Search

Related Music Theory Alchemy

The Beatles’ “With A Little Help From My Friends” is in the key of E major and the coda chord progression special in its context. It is a clear example of a piece from the pop or rock genre exhibiting a distinctive use of chord progressions and modulation without adhering strictly to the classical traditions. Common prevailing characteristics of music by The Beatles are exemplified in this piece through its use of borrowed chords, chromatic mediants, and modal interchange, providing a distinct harmonic color and texture.

“Within You Without You” from The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album, composed by George Harrison, is a unique song in the Beatles’ discography. Musically, it truly merges the essence of Indian classical music with traditional Western music techniques. The chord progression is minimal and largely stays around the key of C major, which enhances the song’s drone-like effect, typical in traditional Indian music.

“Creep” by Radiohead is a well-known song that features a fairly simple chord progression in its bridge. The progression is memorable for its fusion of diatonic and chromatic elements, creating a sense of tension and interest.

The chord progression of “Get You” by Daniel Caesar is intriguing and rich. The progression has a smooth, soulful sound with interesting uses of borrowed chords that add an alluring complexity to the song.

The bridge of George Benson’s “Give Me The Night” features a blend of jazz, R&B, and pop elements. The harmonic progression showcases a series of descending chords, interspersed with borrowed chords that provide an interesting twist to the overall tonality of the piece.

The Beatles – With A Little Help From My Friends – Bridge

Add To Favorites Remove From Favorites

Chord Progression

[‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’, ‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’]

Chord Progression Analysis

Within the key of E Major, this part of the song operates in a generally diatonic environment with some notable exceptions.

“`
C# minor (vi)
F# Major (II)
E Major (I)
D Major (bVII) – borrowed from E minor
A Major (IV)
C# minor (vi)
F# Major (II)
E Major (I)
D Major (bVII) – borrowed from E minor
A Major (IV)
“`

Similar Chord Progressions

1. ‘Something’ by The Beatles
With a progression in the key of C major:

“`
C Major (I)
D Major (II)
A Major (VI)
F# minor (iv)
D Major (II)
A Major (VI)
“`

2. ‘Hey Jude’ by The Beatles
This verse progression (Key of F Major) shows another use of the major IV to I progression.

“`
F Major (I)
C Major (V)
Bb Major (IV)
F Major (I)
“`

Note: Similar chord progressions can evoke similar mood but always depend on factors like rhythm, tempo, timbre, etc. The Beatles’ chord progressions were always unique in context of the melody and the overarching song structure.

Musical Analysis

Here, we see an example of both borrowed chords and secondary dominants. The first borrowed chord in this progression is D major (notated as bVII), which is borrowed from E minor. Borrowed chords offer a way to introduce outside tones and add color to a progression.

The move from F# to E might be viewed as a deceptive cadence given that F# is the dominant of B, but instead resolves to E. This is part of what gives the song its characteristic twist.

Overall Analysis

With a Little Help from My Friends’ exists in a rich harmonic landscape typical of the Beatles. Here, we can see signature moves like mixing major/minor tonalities, borrowed chords, and unconventional harmonic progressions.

Style Analysis

The Beatles frequently utilized non-diatonic (not within the key) chords to add tension and interest to their music. They were well known for unconventional chord progressions and harmonic complexity layered within simple pop structures.

Chords in the Bridge section of With A Little Help From My Friends by The Beatles are:

[‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’, ‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’]