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Related Music Theory Alchemy

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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“You Can’t Always Get What You Want” by The Rolling Stones is built around major tonality and uses direct and simple progressions. It also features what are known as additive chords (Gadd9) – chords to which notes are added beyond the common triad. The song commences in the key of G Major, indicated by the G, Gadd9, and C chords. These chords progress in an almost continual cyclical pattern across the verses. Here, the dominant chord (D) in the key of G Major is absent, which grants a tonal ambiguity to the song. Interestingly, the song takes a departure into a different key later on which will not be included in this analysis as it pertains to the Verse only.

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The given chord progression is from the fourth verse of “Megalomania” by Muse. It reflects a mix of classical and rock influences and showcases Muse’s signature harmonic choices, featuring borrowed chords and non-diatonic elements.

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“House of the Rising Sun” by The Animals is a traditional folk song arranged by the British rock band in 1964. The song is known for its distinct and haunting minor sound, which has become one of the most famous examples of a minor key in popular music. The chord progression features a mix of diatonic and non-diatonic chords that add variety and interest to the music.

The song “Hallelujah” written by Leonard Cohen and popularly covered by Jeff Buckley is a solemn ballad consisting of poetic lyrics set to a haunting melody. This particular chord progression in Verse 4 highlights the song’s delicate balance between tension and resolution. The tonality revolves around C major, with deviations into other tonal areas, which adds complexity and emotional impact.

The Rolling Stones – Paint It Black – Verse 4

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Chord Progression

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]

Chord Progression Analysis

Here is the roman numerals notation for each chord in the progression:
“`
E minor (‘i’)
B Major (‘V’)
E minor (‘i’)
B Major (‘V’)
E minor (‘i’)
D Major (‘VII’)
G Major (‘III’)
D Major (‘VII’)
E minor (‘i’)
E minor (‘i’)
D Major (‘VII’)
G Major (‘III’)
D Major (‘VII’)
A Major (‘IV’)
B Major (‘V’)
“`

Similar Chord Progressions

1. “House of the Rising Sun” by The Animals shares a similar progression.
“`
A minor (‘i’)
C Major (‘III’)
D Major (‘IV’)
F Major (‘VI’)
A minor (‘i’)
E Major (‘V’)
D Major (‘IV’)
E Major (‘V’)
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2. “Bittersweet Symphony” by The Verve also employs similar chord patterns.
“`
E Major (‘I’)
D# minor (‘vii’)
B Major (‘V’)
C# minor (‘vi’)
A Major (‘IV’)
B Major (‘V’)
C# minor (‘vi’)
C# minor (‘vi’)
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Remember these are not identically same progressions but they share similar structures, shifts, modulations or harmonic resolutions.

Musical Analysis

The primary chords in this song are from the key of E minor, but there are borrowed chords as well. D Major, G Major, and A Major serve as the borrowed chords. D major and G major are borrowed from the Dorian mode of E minor and A Major is borrowed from the parallel major. The frequent movement between the tonic minor (Em), the major V (B Major), the seventh scale degree (D Major), and the mediant (G Major) creates tension and resolves in the progression, offering a sense of exploration and deviation from simple diatonic rules.

Overall Analysis

“Paint It Black” by The Rolling Stones is a famous Rock song heavily influenced by the Indian classical form of music called Raga rock. The song is written in E minor and it has a very distinctively descending minor key tonality. The chords progression in the verse sequence doesn’t follow the conventional rules of western tonal harmony as it navigates through various key centers, showcasing the bands exploration of exotic and unconventional songwriting.

Style Analysis

The song features a fusion of Rock and Roll and Indian classical music, featuring distinctive use of the sitar. The recurring minor key tonality, the descending bass line and the instrument choices colour the song with a dark and melancholic yet aggressive mood, which aligns with the lyrical theme of the song. Frequent vacillation between the dominant (B major) and the tonic (Em) also creates a feeling of unresolved tension.

Chords in the Verse 4 section of Paint It Black by The Rolling Stones are:

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]