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Related Music Theory Alchemy

The song “With A Little Help From My Friends” by The Beatles is written in the key of E major. The third verse is mostly consistent with the key, with the only chords used are E, F#m, and B.

The overall analysis of “With A Little Help From My Friends” indicates usage of the classic Pop/Rock chord style that The Beatles were known for. This style often features I-IV-V (1-4-5) progressions and the usage of minor chords to create emotive contrasts. “With A Little Help From My Friends” uses this to great effect, even incorporating borrowed chords from parallel scales for enhanced emotion and “singability.”

The song ‘Today’ by The Smashing Pumpkins is a classic example of mixing major and minor modes in rock music. The majority of the song is modal, centered around D major and B minor. However, the bridge section changes gears and revolves around E minor.

Nine Inch Nails’ “Closer” is a unique blend of industrial rock, electronica, and alternative styles that has propelled the song to prominence as one of the band’s most famous and frequently played tracks. The song is in the key of E major and features a recurring chord progression throughout its various sections.

“In My Head” by Queens of the Stone Age shows a variety of complex chord progressions that are often seen in alternative rock and other sub-genres of rock music. The chord progressions seem to use a combination of modal and chromatic harmony which gives it an edgy and intriguing sound quality.

The Beatles – With A Little Help From My Friends – Bridge

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Chord Progression

[‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’, ‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’]

Chord Progression Analysis

Within the key of E Major, this part of the song operates in a generally diatonic environment with some notable exceptions.

“`
C# minor (vi)
F# Major (II)
E Major (I)
D Major (bVII) – borrowed from E minor
A Major (IV)
C# minor (vi)
F# Major (II)
E Major (I)
D Major (bVII) – borrowed from E minor
A Major (IV)
“`

Similar Chord Progressions

1. ‘Something’ by The Beatles
With a progression in the key of C major:

“`
C Major (I)
D Major (II)
A Major (VI)
F# minor (iv)
D Major (II)
A Major (VI)
“`

2. ‘Hey Jude’ by The Beatles
This verse progression (Key of F Major) shows another use of the major IV to I progression.

“`
F Major (I)
C Major (V)
Bb Major (IV)
F Major (I)
“`

Note: Similar chord progressions can evoke similar mood but always depend on factors like rhythm, tempo, timbre, etc. The Beatles’ chord progressions were always unique in context of the melody and the overarching song structure.

Musical Analysis

Here, we see an example of both borrowed chords and secondary dominants. The first borrowed chord in this progression is D major (notated as bVII), which is borrowed from E minor. Borrowed chords offer a way to introduce outside tones and add color to a progression.

The move from F# to E might be viewed as a deceptive cadence given that F# is the dominant of B, but instead resolves to E. This is part of what gives the song its characteristic twist.

Overall Analysis

With a Little Help from My Friends’ exists in a rich harmonic landscape typical of the Beatles. Here, we can see signature moves like mixing major/minor tonalities, borrowed chords, and unconventional harmonic progressions.

Style Analysis

The Beatles frequently utilized non-diatonic (not within the key) chords to add tension and interest to their music. They were well known for unconventional chord progressions and harmonic complexity layered within simple pop structures.

Chords in the Bridge section of With A Little Help From My Friends by The Beatles are:

[‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’, ‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’]