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Related Music Theory Alchemy

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

“As Tears Go By” by The Rolling Stones is a popular song from the mid-60s that features a mix of major and minor chords along with modulations between closely related keys. The overall harmonic structure shares similarities with other rock and pop songs of that era, including The Beatles and Bob Dylan.

Base Key and

The chord progression in verse 2 of Stephen Sanchez’s “Until I Found You” is tonal and grounded in the key of G major throughout. The progression follows a strong, clearly structured pattern with repeated use of the G, Bm, C chords and a concluding D chord used to transition to the following sections. Stephen Sanchez makes significant use of the I-iii-IV chord progression in G major (G-Bm-C), which gives the song its flowing, harmonically stable character.

“Time” by Pink Floyd is a progressive rock song that features an uncommon chord progression with some unique harmonic choices. The Verse 2 progression has a strong sense of tonal ambiguity and the chords often fluctuate between major and minor tonalities. This contributes to the emotional depth and complexity of the song, which is characteristic of Pink Floyd’s music.

“Maxwell’s Silver Hammer” is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by Paul McCartney. The song is primarily in the key of D Major and exhibits a mix of major, minor, and dominant seventh chords. This verse progression manifests the distinctive Beatles’ sound which often includes chromaticism and prevalence of secondary dominants that link the chords together, giving a smooth flow and color to the harmonic progression.

The Rolling Stones – Brown Sugar – Verse 2

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Chord Progression

C, C, C, C, C, C, C, F, F, F, F, F, F, F, C, C, C, C, C, C, C, Bb, C, Bb, G, G, C, C, C, C, C, G, C, C, C, C, C

Chord Progression Analysis

C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – Bb Major (bVII) – C Major (I) – Bb Major (bVII) – G Major (V) – G Major (V) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – G Major (V) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I)

Borrowed Chord:
– Bb Major (bVII) is a borrowed chord from the parallel minor key of C minor.

Similar Chord Progressions

1. “Sweet Home Alabama” by Lynyrd Skynyrd: D Major (I) – C Major (bVII) – G Major (IV) – D Major (I) – C Major (bVII) – G Major (IV)
2. “Born on the Bayou” by Creedence Clearwater Revival: E Major (I) – E Major (I) – E Major (I) – E Major (I) – D Major (bVII) – A Major (IV)
3. “Hey Joe” by Jimi Hendrix: C Major (I) – G Major (V) – D Major (II) – A Major (VI) – E Major (III) – C Major (I)

These songs share similarities with “Brown Sugar” in terms of their rock and blues influences, and they also feature the use of the I, IV, and V chords, as well as borrowed chords from parallel minor keys (such as the bVII).

Musical Analysis

The chord progression in the verse primarily features the I (C Major) and IV (F Major) chords. The constant use of the I chord creates a sense of stability, and the progression to the IV chord produces a classic “rock” sound. The bVII (Bb Major) chord adds interest and serves as a surprise element, providing contrast in the progression. It effectively creates tension, which is then resolved by the V chord (G Major), leading the progression back to the I chord.

Overall Analysis

“Brown Sugar” by The Rolling Stones is a rock song in the key of C major. The chord progression is simple and effective, reflecting the band’s blues and rock ‘n’ roll influences. The overall structure includes three verses with the same chord progression.

Style Analysis

“Brown Sugar” is a rock song with strong blues and rock ‘n’ roll influences. The heavy use of the I, IV, and V chords is a common feature in these genres. The straightforward, repetitive chord progression gives the song its driving, energetic feel, which is further enhanced by the band’s dynamic rhythm playing and the vocal melodies. The use of the borrowed chord (bVII) adds an unexpected twist, which is not uncommon in rock music of the late 1960s and 1970s.

Chords in the Verse 2 section of Brown Sugar by The Rolling Stones are:

C, C, C, C, C, C, C, F, F, F, F, F, F, F, C, C, C, C, C, C, C, Bb, C, Bb, G, G, C, C, C, C, C, G, C, C, C, C, C