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Related Music Theory Alchemy

“Paint It Black” plays with minor tonality, which isn’t extremely common in rock and roll music of the era. The song is in the key of E minor and uses the chords Em, B, D, G, and A. The verse has an interesting use of harmonies, incorporating the minor i, major V, minor iv, major bIII, and major IV chords.

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

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The given chord progression is from the fourth verse of “Megalomania” by Muse. It reflects a mix of classical and rock influences and showcases Muse’s signature harmonic choices, featuring borrowed chords and non-diatonic elements.

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“Rocky Raccoon” by The Beatles is noted for its eclectic blend of folk, country, and popular music styles. The song is written in G major and follows a fairly straightforward progression but with a couple of important twists.

The

“The Long And Winding Road” is in the key of D major. The chords are quite typical of pop music, however, The Beatles use of extensions and suspensions provide a unique complexity to the progression. The song dabbles in modal interchange as it borrows chords from parallel minor, a popular Beatles technique.

The Rolling Stones – Paint It Black – Verse 4

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Chord Progression

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]

Chord Progression Analysis

Here is the roman numerals notation for each chord in the progression:
“`
E minor (‘i’)
B Major (‘V’)
E minor (‘i’)
B Major (‘V’)
E minor (‘i’)
D Major (‘VII’)
G Major (‘III’)
D Major (‘VII’)
E minor (‘i’)
E minor (‘i’)
D Major (‘VII’)
G Major (‘III’)
D Major (‘VII’)
A Major (‘IV’)
B Major (‘V’)
“`

Similar Chord Progressions

1. “House of the Rising Sun” by The Animals shares a similar progression.
“`
A minor (‘i’)
C Major (‘III’)
D Major (‘IV’)
F Major (‘VI’)
A minor (‘i’)
E Major (‘V’)
D Major (‘IV’)
E Major (‘V’)
“`
2. “Bittersweet Symphony” by The Verve also employs similar chord patterns.
“`
E Major (‘I’)
D# minor (‘vii’)
B Major (‘V’)
C# minor (‘vi’)
A Major (‘IV’)
B Major (‘V’)
C# minor (‘vi’)
C# minor (‘vi’)
“`
Remember these are not identically same progressions but they share similar structures, shifts, modulations or harmonic resolutions.

Musical Analysis

The primary chords in this song are from the key of E minor, but there are borrowed chords as well. D Major, G Major, and A Major serve as the borrowed chords. D major and G major are borrowed from the Dorian mode of E minor and A Major is borrowed from the parallel major. The frequent movement between the tonic minor (Em), the major V (B Major), the seventh scale degree (D Major), and the mediant (G Major) creates tension and resolves in the progression, offering a sense of exploration and deviation from simple diatonic rules.

Overall Analysis

“Paint It Black” by The Rolling Stones is a famous Rock song heavily influenced by the Indian classical form of music called Raga rock. The song is written in E minor and it has a very distinctively descending minor key tonality. The chords progression in the verse sequence doesn’t follow the conventional rules of western tonal harmony as it navigates through various key centers, showcasing the bands exploration of exotic and unconventional songwriting.

Style Analysis

The song features a fusion of Rock and Roll and Indian classical music, featuring distinctive use of the sitar. The recurring minor key tonality, the descending bass line and the instrument choices colour the song with a dark and melancholic yet aggressive mood, which aligns with the lyrical theme of the song. Frequent vacillation between the dominant (B major) and the tonic (Em) also creates a feeling of unresolved tension.

Chords in the Verse 4 section of Paint It Black by The Rolling Stones are:

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]