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The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

Dead Flowers by The Rolling Stones is a classic track that exhibits some very traditional aspects of popular music and blues-based rock. The song is in D major and follows a fairly standard chord progression, using only three chords (D, A, and G), which make up four-measure phrases that are repeated throughout this part of the song.

** The Beatles are well known for their creative and unusual use of chords and harmonies. In “Lucy in The Sky With Diamonds”, there is a clear example of their innovative harmonic vocabulary. They employ a variety of common, borrowed, and chromatic mediant chords to create a remarkable soundscape that complements the psychedelic theme of the song.

**

The progression from B to A to E is a common progression in pop and rock music. This progression utilizes diatonic and non-diatonic chords, meaning that the chords all belong to the same key and it suggests the use of borrowed chords. A Perfect Circle tends to use a lot of downward motion in their chord progressions, moving from higher to lower pitches, which can give their music a distinct ‘heavy’ feel.

The given chord progression is found in Verse 2 of Tyler, The Creator’s song “Are We Still Friends.” The song is in the key of E major, and the progression features a mix of major, minor, and dominant seventh chords. The distinctive chromatic movement and the use of borrowed chords make for a memorable and unique progression. The combination of these elements results in a lush and emotionally charged progression which contributes greatly to the overall feel of the song.

The Rolling Stones – Brown Sugar – Verse 2

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Chord Progression

C, C, C, C, C, C, C, F, F, F, F, F, F, F, C, C, C, C, C, C, C, Bb, C, Bb, G, G, C, C, C, C, C, G, C, C, C, C, C

Chord Progression Analysis

C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – F Major (IV) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – Bb Major (bVII) – C Major (I) – Bb Major (bVII) – G Major (V) – G Major (V) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – G Major (V) – C Major (I) – C Major (I) – C Major (I) – C Major (I) – C Major (I)

Borrowed Chord:
– Bb Major (bVII) is a borrowed chord from the parallel minor key of C minor.

Similar Chord Progressions

1. “Sweet Home Alabama” by Lynyrd Skynyrd: D Major (I) – C Major (bVII) – G Major (IV) – D Major (I) – C Major (bVII) – G Major (IV)
2. “Born on the Bayou” by Creedence Clearwater Revival: E Major (I) – E Major (I) – E Major (I) – E Major (I) – D Major (bVII) – A Major (IV)
3. “Hey Joe” by Jimi Hendrix: C Major (I) – G Major (V) – D Major (II) – A Major (VI) – E Major (III) – C Major (I)

These songs share similarities with “Brown Sugar” in terms of their rock and blues influences, and they also feature the use of the I, IV, and V chords, as well as borrowed chords from parallel minor keys (such as the bVII).

Musical Analysis

The chord progression in the verse primarily features the I (C Major) and IV (F Major) chords. The constant use of the I chord creates a sense of stability, and the progression to the IV chord produces a classic “rock” sound. The bVII (Bb Major) chord adds interest and serves as a surprise element, providing contrast in the progression. It effectively creates tension, which is then resolved by the V chord (G Major), leading the progression back to the I chord.

Overall Analysis

“Brown Sugar” by The Rolling Stones is a rock song in the key of C major. The chord progression is simple and effective, reflecting the band’s blues and rock ‘n’ roll influences. The overall structure includes three verses with the same chord progression.

Style Analysis

“Brown Sugar” is a rock song with strong blues and rock ‘n’ roll influences. The heavy use of the I, IV, and V chords is a common feature in these genres. The straightforward, repetitive chord progression gives the song its driving, energetic feel, which is further enhanced by the band’s dynamic rhythm playing and the vocal melodies. The use of the borrowed chord (bVII) adds an unexpected twist, which is not uncommon in rock music of the late 1960s and 1970s.

Chords in the Verse 2 section of Brown Sugar by The Rolling Stones are:

C, C, C, C, C, C, C, F, F, F, F, F, F, F, C, C, C, C, C, C, C, Bb, C, Bb, G, G, C, C, C, C, C, G, C, C, C, C, C