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Related Music Theory Alchemy

The song “With A Little Help From My Friends” by The Beatles is written in the key of E major. The third verse is mostly consistent with the key, with the only chords used are E, F#m, and B.

“Rocky Raccoon” by The Beatles is noted for its eclectic blend of folk, country, and popular music styles. The song is written in G major and follows a fairly straightforward progression but with a couple of important twists.

The

“I Am The Walrus” is a composition by The Beatles in which the song varies in key and progressive elements, with fascinating uses of borrowed chords from parallel modes and chromatic bass motion. The melody resides predominantly within a pentatonic framework, frequently rotating around subversions. The Bridge section beautifully showcases Beatles’ experimentation with descending chord progression built around chromatic movement.

The bridge of “Say Goodbye” by Beck features a simple two-chord progression. However, this simplicity allows space for an interesting interplay between melody and harmony while still evoking strong emotions. Despite being simple, the progression still manages to create a sense of tension and resolution.

The chord progression in the bridge of “Gone, Gone” by Tyler, The Creator can be described as a combination of diatonic and borrowed chords from the parallel minor key. The key of the song is F major, and the progression combines elements of pop, R&B, and jazz, creating a distinctive harmonic sound.

The Beatles – With A Little Help From My Friends – Bridge

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Chord Progression

[‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’, ‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’]

Chord Progression Analysis

Within the key of E Major, this part of the song operates in a generally diatonic environment with some notable exceptions.

“`
C# minor (vi)
F# Major (II)
E Major (I)
D Major (bVII) – borrowed from E minor
A Major (IV)
C# minor (vi)
F# Major (II)
E Major (I)
D Major (bVII) – borrowed from E minor
A Major (IV)
“`

Similar Chord Progressions

1. ‘Something’ by The Beatles
With a progression in the key of C major:

“`
C Major (I)
D Major (II)
A Major (VI)
F# minor (iv)
D Major (II)
A Major (VI)
“`

2. ‘Hey Jude’ by The Beatles
This verse progression (Key of F Major) shows another use of the major IV to I progression.

“`
F Major (I)
C Major (V)
Bb Major (IV)
F Major (I)
“`

Note: Similar chord progressions can evoke similar mood but always depend on factors like rhythm, tempo, timbre, etc. The Beatles’ chord progressions were always unique in context of the melody and the overarching song structure.

Musical Analysis

Here, we see an example of both borrowed chords and secondary dominants. The first borrowed chord in this progression is D major (notated as bVII), which is borrowed from E minor. Borrowed chords offer a way to introduce outside tones and add color to a progression.

The move from F# to E might be viewed as a deceptive cadence given that F# is the dominant of B, but instead resolves to E. This is part of what gives the song its characteristic twist.

Overall Analysis

With a Little Help from My Friends’ exists in a rich harmonic landscape typical of the Beatles. Here, we can see signature moves like mixing major/minor tonalities, borrowed chords, and unconventional harmonic progressions.

Style Analysis

The Beatles frequently utilized non-diatonic (not within the key) chords to add tension and interest to their music. They were well known for unconventional chord progressions and harmonic complexity layered within simple pop structures.

Chords in the Bridge section of With A Little Help From My Friends by The Beatles are:

[‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’, ‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’]