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Related Music Theory Alchemy

“Heartbreaker” by The Rolling Stones is a rock song that exhibits some fundamental rock and blues progressions and chord changes. The chorus of the song is a three-chord progression [E, G, C] that repeats four times.

“Brown Sugar” by The Rolling Stones is a rock and roll song prominently featuring electric guitar and piano, characterized by its driving groove and catchy chorus. The base key for the song is C Major. The harmonic progression is fairly simple and stays mainly within the diatonic chords, with some occasional borrowing from other modes.

“After You’ve Gone” is a jazz standard composed by Django Reinhardt. The verse progression of the song uses a combination of major, minor and dominant chords with some borrowed chords and secondary dominants, which is a hallmark of early jazz and swing music. The harmonic rhythm is mainly at a pace of one or two chords per bar, with occasional faster changes. The piece has a strong sense of tonal center around the key of G major.

The Verse of “Us and Them” by Pink Floyd showcases a unique and non-diatonic chord progression that focuses on D mixolydian mode with added sus2 chords and an augmented chord. It deviates from traditional harmony patterns and creates a spacious, floating feel. The chords occur in a consistent pattern and are mostly slash chords with the constant presence of the D note in the bass, which further strengthens the D tonality.

“I Sat By The Ocean” by Queens of the Stone Age employs multiple chords which creates a complex and engaging harmony in the verse. The song is in the key G# major and it uses multiple borrowed chords from other keys. It’s worth noting that Queens of the Stone Age has a distinct sound that incorporates elements of stoner rock, heavy metal, and alternative rock into their material. Sizeable use of power chords that gives the song its heavy rock feel.

The Rolling Stones – Heartbreaker – Verse

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Chord Progression

[‘Em7’, ‘Am7’, ‘Em7’, ‘Em7’, ‘Am7’, ‘Em7’]

Chord Progression Analysis

“`
Em7 (‘i7’),
Am7 (‘iv7’),
Em7 (‘i7’),
Em7 (‘i7’),
Am7 (‘iv7’),
Em7 (‘i7’),
E (‘I’),
G (‘bIII’),
C (‘bVI’),
E (‘I’),
E (‘I’),
G (‘bIII’),
C (‘bVI’),
E (‘I’),
E (‘I’),
G (‘bIII’),
C (‘bVI’),
E (‘I’).
“`
Borrowed Chords:
“`
G (‘bIII’), C (‘bVI’)
“`

Similar Chord Progressions

The Em- Am progression of the verse is common in many rock and pop songs. However, the chorus borrowing chords from the parallel major key is a technique known as modal interchange and has been used in various songs and genres. Some examples:

“Creep” by Radiohead
“`
Em (‘i’) – Cmaj (‘VIMaj’) – G (‘III’)- G (‘III’)
“`

“Hallelujah” by Leonard Cohen:
“`
Em (‘i’), G (‘III’), Em (‘i’), Em (‘i’)
“`

Both songs use a similar transition from the minor i to the major III, providing an unexpected lift to the music.

Musical Analysis

The verse of the song begins with an Em7 chord, which is the tonic or home chord in the key of E minor. This is followed by an Am7, which is the subdominant chord. The cycle of tonic-subdominant creates a sense of musical tension and resolution.

The introduction of the major E chord in the chorus is a surprising yet effective transition, providing a bright and uplifting contrast to the dark, moody verses. The G and C chords, which are borrowed from the parallel major key, serve to extend this uplifting feel.

The consistent use of seventh chords throughout the track also adds depth to the song and reinforces its bluesy, rock vibe.

Overall Analysis

“Heartbreaker” by The Rolling Stones is a classic rock song that utilizes a chord progression that is stereotypical of the genre. The verse and chorus unfold in the key of E minor, with the verse using primarily a cycle of Em7 and Am7. In terms of musical mood and expressivity, the progression conveys a melancholic yet energetic feeling, which is characteristic of the rock genre.

Style Analysis

The Rolling Stones frequently infused their rock sound with elements of the blues, and “Heartbreaker” is no exception. The blues influence is apparent in their use of seventh chords and the bIII and bVI borrowed chords which are common in blues music.

The call-and-response style between the lead guitar and vocals, as well as the use of a rhythmic, driving bassline, are also quintessential features of The Rolling Stones’ style.

Chords in the Verse section of Heartbreaker by The Rolling Stones are:

[‘Em7’, ‘Am7’, ‘Em7’, ‘Em7’, ‘Am7’, ‘Em7’]