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“Rocky Raccoon” by The Beatles is noted for its eclectic blend of folk, country, and popular music styles. The song is written in G major and follows a fairly straightforward progression but with a couple of important twists.

The

The song is in the key of A Major and it makes some interesting use of borrowed chords and modulations. The arrangement of the song is fairly typical rock/pop with a verse-chorus-bridge structure. The bridge utilizes a modulation to the relative minor key, F# minor.

“When Doves Cry” by Prince shows the artist’s flair for the unusual. While the song is primarily in A minor, Prince takes liberties with creating unexpected shifts in harmony, which gives the song its unique character. The song revolves around five chords: Am, G, Em, F, and G, repeated throughout the verse. This circular progression offers a sense of continuity, yet Prince’s interpretation and arrangement create a sense of unpredictability.

“Maxwell’s Silver Hammer” is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by Paul McCartney. The song is primarily in the key of D Major and exhibits a mix of major, minor, and dominant seventh chords. This verse progression manifests the distinctive Beatles’ sound which often includes chromaticism and prevalence of secondary dominants that link the chords together, giving a smooth flow and color to the harmonic progression.

“Purple Haze” by Jimi Hendrix is a classic example of psychedelic rock and blues-infused music from the late 1960s. This particular chord progression, found in Verse 2, demonstrates Hendrix’s innovative approach to harmony and showcases his integration of blues and rock influences.

Chord Progression Analysis (Roman Numerals):
E7#9 (I), G (bIII), A (IV), E (I)

Borrowed Chord:
`G (bIII)` – This chord is borrowed from the parallel minor key of E minor.

The Beatles – Rocky Raccoon – Verse 2

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Chord Progression

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]

Chord Progression Analysis

“`
Am7 (ii7)
D7sus4 (V7sus4)
D7 (V7)
G7 (VII7)
C (I)
C/B (I/7)
“`
The ii7-V7-I progression is a classic in jazz music and its usage in “Rocky Raccoon” provides a slight jazzy feel. The addition of sus4 in the V7 chord adds tension before resolving it back to a normal V7. The G7 is a borrowed chord from the parallel minor key of C minor providing a brief modal mixture.

Similar Chord Progressions

“Babe I’m Gonna Leave You” by Led Zeppelin has similar progression:
“`
Am (ii)
C/G (IV/6)
D (V)
F (bVII)
Am/C (ii/7)
Am (ii)
“`
This song uses similar chords and features the use of sevenths and suspensions. The D to F transition can be seen as a parallel to the D7 to G7 transition in “Rocky Raccoon” – both progressions feature a mix of major and minor tonalities and engage with the folk-blues palette.

Musical Analysis

The melody mostly follows the harmony provided by the chord progression, providing a pleasant, catchy, and easily singable line. The rhythm combined with the harmonic rhythm gives the song an interesting and driving feel.

Overall Analysis

“Rocky Raccoon” by The Beatles incorporates chords commonly associated with the genre of folk or country music. It is primarily built on a repetitive chord progression which consists of Am7, D7sus4, D7, G7, C, and C/B. There’s also a use of plenty of sevenths and suspensions to create a slightly jazzy feel. It’s also worth noting The Beatles’ penchant for chords that provide a mix of major and minor tonalities.

Style Analysis

“Rocky Raccoon” has a country and folky feel, especially emphasized by the guitar plucking style and the piano accompaniment. Inspired by Appalachia, the use of minor and seventh chords lends a bluesy-jazz feel which is a style that The Beatles often experimented with.

Chords in the Verse 2 section of Rocky Raccoon by The Beatles are:

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]