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“Let It Be” by The Beatles is a song in the key of C Major. The chord progression featured in Verse 3 of the song, C – G – Am – Am/G – Fmaj7 – F6 – C – G – F – C/E – Dm7 – C, is a common progression in pop music. It has a repetitive structure and revolves around the I-V-vi-VI progression.

“Dont Let Me Down” by The Beatles is a song that’s heavily grounded in the key of E Major, with some interesting use of borrowed chords for a richer, more emotional harmonic texture. The song is a fine example of The Beatles’ songwriting style, which often involves mixing diatonic chords with chromatic passing chords, borrowed chords, and secondary dominants.

“Let It Happen” by Tame Impala is characterized by its psychedelic and experimental nuances. It features an overall bright and uplifting tone despite its use of some more complex chords. The song ska common in pop music. The chord progression in question has a strong melodic sensibility demonstrating Kevin Parker’s ability to incorporate complex musical ideas into a pop format.

“When Doves Cry” by Prince shows the artist’s flair for the unusual. While the song is primarily in A minor, Prince takes liberties with creating unexpected shifts in harmony, which gives the song its unique character. The song revolves around five chords: Am, G, Em, F, and G, repeated throughout the verse. This circular progression offers a sense of continuity, yet Prince’s interpretation and arrangement create a sense of unpredictability.

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

The Beatles – Let It Be – Verse 2

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Chord Progression

[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]

Chord Progression Analysis

Here’s a breakdown of the named chord progressions in roman numerals for the Verse 2 you provided:

– C (‘I’), G (‘V’), Am (‘vi’), Am/G (‘vi/IV’), Fmaj7 (‘IVmaj7’), F6 (‘IV6’), C (‘I’), G (‘V’), F (‘IV), C/E (‘I/iii’), Dm7 (‘ii7’), C (‘I’)

“`csharp
Borrowed Chord: None in this progression
“`

Similar Chord Progressions

-1. “No Woman No Cry” by Bob Marley: C (‘I’), G (‘V’), Am (‘vi’), F (‘IV’)
-2. “With Or Without You” by U2: D (‘I’), A (‘V’), Bm (‘vi’), G (‘IV’)
-3. “Poker Face” by Lady Gaga: G (‘I’), D (‘V’), Em (‘vi’), C (‘IV’)
-4. “Someone Like You” by Adele: A (‘I’)- G# ‘dim’/C-F#m/C#m-D-E(not in roman numeral format)

Note: While the chord progressions of the above mentioned songs are not exactly the same, they still share some common features with that of “Let It Be”. They all feature transitions between the tonic (‘I’), the dominant (‘V), and the relative minor chord (‘vi’) which are typical characteristics of pop music chord progressions. It’s interesting to see how different artists use these common sequences and expressions to create their unique sound.

Musical Analysis

The progression starts on the tonic (‘I’) chord and moves to the dominant (‘V’) before moving to the relative minor (‘vi’). The Am/G chord is an example of a slash chord or an inversion, which essentially means an Am chord with G in the bass. The use of Fmaj7 and F6 are examples of chord extensions, which add color and complexity to the harmonies. The Dm7 (‘ii7’) is a diatonic seventh chord in the key of C and it’s often used as a pre-dominant chord leading back to the tonic.

Overall Analysis

“Let It Be” by The Beatles uses some of the most common chords in the key of C Major, which is the tonic of the song. It also contains few instances of chord extensions, inversions, and secondary dominants, which are widely used in pop music composition.

Style Analysis

The Beatles are known for their blend of pop, rock and psychedelic music. “Let It Be” is one of their more straightforward songs, combining the folk and gospel genres with their pop sound. The chord progression follows a pretty standard pop music formula but what stands out is the effective use of inversions and extensions in the chords.

Chords in the Verse 2 section of Let It Be by The Beatles are:

[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]