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The Beatles’ “Rocky Raccoon” incorporates a repeating sequence of predominantly seventh chords, displaying a mix of minor, dominant, and sustained chords within the and C Major/A minor keys. This diversity contributes to the song’s unique harmony, and given its context in a folk rock style, the progression exudes a rustic, storytelling personality.

The chord progression of “I Want To Hold Your Hand” by The Beatles is particularly interesting for its use of key changes and borrowed chords. It reflects both the catchy driving pop rock melody signature of early Beatles and the sophistication of harmonic innovation, which defines their later work.

“Glory Box” by Portishead from the album Dummy (1994) presents a haunting and somewhat melancholy ambience commonly found in their trademark trip-hop style. This song, in particular, draws from a palette of jazz-influenced harmony. The chords used, their extensions, and inversions, conjure complexity beyond basic triadic harmony. The chord progression listed appears to be in the key of D minor and employs common jazz techniques like ii-V-I progressions and usage of the half-diminished chord.

The chord progression in MGMT’s “Congratulations” contains a mix of diatonic and non-diatonic chords, which provide a combination of stability and tension throughout the progression. The harmonic rhythm is slow, and the progression is mostly driven by bass line movement and voice leading. The mixture of borrowed chords, inversions, and suspended chords contributes to the overall unique character of the piece.

The chord progression in the verse 2 of Beck’s “Morning” is an example of a common progression in popular music, involving the I, IV, iii, and ii chords. The harmony is mostly diatonic, staying within the key of E major. The progression features regular 4-chord phrases and a smooth, consonant flow between chords.

The Beatles – Rocky Raccoon – Verse 2

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Chord Progression

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]

Chord Progression Analysis

“`
Am7 (ii7)
D7sus4 (V7sus4)
D7 (V7)
G7 (VII7)
C (I)
C/B (I/7)
“`
The ii7-V7-I progression is a classic in jazz music and its usage in “Rocky Raccoon” provides a slight jazzy feel. The addition of sus4 in the V7 chord adds tension before resolving it back to a normal V7. The G7 is a borrowed chord from the parallel minor key of C minor providing a brief modal mixture.

Similar Chord Progressions

“Babe I’m Gonna Leave You” by Led Zeppelin has similar progression:
“`
Am (ii)
C/G (IV/6)
D (V)
F (bVII)
Am/C (ii/7)
Am (ii)
“`
This song uses similar chords and features the use of sevenths and suspensions. The D to F transition can be seen as a parallel to the D7 to G7 transition in “Rocky Raccoon” – both progressions feature a mix of major and minor tonalities and engage with the folk-blues palette.

Musical Analysis

The melody mostly follows the harmony provided by the chord progression, providing a pleasant, catchy, and easily singable line. The rhythm combined with the harmonic rhythm gives the song an interesting and driving feel.

Overall Analysis

“Rocky Raccoon” by The Beatles incorporates chords commonly associated with the genre of folk or country music. It is primarily built on a repetitive chord progression which consists of Am7, D7sus4, D7, G7, C, and C/B. There’s also a use of plenty of sevenths and suspensions to create a slightly jazzy feel. It’s also worth noting The Beatles’ penchant for chords that provide a mix of major and minor tonalities.

Style Analysis

“Rocky Raccoon” has a country and folky feel, especially emphasized by the guitar plucking style and the piano accompaniment. Inspired by Appalachia, the use of minor and seventh chords lends a bluesy-jazz feel which is a style that The Beatles often experimented with.

Chords in the Verse 2 section of Rocky Raccoon by The Beatles are:

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]