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The song “With A Little Help From My Friends” by The Beatles is written in the key of E major. The third verse is mostly consistent with the key, with the only chords used are E, F#m, and B.

This chorus from The Beatles’ “The Continuing Story Of Bungalow Bill” is an example of clever use of common chord transitions with several shifts in tonality. The chord progression uses the tonic key of C Major and F minor, showing complex modulation derived from modal interchange and secondary dominant techniques.

The chord progression in the bridge of “Hey You” by Pink Floyd is a relatively simple progression that revolves around the C Major and G Major chords, with brief appearances of D Major and E minor add9 chords. The piece showcases Pink Floyd’s signature progressive rock style, with steady changes between chords and a sense of tension and release.

“Perfect Situation” by Weezer is a rock song with a combination of major and minor chords, giving it a feeling of both tension and resolution. The chord progression in the bridge features a i-iv-VII-VIII pattern in the key of E minor, which is common in rock and pop music. The bridge consists mainly of triads with some possible extensions or added notes depending on how they are voiced.

The bridge of Weezer’s “Say It Ain’t So” features an intriguing chord progression, which presents both diatonic and borrowed chords, as well as chromatic harmony. The song’s key is C major, but it touches on the parallel minor key and incorporates unusual chords such as the Eb major chord, which adds tension and surprise. The chord progression and harmonic rhythm are fairly consistent throughout the bridge, creating a sense of unity.

The Beatles – With A Little Help From My Friends – Bridge

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Chord Progression

[‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’, ‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’]

Chord Progression Analysis

Within the key of E Major, this part of the song operates in a generally diatonic environment with some notable exceptions.

“`
C# minor (vi)
F# Major (II)
E Major (I)
D Major (bVII) – borrowed from E minor
A Major (IV)
C# minor (vi)
F# Major (II)
E Major (I)
D Major (bVII) – borrowed from E minor
A Major (IV)
“`

Similar Chord Progressions

1. ‘Something’ by The Beatles
With a progression in the key of C major:

“`
C Major (I)
D Major (II)
A Major (VI)
F# minor (iv)
D Major (II)
A Major (VI)
“`

2. ‘Hey Jude’ by The Beatles
This verse progression (Key of F Major) shows another use of the major IV to I progression.

“`
F Major (I)
C Major (V)
Bb Major (IV)
F Major (I)
“`

Note: Similar chord progressions can evoke similar mood but always depend on factors like rhythm, tempo, timbre, etc. The Beatles’ chord progressions were always unique in context of the melody and the overarching song structure.

Musical Analysis

Here, we see an example of both borrowed chords and secondary dominants. The first borrowed chord in this progression is D major (notated as bVII), which is borrowed from E minor. Borrowed chords offer a way to introduce outside tones and add color to a progression.

The move from F# to E might be viewed as a deceptive cadence given that F# is the dominant of B, but instead resolves to E. This is part of what gives the song its characteristic twist.

Overall Analysis

With a Little Help from My Friends’ exists in a rich harmonic landscape typical of the Beatles. Here, we can see signature moves like mixing major/minor tonalities, borrowed chords, and unconventional harmonic progressions.

Style Analysis

The Beatles frequently utilized non-diatonic (not within the key) chords to add tension and interest to their music. They were well known for unconventional chord progressions and harmonic complexity layered within simple pop structures.

Chords in the Bridge section of With A Little Help From My Friends by The Beatles are:

[‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’, ‘C#m’, ‘F#’, ‘E’, ‘D’, ‘A’]