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Related Music Theory Alchemy

The song “Rocky Raccoon” by The Beatles features a intriguing chord progression typically employed in blues and folk music that creates a captivating storytelling-style musical framework. The verse using the provided chords weaves an interesting tale via major and minor fluctuations giving an emotional depth to the lyrics.

“Maxwell’s Silver Hammer” is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by Paul McCartney. The song is primarily in the key of D Major and exhibits a mix of major, minor, and dominant seventh chords. This verse progression manifests the distinctive Beatles’ sound which often includes chromaticism and prevalence of secondary dominants that link the chords together, giving a smooth flow and color to the harmonic progression.

“A Star Is Born – Shallow” by Misc Soundtrack uses common chords found in pop music and combines them in a fresh way. The progression makes use of diatonic chords and even includes a borrowed chord from the parallel minor key. It showcases a feasible balance of tension and resolution, often transitioning through a variety of chord inversions to add color and depth to the harmonies. The song moves around the circle of fifths, which allows for smooth transitions between keys.

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“Im Still Standing” by Elton John is a classic rock/pop song composed in E Major. You can see that this is a complex composition with frequent chord changes, giving it a rich musical texture. The chord progression is not diatonic, which means that it includes chords from outside of its home key of E Major.

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The verse of “Tiny Dancer” by Elton John is generally in the key of C major (with some temporary modulations) and features a varied and interesting chord progression that is indicative of Elton John’s complex, piano-driven musical style.

The Beatles – Rocky Raccoon – Verse 2

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Chord Progression

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]

Chord Progression Analysis

“`
Am7 (ii7)
D7sus4 (V7sus4)
D7 (V7)
G7 (VII7)
C (I)
C/B (I/7)
“`
The ii7-V7-I progression is a classic in jazz music and its usage in “Rocky Raccoon” provides a slight jazzy feel. The addition of sus4 in the V7 chord adds tension before resolving it back to a normal V7. The G7 is a borrowed chord from the parallel minor key of C minor providing a brief modal mixture.

Similar Chord Progressions

“Babe I’m Gonna Leave You” by Led Zeppelin has similar progression:
“`
Am (ii)
C/G (IV/6)
D (V)
F (bVII)
Am/C (ii/7)
Am (ii)
“`
This song uses similar chords and features the use of sevenths and suspensions. The D to F transition can be seen as a parallel to the D7 to G7 transition in “Rocky Raccoon” – both progressions feature a mix of major and minor tonalities and engage with the folk-blues palette.

Musical Analysis

The melody mostly follows the harmony provided by the chord progression, providing a pleasant, catchy, and easily singable line. The rhythm combined with the harmonic rhythm gives the song an interesting and driving feel.

Overall Analysis

“Rocky Raccoon” by The Beatles incorporates chords commonly associated with the genre of folk or country music. It is primarily built on a repetitive chord progression which consists of Am7, D7sus4, D7, G7, C, and C/B. There’s also a use of plenty of sevenths and suspensions to create a slightly jazzy feel. It’s also worth noting The Beatles’ penchant for chords that provide a mix of major and minor tonalities.

Style Analysis

“Rocky Raccoon” has a country and folky feel, especially emphasized by the guitar plucking style and the piano accompaniment. Inspired by Appalachia, the use of minor and seventh chords lends a bluesy-jazz feel which is a style that The Beatles often experimented with.

Chords in the Verse 2 section of Rocky Raccoon by The Beatles are:

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]