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Related Music Theory Alchemy

“Let It Be” by The Beatles is a song in the key of C Major. The chord progression featured in Verse 3 of the song, C – G – Am – Am/G – Fmaj7 – F6 – C – G – F – C/E – Dm7 – C, is a common progression in pop music. It has a repetitive structure and revolves around the I-V-vi-VI progression.

“Eleanor Rigby’” is a song by The Beatles, released on their 1966 album “Revolver”. Being unusually somber and profound for a pop song, it showcases The Beatles’ expanding musical palette and their desire to move past the conventional parameters of popular music at the time. The song itself is crafted entirely around the key of E minor, with only occasional diversions to the IV chord (C Major). It strongly exhibits the use of Aeolian mode (commonly known as the ‘natural’ minor) and employs string quartet instrumentation, a unique stylistic pattern at that time.

The song “I Will” by The Beatles is an example of their unique and sophisticated approach to pop songwriting, demonstrating their comprehensive mastery of harmony within the pop idiom. The majority of the harmonies used in the song are diatonic to the key of C major, however there are several instances of borrowed chords that add color and complexity to the song’s overall harmonic structure.

The song “The Outsider” by A Perfect Circle frequently uses the chord progression [‘B’, ‘B’, ‘A’, ‘E’] in the key of E major. When viewing the chords through the lens of E major we can identify the chord progression as ii, ii, V, I. Furthermore, It shows some interesting harmonic decisions throughout. Most notably, the band makes use of borrowed chords which are chords taken from the parallel minor (in this case E minor). Here, the borrowed chords include A major and C major.

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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The Beatles – Let It Be – Verse 1

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Chord Progression

[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]

Chord Progression Analysis

“`
C (I)
G (V)
Am (vi)
Am/G (vi/IV)
Fmaj7 (IV)
F6 (IV-v6)
C (I)
G (V)
F (IV)
C/E (I-vi)
Dm7 (ii7)
C (I)
C (I)
G (V)
Am (vi)
Am/G (vi/IV)
Fmaj7 (IV)
F6 (IV-v6)
C (I)
G (V)
F (IV)
C/E (I-vi)
Dm7 (ii7)
C (I)
“`
Chords borrowed from other keys are labeled within the code block, namely Am/G, F6, and C/E. These chords add richness to the sound due to their harmonics and pitch diversity.

Similar Chord Progressions

One song with similar chord progressions is “No Woman, No Cry” by Bob Marley and the chord progressions in the song can be demonstrated just like we did for “Let It Be”:
“`
C (I)
G (V)
Am (vi)
F (IV)
C (I)
F (IV)
C (I)
G (V)
“`
This song also utilizes a IV-I-V-vi chord progression, which is very common in pop music. The progression is known for its strong sense of resolution and tonal centering. Other songs with similar structures include Journey’s “Don’t Stop Believin’”, U2’s “With or Without You”, and “Let It Go” from the Disney film Frozen.

Musical Analysis

“Let It Be” features an even meter with a smooth, flowing rhythm. The steady use of bass notes throughout anchors the harmony and shows harmonic enrichment by the use of more complex chords, which often lead to the tonic for resolution.

The use of harmony in “Let It Be” reflects the folk and rock ‘n’ roll influences evident in many of The Beatles’ works. The song leans on major and minor triads, punctuated with the flavorful usage of the 6th and 7th.

Overall Analysis

“Let It Be” by The Beatles utilizes a very accessible and effective chord progression throughout the song. This progression is designed to create tension and release as it progresses, as well as establish the root key of the song, which is C Major.

The chords used throughout the song show a strong use of borrowed chords, inversions, and extensions, adding to the depth and complexity of the song despite the relatively uncomplicated chord progression.

The balance between the root key, dissonance, resolution, and overall harmony creates an emotive and engaging song that maintains listener interest and displays the songwriting abilities of The Beatles.

Style Analysis

“Let It Be” is distinctly in The Beatles’ style, drawing from pop, rock ‘n’ roll and folk traditions. The song is characterized by its memorable melody, emotive lyrics, and the creative use of chord progressions and harmonies, resulting in a unique, engaging sound.

Chords in the Verse 1 section of Let It Be by The Beatles are:

[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]