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“Heartbreaker” by The Rolling Stones is a classic rock song that utilizes a chord progression that is stereotypical of the genre. The verse and chorus unfold in the key of E minor, with the verse using primarily a cycle of Em7 and Am7. In terms of musical mood and expressivity, the progression conveys a melancholic yet energetic feeling, which is characteristic of the rock genre.

“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

“Hey Jude” goes through a clear progression, switching through the keys of D major, A major and G major. Like many Beatles songs, it cleverly varies between these keys in keeping with the melody and mood of the piece. The complexity of this progression is part of the song’s charm and helps exemplifies the band’s creative approach to composition.

The chorus of Radiohead’s “Paranoid Android” features an unconventional and diverse chord progression, drawing from various scale degrees. This progression contributes to the song’s complex, shifting quality, moving through several tonal centers.

The modality of the song “Yet Again” by Grizzly Bear is primarily in A minor, which makes it a piece in the minor modality. This song uses several traditional progression elements, but intermixes them with unexpected changes, especially the shift from E minor to F major, and the chromatic shift from G major to B flat major.

The Rolling Stones – Heartbreaker – Chorus

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Chord Progression

[‘E’, ‘G’, ‘C’, ‘E’, ‘E’, ‘G’, ‘C’, ‘E’, ‘E’, ‘G’, ‘C’, ‘E’]

Chord Progression Analysis

Given the key of the song is E Major, the three basic triads in the aforementioned section are E Major, G Major, and C Major. The full chord names and their corresponding Roman numerals are as follows:

– E Major (‘I’)
– G Major (‘♭III’)
– C Major (‘♭VI’)

The Roman numerals indicate the position of the chord within the key itself. So, in this case, the E Major corresponds to the ‘I’, or the first chord in E Major. The borrowed chords in the progression are G Major and C Major. They are borrowed from the key of E minor, positioning G and C as the flat third and flat sixth chords respectively.

Code Block:

“`music
Borrowed Chords: G Major (‘♭III’), C Major (‘♭VI’)
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Similar Chord Progressions

A similar chord progression can be found in the song “Free Bird” by Lynyrd Skynyrd, which employs the use of major and minor chords, as well as borrowed chords to create a dynamic and compelling auditory experience. It uses the progression [‘G’, ‘D’, ‘Em’, ‘F’, ‘C’, ‘D’] for the verse and chorus

Chord progression of “Free Bird” with the full chord names are:

– G Major (‘I’)
– D Major (‘V’)
– E minor (‘vi’)
– F Major (‘♭VII’)
– C Major (‘IV’)
– D Major (‘V’)

The borrowed chord in the verse is F, so not the exact same chords as ‘Heartbreaker’, but the use of borrowed chords in a similar genre makes it a fitting comparison.

Musical Analysis

This sequence of major chords is not uncommon in Western music and makes the listener subtly aware of descending motion. Ascending in pitch but descending in terms of the scale degrees. It’s a method used frequently in order to create tension and anticipation before resolving back to the tonic chord (E Major in this case).

Overall Analysis

“Heartbreaker” by The Rolling Stones is a rock song that exhibits some fundamental rock and blues progressions and chord changes. The chorus of the song is a three-chord progression [E, G, C] that repeats four times.

Style Analysis

The style exhibited in this song is typical of The Rolling Stones—blues-rock with a rebellious edge. The use of major chords gives the chorus a bright, powerful sound, which contrasts with the darker verses underlined by minor chords. The incorporation of borrowed chords, which are more commonly associated with minor keys, introduces a sense of unease or tension into the otherwise major-key song. This is a characteristic feature of the Stones’ songwriting, enabling them to blend cheerful choruses with more thought-provoking verses.

Chords in the Chorus section of Heartbreaker by The Rolling Stones are:

[‘E’, ‘G’, ‘C’, ‘E’, ‘E’, ‘G’, ‘C’, ‘E’, ‘E’, ‘G’, ‘C’, ‘E’]