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“Heartbreaker” by The Rolling Stones is a rock song that exhibits some fundamental rock and blues progressions and chord changes. The chorus of the song is a three-chord progression [E, G, C] that repeats four times.

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“You Can’t Always Get What You Want” by The Rolling Stones is built around major tonality and uses direct and simple progressions. It also features what are known as additive chords (Gadd9) – chords to which notes are added beyond the common triad. The song commences in the key of G Major, indicated by the G, Gadd9, and C chords. These chords progress in an almost continual cyclical pattern across the verses. Here, the dominant chord (D) in the key of G Major is absent, which grants a tonal ambiguity to the song. Interestingly, the song takes a departure into a different key later on which will not be included in this analysis as it pertains to the Verse only.

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The chord progression of the verse in Weezer’s “If You’re Wondering If I Want You To I Want You To” uses a combination of diatonic and borrowed chords in the key of D Major. The use of the borrowed chord from the parallel minor key contributes to the unique sound of the progression.

“God Only Knows” by The Beach Boys showcases the artistic depth and compositional craft of Brian Wilson, the band’s primary songwriter. The song utilizes a complex chord progression and key changes that are unconventional for pop music of its time. The chord progression creates a sense of constant mood transitions, similar to arias in Romantic era music.

“All You Need Is Love” is in the key of G major. The song primarily uses the chords within the key signature and has a relatively simple harmonic structure. However, the song does utilize a few distinct chord choices that contribute to its unique sonic character. The song applies modal interchange with an inclusion of A minor from the G Mixolydian mode and the D7 and D6 which evoke a hint of the D Mixolydian mode.

The Rolling Stones – Heartbreaker – Verse

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Chord Progression

[‘Em7’, ‘Am7’, ‘Em7’, ‘Em7’, ‘Am7’, ‘Em7’]

Chord Progression Analysis

“`
Em7 (‘i7’),
Am7 (‘iv7’),
Em7 (‘i7’),
Em7 (‘i7’),
Am7 (‘iv7’),
Em7 (‘i7’),
E (‘I’),
G (‘bIII’),
C (‘bVI’),
E (‘I’),
E (‘I’),
G (‘bIII’),
C (‘bVI’),
E (‘I’),
E (‘I’),
G (‘bIII’),
C (‘bVI’),
E (‘I’).
“`
Borrowed Chords:
“`
G (‘bIII’), C (‘bVI’)
“`

Similar Chord Progressions

The Em- Am progression of the verse is common in many rock and pop songs. However, the chorus borrowing chords from the parallel major key is a technique known as modal interchange and has been used in various songs and genres. Some examples:

“Creep” by Radiohead
“`
Em (‘i’) – Cmaj (‘VIMaj’) – G (‘III’)- G (‘III’)
“`

“Hallelujah” by Leonard Cohen:
“`
Em (‘i’), G (‘III’), Em (‘i’), Em (‘i’)
“`

Both songs use a similar transition from the minor i to the major III, providing an unexpected lift to the music.

Musical Analysis

The verse of the song begins with an Em7 chord, which is the tonic or home chord in the key of E minor. This is followed by an Am7, which is the subdominant chord. The cycle of tonic-subdominant creates a sense of musical tension and resolution.

The introduction of the major E chord in the chorus is a surprising yet effective transition, providing a bright and uplifting contrast to the dark, moody verses. The G and C chords, which are borrowed from the parallel major key, serve to extend this uplifting feel.

The consistent use of seventh chords throughout the track also adds depth to the song and reinforces its bluesy, rock vibe.

Overall Analysis

“Heartbreaker” by The Rolling Stones is a classic rock song that utilizes a chord progression that is stereotypical of the genre. The verse and chorus unfold in the key of E minor, with the verse using primarily a cycle of Em7 and Am7. In terms of musical mood and expressivity, the progression conveys a melancholic yet energetic feeling, which is characteristic of the rock genre.

Style Analysis

The Rolling Stones frequently infused their rock sound with elements of the blues, and “Heartbreaker” is no exception. The blues influence is apparent in their use of seventh chords and the bIII and bVI borrowed chords which are common in blues music.

The call-and-response style between the lead guitar and vocals, as well as the use of a rhythmic, driving bassline, are also quintessential features of The Rolling Stones’ style.

Chords in the Verse section of Heartbreaker by The Rolling Stones are:

[‘Em7’, ‘Am7’, ‘Em7’, ‘Em7’, ‘Am7’, ‘Em7’]