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The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

The song, “As Tears Go By” by The Rolling Stones, is primarily in the key of G major. Its chord progression contains elements of classic pop songwriting, particularly from the 1960s, featuring major and minor chords, functional harmony, and a few borrowed chords. The verse has a repeating chord sequence that eventually concludes with a resolution to the tonic chord.

The chord progression of “I Want To Hold Your Hand” by The Beatles is particularly interesting for its use of key changes and borrowed chords. It reflects both the catchy driving pop rock melody signature of early Beatles and the sophistication of harmonic innovation, which defines their later work.

“Let It Happen” by Tame Impala is characterized by its psychedelic and experimental nuances. It features an overall bright and uplifting tone despite its use of some more complex chords. The song ska common in pop music. The chord progression in question has a strong melodic sensibility demonstrating Kevin Parker’s ability to incorporate complex musical ideas into a pop format.

The chord progression in Muse’s Hysteria (verse 2) is a fairly unique progression that revolves around a minor tonality with some hints of E7 acting as a secondary dominant. It seems to have an ambiguous key center, fluctuating between E minor and A minor. The progression is repeated, providing a sense of tension and familiarity throughout the verse.

The Rolling Stones – Brown Sugar – Verse 2

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Chord Progression

[‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘F’, ‘F’, ‘F’, ‘F’, ‘F’, ‘F’, ‘F’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘Bb’, ‘C’, ‘Bb’, ‘G’, ‘G’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘G’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’]

Chord Progression Analysis

Verse 2 proceeds as follows:
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
F Major (IV)
F Major (IV)
F Major (IV)
F Major (IV)
F Major (IV)
F Major (IV)
F Major (IV)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
Bb Major (bVII) – borrowed chord
C Major (I)
Bb Major (bVII) – borrowed chord
G Major (V)
G Major (V)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
G Major (V)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)

Similar Chord Progressions

Several artists have used similar chord progressions. Tom Petty’s “Mary Jane’s Last Dance” uses a similar progression with chords in key of A minor, and a borrowed D Major chord: [‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘D’, ‘D’, ‘D’, ‘D’, ‘D’, ‘D’, ‘D’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘G’, ‘Am’, ‘G’, ‘E’, ‘E’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘E’, ‘Am’, ‘Am’, ‘Am’, ‘Am’, ‘Am’]. Likewise, Neil Young’s “Powderfinger” uses a similar progression with chords in key of D Major and a borrowed C Major chord.

Musical Analysis

The song revolves around a recurring major pentatonic riff. The Stones use heavy repetition of the I chord (C major) which creates a hypnotic, driving groove. The IV chord (F major) then provides a brief change. Borrowed bVII chord (Bb Major) adds color to the progression, and the use of V chord (G Major) adds tension and release, and allows for the transition back to the I chord (C major) to resolve the progression.

Overall Analysis

“Brown Sugar” by The Rolling Stones, off their 1971 album Sticky Fingers, is in the key of C major, and primarily uses the chords C, F, G and Bb. This song showcases the band’s blues rock influences, built on a repetitive, riff-driven chord progression. The use of I, IV, V, and a borrowed bVII (Bb), which is common in the blues, creates an appealing and familiar sound, helping the song resonate with listeners.

Style Analysis

“Brown Sugar” embodies elements of blues, rock’n’roll, and classic rock genres. Known for their blues-influenced rock sound, Rolling Stones make good use of the borrowed bVII chord. By incorporating this borrowed chord, which is frequently used in blues, the band creates an authentic ‘bluesy’ feeling, and adds color to their music.

Chords in the Verse 2 section of Brown Sugar by The Rolling Stones are:

[‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘F’, ‘F’, ‘F’, ‘F’, ‘F’, ‘F’, ‘F’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘Bb’, ‘C’, ‘Bb’, ‘G’, ‘G’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘G’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’]