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“Let It Be” by The Beatles uses some of the most common chords in the key of C Major, which is the tonic of the song. It also contains few instances of chord extensions, inversions, and secondary dominants, which are widely used in pop music composition.

“Eight Days A Week” by The Beatles, released in 1965, is renowned for its catchy melodic phrases, tight harmonies, and distinctive use of chords. The song is firmly rooted in the key of D major, but there is an interesting use of borrowed chords.

Verse 2

“Come Together” by The Beatles, like many other Beatles songs, is known for its unique melody and innovative chord progressions. The song is written in the key of D minor and employs frequent use of bluesy pentatonic scale patterns. The meter is 4/4 (common time). The song is characterized by the use of common chords, with the exception of the Bm and Bm/A chords which are noteworthy.

“Buddy Holly” is a song by Weezer with an upbeat, pop-rock feel. It exists in the key of A major and showcases a recurring chord progression in its verse consisting of F#m, E/G#, and A.

“Iris” by Goo Goo Dolls is a song in the key of D Major, and uses a very common pop/rock chord progression. The sheer repetition of the progression throughout the verse establishes a solid harmonic background upon which the melody can freely roam. Chords include the primary triads (I, IV, V) which are D, G, A, minor variations of the secondary triads (ii, iii, vi), which are Em, F#m, Bm.

The Beatles – Let It Be – Verse 1

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Chord Progression

[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]

Chord Progression Analysis

“`
C (I)
G (V)
Am (vi)
Am/G (vi/IV)
Fmaj7 (IV)
F6 (IV-v6)
C (I)
G (V)
F (IV)
C/E (I-vi)
Dm7 (ii7)
C (I)
C (I)
G (V)
Am (vi)
Am/G (vi/IV)
Fmaj7 (IV)
F6 (IV-v6)
C (I)
G (V)
F (IV)
C/E (I-vi)
Dm7 (ii7)
C (I)
“`
Chords borrowed from other keys are labeled within the code block, namely Am/G, F6, and C/E. These chords add richness to the sound due to their harmonics and pitch diversity.

Similar Chord Progressions

One song with similar chord progressions is “No Woman, No Cry” by Bob Marley and the chord progressions in the song can be demonstrated just like we did for “Let It Be”:
“`
C (I)
G (V)
Am (vi)
F (IV)
C (I)
F (IV)
C (I)
G (V)
“`
This song also utilizes a IV-I-V-vi chord progression, which is very common in pop music. The progression is known for its strong sense of resolution and tonal centering. Other songs with similar structures include Journey’s “Don’t Stop Believin’”, U2’s “With or Without You”, and “Let It Go” from the Disney film Frozen.

Musical Analysis

“Let It Be” features an even meter with a smooth, flowing rhythm. The steady use of bass notes throughout anchors the harmony and shows harmonic enrichment by the use of more complex chords, which often lead to the tonic for resolution.

The use of harmony in “Let It Be” reflects the folk and rock ‘n’ roll influences evident in many of The Beatles’ works. The song leans on major and minor triads, punctuated with the flavorful usage of the 6th and 7th.

Overall Analysis

“Let It Be” by The Beatles utilizes a very accessible and effective chord progression throughout the song. This progression is designed to create tension and release as it progresses, as well as establish the root key of the song, which is C Major.

The chords used throughout the song show a strong use of borrowed chords, inversions, and extensions, adding to the depth and complexity of the song despite the relatively uncomplicated chord progression.

The balance between the root key, dissonance, resolution, and overall harmony creates an emotive and engaging song that maintains listener interest and displays the songwriting abilities of The Beatles.

Style Analysis

“Let It Be” is distinctly in The Beatles’ style, drawing from pop, rock ‘n’ roll and folk traditions. The song is characterized by its memorable melody, emotive lyrics, and the creative use of chord progressions and harmonies, resulting in a unique, engaging sound.

Chords in the Verse 1 section of Let It Be by The Beatles are:

[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]