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“Strawberry Fields Forever” by The Beatles is a song that displays the remarkable depth of harmonic creativity found in their songwriting. The chord progression in the Chorus 4 section of the song is particularly complex. This progressions illustrate the band’s ability to exploit common harmonic devices such as diatonic pivots, modal mixture, and deceptive resolutions, in order to produce beautifully unique and captivating chord sequences.

“The Long And Winding Road” is in the key of D major. The chords are quite typical of pop music, however, The Beatles use of extensions and suspensions provide a unique complexity to the progression. The song dabbles in modal interchange as it borrows chords from parallel minor, a popular Beatles technique.

“Let It Be” by The Beatles is a song in the key of C Major. The chord progression featured in Verse 3 of the song, C – G – Am – Am/G – Fmaj7 – F6 – C – G – F – C/E – Dm7 – C, is a common progression in pop music. It has a repetitive structure and revolves around the I-V-vi-VI progression.

“Wicked Game” has a distinct melancholic tone facilitated by the minor chord progression. The repeating pattern enhances the hypnotic sense of longing Isaak is known for. Isaak’s use of reverb and echo effects on the electric guitar contributes to the “dreamy” and somewhat eerie atmosphere of the song.

“Sorry Seems to Be the Hardest Word” by Elton John employs interesting chord progressions and borrows chords from other modes and keys, contributing to its melancholy, yet dynamically expressive mood. The song is set in E minor and uses basic chord progressions, some more sophisticated ones, and many borrowed chords.

The Beatles – Strawberry Fields Forever – Verse 3

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Chord Progression

[‘E’, ‘Emaj7’, ‘E7’, ‘F#m’, ‘E’, ‘D’, ‘D’, ‘E’, ‘A’, ‘F#m’, ‘D’, ‘E’, ‘D’, ‘A’]

Chord Progression Analysis

Below is the chord progression for Verse 3 with their Roman numerals:

“`
E (I),
Emaj7 (Imaj7),
E7 (I7),
F#m (IIIm),
E (I),
D (IV),
D (IV),
E (I),
A (V),
F#m (IIIm),
D (IV),
E (I),
D (IV),
A (V)
“`

Notice that the E7 is a borrowed chord from the parallel minor key (A minor), serving as a secondary dominant to the F#m that follows it.

Similar Chord Progressions

While it’s hard to find an exact match for this progression given its complexity, here are a few examples of similar progressions in their use of borrowed chords, major seventh chords and/or secondary dominants:

1. “God Only Knows” by The Beach Boys:
“`
‘A’,
‘D ‘,
‘A/C’,
‘Bm’,
‘ G ‘,
‘A’,
‘D ‘,
‘A/C
‘,
‘Bm ‘,
‘Bm/A’
“`

“`
I,
IV,
I/III,
II,
VI,
I,
IV,
I/III,
II,
II/V
“`

2. “While My Guitar Gently Weeps” by The Beatles:
“`
‘Am’,
‘Am7/G’,
‘Am6/F’,
‘Am’,
‘D’,
‘G’,
‘C’
“`

“`
Im,
Im7/VII,
Im6/VI,
Im,
IV,
VII,
III
“`

Each of these pieces also has a unique blend of chordal movement that showcases both the songwriters’ creativity and their deep understanding of music theory.

Musical Analysis

The progression starts with a tonic chord (I) followed by a maj7 (Imaj7), creating a dreamy sound that immediately provides an interesting start and draws listeners in. It then hovers around the tonic key, interspersed with an unexpected move to the IV, before returning to the tonic and resolving in the V. This pre-dominant (IV) to dominant (V) to tonic (I) progression is a classic move in Western music, giving a sense of closure.

Overall Analysis

“Strawberry Fields Forever” by The Beatles is a significant example of their high level of technical composition skills. This track, which is played in the key of A Major, incorporates variations in the conventional chord progressions by using borrowed chords and shifting harmonic and melodic structures, showcasing their profound understanding of music theory and ability to use those ideas creatively.

Style Analysis

The Beatles were masterful at blending several different musical styles together, and this song is no exception. This chord progression, with its mix of basic triads, seventh chords, and borrowed chords, is indicative of their experimental and genre-defying nature. Their use of borrowed chords is a trait of modal interchange, an aspect of jazz harmony.

Chords in the Verse 3 section of Strawberry Fields Forever by The Beatles are:

[‘E’, ‘Emaj7’, ‘E7’, ‘F#m’, ‘E’, ‘D’, ‘D’, ‘E’, ‘A’, ‘F#m’, ‘D’, ‘E’, ‘D’, ‘A’]