analysis

Here is the roman numerals notation for each chord in the progression:
“`
E minor (‘i’)
B Major (‘V’)
E minor (‘i’)
B Major (‘V’)
E minor (‘i’)
D Major (‘VII’)
G Major (‘III’)
D Major (‘VII’)
E minor (‘i’)
E minor (‘i’)
D Major (‘VII’)
G Major (‘III’)
D Major (‘VII’)
A Major (‘IV’)
B Major (‘V’)
“`

Similar Chord Progressions

1. “House of the Rising Sun” by The Animals shares a similar progression.
“`
A minor (‘i’)
C Major (‘III’)
D Major (‘IV’)
F Major (‘VI’)
A minor (‘i’)
E Major (‘V’)
D Major (‘IV’)
E Major (‘V’)
“`
2. “Bittersweet Symphony” by The Verve also employs similar chord patterns.
“`
E Major (‘I’)
D# minor (‘vii’)
B Major (‘V’)
C# minor (‘vi’)
A Major (‘IV’)
B Major (‘V’)
C# minor (‘vi’)
C# minor (‘vi’)
“`
Remember these are not identically same progressions but they share similar structures, shifts, modulations or harmonic resolutions.

Musical Analysis

The primary chords in this song are from the key of E minor, but there are borrowed chords as well. D Major, G Major, and A Major serve as the borrowed chords. D major and G major are borrowed from the Dorian mode of E minor and A Major is borrowed from the parallel major. The frequent movement between the tonic minor (Em), the major V (B Major), the seventh scale degree (D Major), and the mediant (G Major) creates tension and resolves in the progression, offering a sense of exploration and deviation from simple diatonic rules.

Overall Analysis

“Paint It Black” by The Rolling Stones is a famous Rock song heavily influenced by the Indian classical form of music called Raga rock. The song is written in E minor and it has a very distinctively descending minor key tonality. The chords progression in the verse sequence doesn’t follow the conventional rules of western tonal harmony as it navigates through various key centers, showcasing the bands exploration of exotic and unconventional songwriting.

Style Analysis

The song features a fusion of Rock and Roll and Indian classical music, featuring distinctive use of the sitar. The recurring minor key tonality, the descending bass line and the instrument choices colour the song with a dark and melancholic yet aggressive mood, which aligns with the lyrical theme of the song. Frequent vacillation between the dominant (B major) and the tonic (Em) also creates a feeling of unresolved tension.

Chords in the Verse 4 section of Paint It Black by The Rolling Stones are:

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]