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Related Music Theory Alchemy

“Let It Be” by The Beatles utilizes a very accessible and effective chord progression throughout the song. This progression is designed to create tension and release as it progresses, as well as establish the root key of the song, which is C Major.

The chords used throughout the song show a strong use of borrowed chords, inversions, and extensions, adding to the depth and complexity of the song despite the relatively uncomplicated chord progression.

The balance between the root key, dissonance, resolution, and overall harmony creates an emotive and engaging song that maintains listener interest and displays the songwriting abilities of The Beatles.

The Beatles’ “Rocky Raccoon” incorporates a repeating sequence of predominantly seventh chords, displaying a mix of minor, dominant, and sustained chords within the and C Major/A minor keys. This diversity contributes to the song’s unique harmony, and given its context in a folk rock style, the progression exudes a rustic, storytelling personality.

“Feeling Good” by Muse is a cover of the song originally written by Anthony Newley and Leslie Bricusse for the 1964 musical “The Roar of the Greasepaint – The Smell of the Crowd”. Muse’s version is characterized by its distinct blend of jazz, rock, and pop influences, with strong orchestration and stylistically unique elements that give the song a modern edge while still paying homage to its classic roots.

“Wicked Game” by Chris Isaak is in the key of B minor. The chord progression for the section provided, which is the verse, is unique due to its simplicity, making it easily accessible and memorable. Even though it is incredibly simple, consisting of just three chords, the progression manages to evoke a strong sense of melancholy and longing, which resonates powerfully with the song’s lyrical themes.

“Give Me The Night” is a classic R&B and jazz-infused song by George Benson, released in 1980. The song was written by Rod Temperton and produced by Quincy Jones. It features a smooth, soulful groove, lush harmonies, and a sophisticated chord progression that is characteristic of the late 70s and early 80s R&B and jazz fusion style. The verse of the song makes use of diatonic chords with a few borrowed chords, giving the progression a rich and interesting harmonic content.

The Beatles – Let It Be – Verse 2

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Chord Progression

[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]

Chord Progression Analysis

Here’s a breakdown of the named chord progressions in roman numerals for the Verse 2 you provided:

– C (‘I’), G (‘V’), Am (‘vi’), Am/G (‘vi/IV’), Fmaj7 (‘IVmaj7’), F6 (‘IV6’), C (‘I’), G (‘V’), F (‘IV), C/E (‘I/iii’), Dm7 (‘ii7’), C (‘I’)

“`csharp
Borrowed Chord: None in this progression
“`

Similar Chord Progressions

-1. “No Woman No Cry” by Bob Marley: C (‘I’), G (‘V’), Am (‘vi’), F (‘IV’)
-2. “With Or Without You” by U2: D (‘I’), A (‘V’), Bm (‘vi’), G (‘IV’)
-3. “Poker Face” by Lady Gaga: G (‘I’), D (‘V’), Em (‘vi’), C (‘IV’)
-4. “Someone Like You” by Adele: A (‘I’)- G# ‘dim’/C-F#m/C#m-D-E(not in roman numeral format)

Note: While the chord progressions of the above mentioned songs are not exactly the same, they still share some common features with that of “Let It Be”. They all feature transitions between the tonic (‘I’), the dominant (‘V), and the relative minor chord (‘vi’) which are typical characteristics of pop music chord progressions. It’s interesting to see how different artists use these common sequences and expressions to create their unique sound.

Musical Analysis

The progression starts on the tonic (‘I’) chord and moves to the dominant (‘V’) before moving to the relative minor (‘vi’). The Am/G chord is an example of a slash chord or an inversion, which essentially means an Am chord with G in the bass. The use of Fmaj7 and F6 are examples of chord extensions, which add color and complexity to the harmonies. The Dm7 (‘ii7’) is a diatonic seventh chord in the key of C and it’s often used as a pre-dominant chord leading back to the tonic.

Overall Analysis

“Let It Be” by The Beatles uses some of the most common chords in the key of C Major, which is the tonic of the song. It also contains few instances of chord extensions, inversions, and secondary dominants, which are widely used in pop music composition.

Style Analysis

The Beatles are known for their blend of pop, rock and psychedelic music. “Let It Be” is one of their more straightforward songs, combining the folk and gospel genres with their pop sound. The chord progression follows a pretty standard pop music formula but what stands out is the effective use of inversions and extensions in the chords.

Chords in the Verse 2 section of Let It Be by The Beatles are:

[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]