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“Let It Be” is one of The Beatles’ most popular songs and features a primarily major tonality (C Major), giving it its iconic uplifting and inspiring quality. The song’s chord progression is quite standard in terms of pop/rock music, yet it does include some interesting elements like inversions and a 7th chord to add variety and emotional depth.

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“Blackbird” by The Beatles is a song mostly in the key of G Major. It’s known for its interesting guitar work and unconventional chord progression. The song employs a mix of functional and non-functional harmony, striking a balance between traditional diatonic harmony and more experimental harmonic ideas. The chord progression also includes several chromatic or borrowed chords (Cm, Dbdim, D# (b5), C#dim, and Ebaug).

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The given chord progression belongs to the verse 2 of the song “Apocalypse Please” by Muse. This progression reflects the band’s signature style that combines elements of rock, classical, and electronic music. The chords follow a pattern that combines both diatonic and chromatic movement, creating a dramatic and intense feel. A unique feature in this progression is the use of slash chords, which adds further harmonic interest.

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Looking at the entire song and isolating the verse, the chord progression provided shows a rock style often seen in Queens of the Stone Age compositions. The harmonic language of this song and its progression style fall within the realm of Pop / Rock music, with frequent use of minor chords suggesting a somber or introspective mood. On first glance, it appears to contain chords primarily from the key of F# minor, with no obvious borrowings from other keys. However, a closer inspection will allow us to delve deeper into their harmonic function.

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The chord progression in Verse 2 of Beck’s “Say Goodbye” showcases a unique blend of chords that are not commonly heard together in popular music. The mix of major, minor, and borrowed chords creates an interesting and engaging sound. Its distinctive quality can be found in the use of the A# major chord, which is not diatonic to the key of G major.

The Beatles – Let It Be – Verse 2

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Chord Progression

[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]

Chord Progression Analysis

Here’s a breakdown of the named chord progressions in roman numerals for the Verse 2 you provided:

– C (‘I’), G (‘V’), Am (‘vi’), Am/G (‘vi/IV’), Fmaj7 (‘IVmaj7’), F6 (‘IV6’), C (‘I’), G (‘V’), F (‘IV), C/E (‘I/iii’), Dm7 (‘ii7’), C (‘I’)

“`csharp
Borrowed Chord: None in this progression
“`

Similar Chord Progressions

-1. “No Woman No Cry” by Bob Marley: C (‘I’), G (‘V’), Am (‘vi’), F (‘IV’)
-2. “With Or Without You” by U2: D (‘I’), A (‘V’), Bm (‘vi’), G (‘IV’)
-3. “Poker Face” by Lady Gaga: G (‘I’), D (‘V’), Em (‘vi’), C (‘IV’)
-4. “Someone Like You” by Adele: A (‘I’)- G# ‘dim’/C-F#m/C#m-D-E(not in roman numeral format)

Note: While the chord progressions of the above mentioned songs are not exactly the same, they still share some common features with that of “Let It Be”. They all feature transitions between the tonic (‘I’), the dominant (‘V), and the relative minor chord (‘vi’) which are typical characteristics of pop music chord progressions. It’s interesting to see how different artists use these common sequences and expressions to create their unique sound.

Musical Analysis

The progression starts on the tonic (‘I’) chord and moves to the dominant (‘V’) before moving to the relative minor (‘vi’). The Am/G chord is an example of a slash chord or an inversion, which essentially means an Am chord with G in the bass. The use of Fmaj7 and F6 are examples of chord extensions, which add color and complexity to the harmonies. The Dm7 (‘ii7’) is a diatonic seventh chord in the key of C and it’s often used as a pre-dominant chord leading back to the tonic.

Overall Analysis

“Let It Be” by The Beatles uses some of the most common chords in the key of C Major, which is the tonic of the song. It also contains few instances of chord extensions, inversions, and secondary dominants, which are widely used in pop music composition.

Style Analysis

The Beatles are known for their blend of pop, rock and psychedelic music. “Let It Be” is one of their more straightforward songs, combining the folk and gospel genres with their pop sound. The chord progression follows a pretty standard pop music formula but what stands out is the effective use of inversions and extensions in the chords.

Chords in the Verse 2 section of Let It Be by The Beatles are:

[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]