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“Strawberry Fields Forever” by The Beatles is a song that displays the remarkable depth of harmonic creativity found in their songwriting. The chord progression in the Chorus 4 section of the song is particularly complex. This progressions illustrate the band’s ability to exploit common harmonic devices such as diatonic pivots, modal mixture, and deceptive resolutions, in order to produce beautifully unique and captivating chord sequences.

The song “A Day in the Life” by the Beatles is known for its unique and striking musical features. The chord progression in the interlude, in particular, represents an example of the Beatles’ innovative approach to harmonic structure and tonal movement. This section is essentially a sequence of dominant-seventh chords that each resolve to the note a fifth below, a common harmonic progression known as the circle of fifths. The interlude features a prominent orchestral crescendo and transition that are hallmarks of the Beatles’ experimental approach to the use of orchestral instruments in rock music.

“Hurt” is a song written and composed by Trent Reznor, best known for its version covered by Johnny Cash in C major. The song employs a commonly used pop/rock chord progression (vi- IV- I- V), that aids the conveyance of the theme of regret and redemption. The use of the minor vi chord (Am) as the starting point of the progression provides a very melancholy feel that aligns with the overall tone of regret in the lyrics. The progression then moves to a major IV (F), suggestive of a brief glimpse of hope or relief, before settling into the home key of C. The progression rounds off with a V chord (G), propelling the sequence back to the beginning again, giving a cyclic, repeating, and enduring feel to the music.

The “Like Clockwork” track by Queens of the Stone Age showcases a wide range of harmonic complexity. The track is in the key of F# minor and it is characterized by non-traditional chord progressions. From the range of chords used within the song, it’s clear that the song deviates from strict diatonic harmony, and freely borrows chords from parallel keys (modal mixture).

“Whole Lotta Love” by Led Zeppelin is a classic example of hard rock and blues rock, characterized by its driving rhythm, distorted guitar riff, and powerful vocal performance by Robert Plant. The harmonic structure of the song is relatively simple, with a focus on the blues-based E-D-E progression during the second chorus. Although seemingly basic, this progression contributes to the song’s raw, energetic vibe.

The Beatles – Strawberry Fields Forever – Chorus 2

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Chord Progression

[‘A’, ‘Em7’, ‘Em7’, ‘F#7’, ‘D’, ‘F#7’, ‘Dmaj7’, ‘A’]

Chord Progression Analysis

Here is the analysis of the chorus:

“`
A: A Major (‘I’)
Em7: E minor 7 (‘ii7’)
Em7: E minor 7 (‘ii7’)
F#7: F# Dominant 7 (‘III7’) – borrowed chord
D: D Major (‘IV’)
F#7: F# Dominant 7 (‘III7’) – borrowed chord
Dmaj7: D Major 7 (‘IVmaj7’)
A: A Major (‘I’)
“`

Similar Chord Progressions

1) “God Only Knows” by The Beach Boys

“`
A: A Major (‘I’)
Bmin7: B minor 7 (‘ii7’)
Gmaj7: G Major 7 (‘bVII’)
F#7: F# Dominant 7 (‘III7’) – borrowed chord
D: D Major (‘IV’)
“`

2) “Something” by The Beatles

“`
C: C Major (‘I’)
Em7: E minor 7 (‘ii7’)
A7: A Dominant 7 (‘VI7’) – borrowed chord
D: D Major (‘II’)
F#7: F# Dominant 7 (‘III7’) – borrowed chord
A: A Major (‘VI’)
“`

As can be seen, the use of the III7 chord as a borrowed chord to create tension is a common feature in these chord progressions. This technique was popular amongst bands during the sixties as they searched for ways to express more complex emotions and narratives in their music.

Musical Analysis

The A Major and D Major chords follow the straightforward I-IV progression found commonly in pop and rock music. The Em7 falling at ‘ii7’ functions as a subdominant chord pointing towards the dominant, eliciting a sense of tension that resolves back to D Major. What makes this progression interesting is the use of F#7, a dominant 7th chord on the third scale degree, which is not diatonic to the key of A Major. This is a secondary dominant that creates a temporary cadence to the D Major chord, amplifying the sense of resolution and providing a touch of blues inflection common in Beatles’ music.

Overall Analysis

The Beatles’ “Strawberry Fields Forever” is composed in the key of A Major, but utilizes a number of chord extensions and non-diatonic chords to create a dreamy, nostalgic soundscape fitting the song’s theme of reminiscing about childhood.

Style Analysis

“Strawberry Fields Forever” is a psychadelic pop song, characterized by its experimental studio techniques, unconventional song structure, and lush, dream-like soundscape. The Beatles often employed secondary dominants and seventh chords to add harmonic color and interest, contributing to the song’s semi-psychedelic character. The chromatic progression and ambiguous tonality add to the disorientating, surrealistic atmosphere evoked in the song.

Chords in the Chorus 2 section of Strawberry Fields Forever by The Beatles are:

[‘A’, ‘Em7’, ‘Em7’, ‘F#7’, ‘D’, ‘F#7’, ‘Dmaj7’, ‘A’]