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Related Music Theory Alchemy

“Brown Sugar” by The Rolling Stones, off their 1971 album Sticky Fingers, is in the key of C major, and primarily uses the chords C, F, G and Bb. This song showcases the band’s blues rock influences, built on a repetitive, riff-driven chord progression. The use of I, IV, V, and a borrowed bVII (Bb), which is common in the blues, creates an appealing and familiar sound, helping the song resonate with listeners.

“Start Me Up” by The Rolling Stones is structured in a key of D Major, and the song largely follows a I-IV-V chord progression, which is a staple in many genres, especially in blues and rock music. The progression is known for its simple, catchy, and resolved sounds.

“Sour Times” by Portishead is largely written in the key of C# minor, with elements of modal interchange and chromaticism that contribute to its haunting, dark sound. The song exhibits a remarkable amount of harmonic complexity and non-diatonic harmony, which is a defining characteristic of the trip-hop genre. The piece makes use of intricate inversions and chromatic voice leading, along with a frequent use of sevenths and diminished chords for added tension.

“And I Love Her” by The Beatles is predominantly set within the key of F# minor. Apart from the chorus that momentarily modulates to the key of D minor, the verses embrace a darker, melancholic atmosphere portrayed by the minor keys. The tonal structure and chord progressions in the song are reflective of the band’s exploration of intricate harmonies, going beyond the simple three-chord structures of many contemporary pop songs of the time.

“Feeling Good” by Muse is a cover of the song originally written by Anthony Newley and Leslie Bricusse for the 1964 musical “The Roar of the Greasepaint – The Smell of the Crowd”. Muse’s version is characterized by its distinct blend of jazz, rock, and pop influences, with strong orchestration and stylistically unique elements that give the song a modern edge while still paying homage to its classic roots.

The Rolling Stones – Brown Sugar – Verse 2

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Chord Progression

C, C, C, C, C, C, C, F, F, F, F, F, F, F, C, C, C, C, C, C, C, Bb, C, Bb, G, G, C, C, C, C, C, G, C, C, C, C, C

Chord Progression Analysis

C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – Bb Major (bVII) – C Major (I) – Bb Major (bVII) – G Major (V) – G Major (V) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – G Major (V) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I)

Borrowed Chord:
– Bb Major (bVII) is a borrowed chord from the parallel minor key of C minor.

Similar Chord Progressions

1. “Sweet Home Alabama” by Lynyrd Skynyrd: D Major (I) – C Major (bVII) – G Major (IV) – D Major (I) – C Major (bVII) – G Major (IV)
2. “Born on the Bayou” by Creedence Clearwater Revival: E Major (I) – E Major (I) – E Major (I) – E Major (I) – D Major (bVII) – A Major (IV)
3. “Hey Joe” by Jimi Hendrix: C Major (I) – G Major (V) – D Major (II) – A Major (VI) – E Major (III) – C Major (I)

These songs share similarities with “Brown Sugar” in terms of their rock and blues influences, and they also feature the use of the I, IV, and V chords, as well as borrowed chords from parallel minor keys (such as the bVII).

Musical Analysis

The chord progression in the verse primarily features the I (C Major) and IV (F Major) chords. The constant use of the I chord creates a sense of stability, and the progression to the IV chord produces a classic “rock” sound. The bVII (Bb Major) chord adds interest and serves as a surprise element, providing contrast in the progression. It effectively creates tension, which is then resolved by the V chord (G Major), leading the progression back to the I chord.

Overall Analysis

“Brown Sugar” by The Rolling Stones is a rock song in the key of C major. The chord progression is simple and effective, reflecting the band’s blues and rock ‘n’ roll influences. The overall structure includes three verses with the same chord progression.

Style Analysis

“Brown Sugar” is a rock song with strong blues and rock ‘n’ roll influences. The heavy use of the I, IV, and V chords is a common feature in these genres. The straightforward, repetitive chord progression gives the song its driving, energetic feel, which is further enhanced by the band’s dynamic rhythm playing and the vocal melodies. The use of the borrowed chord (bVII) adds an unexpected twist, which is not uncommon in rock music of the late 1960s and 1970s.

Chords in the Verse 2 section of Brown Sugar by The Rolling Stones are:

C, C, C, C, C, C, C, F, F, F, F, F, F, F, C, C, C, C, C, C, C, Bb, C, Bb, G, G, C, C, C, C, C, G, C, C, C, C, C