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Related Music Theory Alchemy

“Heartbreaker” by The Rolling Stones is a rock song that exhibits some fundamental rock and blues progressions and chord changes. The chorus of the song is a three-chord progression [E, G, C] that repeats four times.

“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

“I Sat By The Ocean” by Queens of the Stone Age employs multiple chords which creates a complex and engaging harmony in the verse. The song is in the key G# major and it uses multiple borrowed chords from other keys. It’s worth noting that Queens of the Stone Age has a distinct sound that incorporates elements of stoner rock, heavy metal, and alternative rock into their material. Sizeable use of power chords that gives the song its heavy rock feel.

Taylor Swift’s “Black Dog” features a verse chord progression that is both simple and evocative, utilizing variations of the tonic chord to create a sense of movement and build tension before resolving into more straightforward chord changes. This kind of progression is characteristic of songs that aim to evoke a contemplative or narrative-driven mood, which is a frequent theme in Swift’s songwriting.

The chord progression in Radiohead’s “You And Whose Army” showcases the band’s unique style of blending chord progressions from different key centers, as well as their tendency to use borrowed chords. The progression consists largely of diatonic chords from the key of C# minor, but also features a few borrowed chords from D# minor and the parallel major key, C# Major.

The Rolling Stones – Heartbreaker – Verse

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Chord Progression

[‘Em7’, ‘Am7’, ‘Em7’, ‘Em7’, ‘Am7’, ‘Em7’]

Chord Progression Analysis

“`
Em7 (‘i7’),
Am7 (‘iv7’),
Em7 (‘i7’),
Em7 (‘i7’),
Am7 (‘iv7’),
Em7 (‘i7’),
E (‘I’),
G (‘bIII’),
C (‘bVI’),
E (‘I’),
E (‘I’),
G (‘bIII’),
C (‘bVI’),
E (‘I’),
E (‘I’),
G (‘bIII’),
C (‘bVI’),
E (‘I’).
“`
Borrowed Chords:
“`
G (‘bIII’), C (‘bVI’)
“`

Similar Chord Progressions

The Em- Am progression of the verse is common in many rock and pop songs. However, the chorus borrowing chords from the parallel major key is a technique known as modal interchange and has been used in various songs and genres. Some examples:

“Creep” by Radiohead
“`
Em (‘i’) – Cmaj (‘VIMaj’) – G (‘III’)- G (‘III’)
“`

“Hallelujah” by Leonard Cohen:
“`
Em (‘i’), G (‘III’), Em (‘i’), Em (‘i’)
“`

Both songs use a similar transition from the minor i to the major III, providing an unexpected lift to the music.

Musical Analysis

The verse of the song begins with an Em7 chord, which is the tonic or home chord in the key of E minor. This is followed by an Am7, which is the subdominant chord. The cycle of tonic-subdominant creates a sense of musical tension and resolution.

The introduction of the major E chord in the chorus is a surprising yet effective transition, providing a bright and uplifting contrast to the dark, moody verses. The G and C chords, which are borrowed from the parallel major key, serve to extend this uplifting feel.

The consistent use of seventh chords throughout the track also adds depth to the song and reinforces its bluesy, rock vibe.

Overall Analysis

“Heartbreaker” by The Rolling Stones is a classic rock song that utilizes a chord progression that is stereotypical of the genre. The verse and chorus unfold in the key of E minor, with the verse using primarily a cycle of Em7 and Am7. In terms of musical mood and expressivity, the progression conveys a melancholic yet energetic feeling, which is characteristic of the rock genre.

Style Analysis

The Rolling Stones frequently infused their rock sound with elements of the blues, and “Heartbreaker” is no exception. The blues influence is apparent in their use of seventh chords and the bIII and bVI borrowed chords which are common in blues music.

The call-and-response style between the lead guitar and vocals, as well as the use of a rhythmic, driving bassline, are also quintessential features of The Rolling Stones’ style.

Chords in the Verse section of Heartbreaker by The Rolling Stones are:

[‘Em7’, ‘Am7’, ‘Em7’, ‘Em7’, ‘Am7’, ‘Em7’]