Music Theory Alchemy

Search

Related Music Theory Alchemy

“Let It Be” by The Beatles is a song in the key of C Major. The chord progression featured in Verse 3 of the song, C – G – Am – Am/G – Fmaj7 – F6 – C – G – F – C/E – Dm7 – C, is a common progression in pop music. It has a repetitive structure and revolves around the I-V-vi-VI progression.

“All You Need Is Love” is in the key of G major. The song primarily uses the chords within the key signature and has a relatively simple harmonic structure. However, the song does utilize a few distinct chord choices that contribute to its unique sonic character. The song applies modal interchange with an inclusion of A minor from the G Mixolydian mode and the D7 and D6 which evoke a hint of the D Mixolydian mode.

The chord progression in MGMT’s “Congratulations” contains a mix of diatonic and non-diatonic chords, which provide a combination of stability and tension throughout the progression. The harmonic rhythm is slow, and the progression is mostly driven by bass line movement and voice leading. The mixture of borrowed chords, inversions, and suspended chords contributes to the overall unique character of the piece.

The given chord progression belongs to the verse 2 of the song “Apocalypse Please” by Muse. This progression reflects the band’s signature style that combines elements of rock, classical, and electronic music. The chords follow a pattern that combines both diatonic and chromatic movement, creating a dramatic and intense feel. A unique feature in this progression is the use of slash chords, which adds further harmonic interest.

The song “Closer” by Nine Inch Nails is based primarily around the C minor 7 chord, giving the song its dark and moody atmosphere. The song is in the key of C minor. This chord progression is repetitive and simple, allowing other aspects of the song, such as the lyrics and production, to take center stage.

The Beatles – Let It Be – Verse 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]

Chord Progression Analysis

Here’s a breakdown of the named chord progressions in roman numerals for the Verse 2 you provided:

– C (‘I’), G (‘V’), Am (‘vi’), Am/G (‘vi/IV’), Fmaj7 (‘IVmaj7’), F6 (‘IV6’), C (‘I’), G (‘V’), F (‘IV), C/E (‘I/iii’), Dm7 (‘ii7’), C (‘I’)

“`csharp
Borrowed Chord: None in this progression
“`

Similar Chord Progressions

-1. “No Woman No Cry” by Bob Marley: C (‘I’), G (‘V’), Am (‘vi’), F (‘IV’)
-2. “With Or Without You” by U2: D (‘I’), A (‘V’), Bm (‘vi’), G (‘IV’)
-3. “Poker Face” by Lady Gaga: G (‘I’), D (‘V’), Em (‘vi’), C (‘IV’)
-4. “Someone Like You” by Adele: A (‘I’)- G# ‘dim’/C-F#m/C#m-D-E(not in roman numeral format)

Note: While the chord progressions of the above mentioned songs are not exactly the same, they still share some common features with that of “Let It Be”. They all feature transitions between the tonic (‘I’), the dominant (‘V), and the relative minor chord (‘vi’) which are typical characteristics of pop music chord progressions. It’s interesting to see how different artists use these common sequences and expressions to create their unique sound.

Musical Analysis

The progression starts on the tonic (‘I’) chord and moves to the dominant (‘V’) before moving to the relative minor (‘vi’). The Am/G chord is an example of a slash chord or an inversion, which essentially means an Am chord with G in the bass. The use of Fmaj7 and F6 are examples of chord extensions, which add color and complexity to the harmonies. The Dm7 (‘ii7’) is a diatonic seventh chord in the key of C and it’s often used as a pre-dominant chord leading back to the tonic.

Overall Analysis

“Let It Be” by The Beatles uses some of the most common chords in the key of C Major, which is the tonic of the song. It also contains few instances of chord extensions, inversions, and secondary dominants, which are widely used in pop music composition.

Style Analysis

The Beatles are known for their blend of pop, rock and psychedelic music. “Let It Be” is one of their more straightforward songs, combining the folk and gospel genres with their pop sound. The chord progression follows a pretty standard pop music formula but what stands out is the effective use of inversions and extensions in the chords.

Chords in the Verse 2 section of Let It Be by The Beatles are:

[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]