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Related Music Theory Alchemy

“As Tears Go By” by The Rolling Stones is a popular song from the mid-60s that features a mix of major and minor chords along with modulations between closely related keys. The overall harmonic structure shares similarities with other rock and pop songs of that era, including The Beatles and Bob Dylan.

Base Key and

“Brown Sugar” by The Rolling Stones is based in the key of C major. The verse has a simple and catchy chord progression that primarily revolves around the I and IV chords in the key, with brief excursions to the dominant and a borrowed chord from the parallel minor key. This structure contributes to the song’s bluesy and rock’n’roll sound.

The outro of “Hey Joe” by Jimi Hendrix uses a descending circle of fifths chord progression, which is a very common progression in many styles of music, particularly in the Baroque period and in blues-based rock music. The progression features a steady descent through the Circle of Fifths that creates a strong sense of harmony and resolution. In this context, Jimi Hendrix uses the progression to create tension and momentum, which is appropriate for an outro section.

“Disarm” by The Smashing Pumpkins is a piece that showcases a rather common chord progression structure in pop music, but with added embellishments and variations. The featured chords include Dsus, Em7, Cadd9, G, and Dsus/F# with a key signature suggesting that the song is in the key of G major or E minor. The prominent chord in the outro is Dsus which suggests that the song might be interpreted in the D Mixolydian mode. The use of the slash chord (D/F#) diversifies the sound of the progression and adds harmonic richness. This chord progression uses both diatonic and borrowed chords creating a familiar but interesting sound.

Kali Uchis’ “Telepatia” features a relatively simple two-chord progression in the outro, consisting of a major seventh chord followed by a dominant seventh chord. The harmonic texture is sparse yet effective, with a unique, ethereal atmosphere created by the interplay between the two chords.

The Rolling Stones – As Tears Go By – Outro

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Chord Progression

G, A, C, D, G

Chord Progression Analysis

The central focus of the song’s harmony is primarily on the tonic (G Major), subdominant (C Major), and dominant (D Major) chords. The inclusion of the A Major chord, which is borrowed from the parallel minor key (E minor), adds some unexpected color and interest to the progression, yet it is still smooth and functional due to its resolution back to the IV chord (C Major). The D/F# (V6/4) chord in the verses also provides a smoother bass line and voice leading.

Similar Chord Progressions

Musical Analysis

“As Tears Go By” adheres to a style typical of the 1960s folk-pop ballad, with simple, repetitive harmonic progressions and a verse-based structure. The inclusion of a borrowed chord (A Major) adds an element of subtle tension and unexpectedness, which is a common element in pop music from this era.

Overall Analysis

The Rolling Stones’ “As Tears Go By” is primarily in the key of G major and follows a Verse-Verse-Verse-Outro structure. The harmony is relatively simple, incorporating primarily diatonic chords from the G major scale as well as a few borrowed chords and inversions.

Chord Progression Analysis (Outro):
G Major (I) – A Major (V/vi, borrowed from E minor) – C Major (IV) – D Major (V) – G Major (I)

Style Analysis

1. The Beatles – “I Will” (1968)
Chord Progression: F Major (I) – A Major (V/vi, borrowed from D minor) – Bb Major (IV) – C Major (V) – F Major (I)

2. The Mamas and the Papas – “California Dreamin’” (1965)
Chord Progression: A Minor (i) – G Major (VII) – F Major (VI) – C Major (III) – G Major (VII) – A Minor (i)

3. Bob Dylan – “Girl from the North Country” (1963)
Chord Progression: C Major (I) – D Major (V/V, borrowed from G major) – F Major (IV) – G Major (V) – C Major (I)

In summary, “As Tears Go By” by The Rolling Stones employs a simple, diatonic chord progression with some borrowed chords to add interest. It follows a popular 1960s folk-pop ballad style and shares similarities with other songs from the same era by artists like The Beatles, The Mamas and the Papas, and Bob Dylan.

Chords in the Outro section of As Tears Go By by The Rolling Stones are:

G, A, C, D, G