Search

Related Music Theory Alchemy

**
“Let It Be” is one of The Beatles’ most popular songs and features a primarily major tonality (C Major), giving it its iconic uplifting and inspiring quality. The song’s chord progression is quite standard in terms of pop/rock music, yet it does include some interesting elements like inversions and a 7th chord to add variety and emotional depth.

**

“Maxwell’s Silver Hammer,” composed by Paul McCartney, is a pop song that sits in the key of D Major throughout. However, it does borrow chords from the parallel minor. This technique, known as modal interchange or borrowed chords, is common in popular music and especially in classical compositions by iconic bands like The Beatles.

“Somewhere Only We Know” composed by Keane, is a pop-ballad that is based in the key of A Minor. It makes use of both diatonic and borrowed chords in a modern pop style progression that creates an oscillating feel, with repetition for familiarity and simple melody drawn from the underlying chords.

“Time To Pretend” features a simple and repetitive chord progression in the key of D major. The chord progression in the verse is characterized by a repeated pattern of D – G – D – Dsus2. The style of the song can be described as psychedelic synth-pop, with its electronic synth sounds and dream-like atmosphere. MGMT’s music often features catchy melodies and harmonies, which can also be heard in this song.

David Bowie’s song, “Space Oddity,” is typically interpreted as being in the key of C Major. It’s an interesting song harmonically, featuring not just Primary Triads and Secondary Dominants but also uses Borrowed Chords, non-functional harmony, and chromatic chord changes. The kind of harmonic movement might be called Bowie’s deviation from the traditional harmonic patterns, which is part of what gives his music its characteristic ‘alien’ vibe. This progression has a more modal feeling due to the use of borrowed chords and the shifted tonal center.

The Beatles – Let It Be – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]

Chord Progression Analysis

“`
C (I)
G (V)
Am (vi)
Am/G (vi/IV)
Fmaj7 (IV)
F6 (IV-v6)
C (I)
G (V)
F (IV)
C/E (I-vi)
Dm7 (ii7)
C (I)
C (I)
G (V)
Am (vi)
Am/G (vi/IV)
Fmaj7 (IV)
F6 (IV-v6)
C (I)
G (V)
F (IV)
C/E (I-vi)
Dm7 (ii7)
C (I)
“`
Chords borrowed from other keys are labeled within the code block, namely Am/G, F6, and C/E. These chords add richness to the sound due to their harmonics and pitch diversity.

Similar Chord Progressions

One song with similar chord progressions is “No Woman, No Cry” by Bob Marley and the chord progressions in the song can be demonstrated just like we did for “Let It Be”:
“`
C (I)
G (V)
Am (vi)
F (IV)
C (I)
F (IV)
C (I)
G (V)
“`
This song also utilizes a IV-I-V-vi chord progression, which is very common in pop music. The progression is known for its strong sense of resolution and tonal centering. Other songs with similar structures include Journey’s “Don’t Stop Believin’”, U2’s “With or Without You”, and “Let It Go” from the Disney film Frozen.

Musical Analysis

“Let It Be” features an even meter with a smooth, flowing rhythm. The steady use of bass notes throughout anchors the harmony and shows harmonic enrichment by the use of more complex chords, which often lead to the tonic for resolution.

The use of harmony in “Let It Be” reflects the folk and rock ‘n’ roll influences evident in many of The Beatles’ works. The song leans on major and minor triads, punctuated with the flavorful usage of the 6th and 7th.

Overall Analysis

“Let It Be” by The Beatles utilizes a very accessible and effective chord progression throughout the song. This progression is designed to create tension and release as it progresses, as well as establish the root key of the song, which is C Major.

The chords used throughout the song show a strong use of borrowed chords, inversions, and extensions, adding to the depth and complexity of the song despite the relatively uncomplicated chord progression.

The balance between the root key, dissonance, resolution, and overall harmony creates an emotive and engaging song that maintains listener interest and displays the songwriting abilities of The Beatles.

Style Analysis

“Let It Be” is distinctly in The Beatles’ style, drawing from pop, rock ‘n’ roll and folk traditions. The song is characterized by its memorable melody, emotive lyrics, and the creative use of chord progressions and harmonies, resulting in a unique, engaging sound.

Chords in the Verse 1 section of Let It Be by The Beatles are:

[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]