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Related Music Theory Alchemy

The Beatles’ “Strawberry Fields Forever” is composed in the key of A Major, but utilizes a number of chord extensions and non-diatonic chords to create a dreamy, nostalgic soundscape fitting the song’s theme of reminiscing about childhood.

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The Beatles were known for their innovative use of musical elements, and this can be seen in “I Want To Hold Your Hand”. The song is largely in the key of G major, but it also has some borrowed chords from other keys. This variety creates a unique listening experience that keeps the song fresh.

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The chord progression of the Verse 3 in the song “California Kids” by Weezer features a blend of diatonic and chromatic chords in the key of C major, exhibiting a classic pop-rock feel with some variations in the chord structure. The progression also showcases the use of chromatic bass motion to add harmonic interest.

“Start Me Up” by The Rolling Stones is structured in a key of D Major, and the song largely follows a I-IV-V chord progression, which is a staple in many genres, especially in blues and rock music. The progression is known for its simple, catchy, and resolved sounds.

“Purple Haze” by Jimi Hendrix is a classic and influential rock song released in 1967. The chord progression featured in Verse 3 of this song has a bluesy, psychedelic sound that typifies Hendrix’s style. The use of the E7#9 chord, also known as the “Hendrix chord,” adds a sense of tension and dissonance, which contributes to the edgy and innovative nature of the song.

The Beatles – Strawberry Fields Forever – Verse 3

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Chord Progression

[‘E’, ‘Emaj7’, ‘E7’, ‘F#m’, ‘E’, ‘D’, ‘D’, ‘E’, ‘A’, ‘F#m’, ‘D’, ‘E’, ‘D’, ‘A’]

Chord Progression Analysis

Below is the chord progression for Verse 3 with their Roman numerals:

“`
E (I),
Emaj7 (Imaj7),
E7 (I7),
F#m (IIIm),
E (I),
D (IV),
D (IV),
E (I),
A (V),
F#m (IIIm),
D (IV),
E (I),
D (IV),
A (V)
“`

Notice that the E7 is a borrowed chord from the parallel minor key (A minor), serving as a secondary dominant to the F#m that follows it.

Similar Chord Progressions

While it’s hard to find an exact match for this progression given its complexity, here are a few examples of similar progressions in their use of borrowed chords, major seventh chords and/or secondary dominants:

1. “God Only Knows” by The Beach Boys:
“`
‘A’,
‘D ‘,
‘A/C’,
‘Bm’,
‘ G ‘,
‘A’,
‘D ‘,
‘A/C
‘,
‘Bm ‘,
‘Bm/A’
“`

“`
I,
IV,
I/III,
II,
VI,
I,
IV,
I/III,
II,
II/V
“`

2. “While My Guitar Gently Weeps” by The Beatles:
“`
‘Am’,
‘Am7/G’,
‘Am6/F’,
‘Am’,
‘D’,
‘G’,
‘C’
“`

“`
Im,
Im7/VII,
Im6/VI,
Im,
IV,
VII,
III
“`

Each of these pieces also has a unique blend of chordal movement that showcases both the songwriters’ creativity and their deep understanding of music theory.

Musical Analysis

The progression starts with a tonic chord (I) followed by a maj7 (Imaj7), creating a dreamy sound that immediately provides an interesting start and draws listeners in. It then hovers around the tonic key, interspersed with an unexpected move to the IV, before returning to the tonic and resolving in the V. This pre-dominant (IV) to dominant (V) to tonic (I) progression is a classic move in Western music, giving a sense of closure.

Overall Analysis

“Strawberry Fields Forever” by The Beatles is a significant example of their high level of technical composition skills. This track, which is played in the key of A Major, incorporates variations in the conventional chord progressions by using borrowed chords and shifting harmonic and melodic structures, showcasing their profound understanding of music theory and ability to use those ideas creatively.

Style Analysis

The Beatles were masterful at blending several different musical styles together, and this song is no exception. This chord progression, with its mix of basic triads, seventh chords, and borrowed chords, is indicative of their experimental and genre-defying nature. Their use of borrowed chords is a trait of modal interchange, an aspect of jazz harmony.

Chords in the Verse 3 section of Strawberry Fields Forever by The Beatles are:

[‘E’, ‘Emaj7’, ‘E7’, ‘F#m’, ‘E’, ‘D’, ‘D’, ‘E’, ‘A’, ‘F#m’, ‘D’, ‘E’, ‘D’, ‘A’]