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Related Music Theory Alchemy

The overall analysis of “With A Little Help From My Friends” indicates usage of the classic Pop/Rock chord style that The Beatles were known for. This style often features I-IV-V (1-4-5) progressions and the usage of minor chords to create emotive contrasts. “With A Little Help From My Friends” uses this to great effect, even incorporating borrowed chords from parallel scales for enhanced emotion and “singability.”

The song “A Day in the Life” by the Beatles is known for its unique and striking musical features. The chord progression in the interlude, in particular, represents an example of the Beatles’ innovative approach to harmonic structure and tonal movement. This section is essentially a sequence of dominant-seventh chords that each resolve to the note a fifth below, a common harmonic progression known as the circle of fifths. The interlude features a prominent orchestral crescendo and transition that are hallmarks of the Beatles’ experimental approach to the use of orchestral instruments in rock music.

“Perfect” by The Smashing Pumpkins is written in the key of D major. The song takes a relatively standard and common approach in chord progression, particularly with the cyclical variations that have the onset within a classic pop/rock realm. The tonality and mid-tempo pacing give the song a melancholic and nostalgic tone.

“Maxwell’s Silver Hammer” is a Beatles song composed in the key of D Major. It’s a classic example of Paul McCartney’s knack for catchy pop songwriting. This song showcases McCartney’s affinity for borrowing chords to make his progressions more interesting.

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“Every Day Is Exactly The Same” by Nine Inch Nails has an interesting chord progression, particularly in the bridge, which adopts a distinct pattern of E, A, C, G repeatedly. This song is classified under Industrial Rock and utilizes repetition impressively to create a sense of monotony and frustration, akin to the lyrical theme.

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The Beatles – With A Little Help From My Friends – Bridge

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Chord Progression

[‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’, ‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’]

Chord Progression Analysis

Within the key of E Major, this part of the song operates in a generally diatonic environment with some notable exceptions.

“`
C# minor (vi)
F# Major (II)
E Major (I)
D Major (bVII) – borrowed from E minor
A Major (IV)
C# minor (vi)
F# Major (II)
E Major (I)
D Major (bVII) – borrowed from E minor
A Major (IV)
“`

Similar Chord Progressions

1. ‘Something’ by The Beatles
With a progression in the key of C major:

“`
C Major (I)
D Major (II)
A Major (VI)
F# minor (iv)
D Major (II)
A Major (VI)
“`

2. ‘Hey Jude’ by The Beatles
This verse progression (Key of F Major) shows another use of the major IV to I progression.

“`
F Major (I)
C Major (V)
Bb Major (IV)
F Major (I)
“`

Note: Similar chord progressions can evoke similar mood but always depend on factors like rhythm, tempo, timbre, etc. The Beatles’ chord progressions were always unique in context of the melody and the overarching song structure.

Musical Analysis

Here, we see an example of both borrowed chords and secondary dominants. The first borrowed chord in this progression is D major (notated as bVII), which is borrowed from E minor. Borrowed chords offer a way to introduce outside tones and add color to a progression.

The move from F# to E might be viewed as a deceptive cadence given that F# is the dominant of B, but instead resolves to E. This is part of what gives the song its characteristic twist.

Overall Analysis

With a Little Help from My Friends’ exists in a rich harmonic landscape typical of the Beatles. Here, we can see signature moves like mixing major/minor tonalities, borrowed chords, and unconventional harmonic progressions.

Style Analysis

The Beatles frequently utilized non-diatonic (not within the key) chords to add tension and interest to their music. They were well known for unconventional chord progressions and harmonic complexity layered within simple pop structures.

Chords in the Bridge section of With A Little Help From My Friends by The Beatles are:

[‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’, ‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’]