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The song is in the key of A Major and it makes some interesting use of borrowed chords and modulations. The arrangement of the song is fairly typical rock/pop with a verse-chorus-bridge structure. The bridge utilizes a modulation to the relative minor key, F# minor.

“Eight Days A Week” by The Beatles is in the key of D major. The song features a handful of basic major and minor chords with a sprinkling of interesting harmonic developments such as the E7 transition chord and the use of the B minor chord which provide a rich palette of colors for the progression.

“Bohemian Rhapsody” is a multi-genre masterpiece that incorporates elements of ballad, opera, and hard rock, showcasing Queen’s versatility and musical potential. The song is mainly in the key of Bb major, but it aggressively utilizes modulations, chromaticism, borrowed chords, and modally mixed chords. The given chord progression is from the verse that follows the opera section, here Queen offers an unusual, nuanced chord progression that complements the surrounding sections.

“And I Love Her” by The Beatles is predominantly set within the key of F# minor. Apart from the chorus that momentarily modulates to the key of D minor, the verses embrace a darker, melancholic atmosphere portrayed by the minor keys. The tonal structure and chord progressions in the song are reflective of the band’s exploration of intricate harmonies, going beyond the simple three-chord structures of many contemporary pop songs of the time.

“Your Song” is characterized by a varied and complex chord progression that helps to emphasize the emotional complexity of the lyrics. This is apparent in the progression used in Verse 2, which employs several techniques used frequently by Elton John. These include the use of secondary dominants, borrowed chords, modal mixture, and chromatic bass movements to add emotional color and reinforce the feeling of tension and resolution in the song’s narrative.

The Beatles – In My Life – Verse 2

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Chord Progression

[‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’, ‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’]

Chord Progression Analysis

Here are the full chord names and their analysis in Roman numerals:

“`python
“A Major (‘I’)”, “E Major (‘V’)”, “F# Minor (‘vi’)”, “A7/G (V7/IV with a 3rd inversion)”, “D Major (‘IV’)”, “D Minor (‘iv’)”, “A Major (‘I’)”,
“A Major (‘I’)”, “E Major (‘V’)”, “F# Minor (‘vi’)”, “A7/G (V7/IV with a 3rd inversion)”, “D Major (‘IV’)”, “D Minor (‘iv’)”, “A Major (‘I’)”
“`

In this progression, “D Minor (‘iv’)” is a borrowed chord from the parallel minor key (A minor).

Similar Chord Progressions

Similar chord progressions can be found in many other popular songs, especially those from the same era. Some examples include “California Dreamin’” by The Mamas & the Papas, “God Only Knows” by The Beach Boys, and “Everybody’s Changing” by Keane. Here are the progressions:

“California Dreamin’”:

“`python
“C Major (‘I’)”, “Bb Major (borrowed ‘♭VII’)”, “F Major (‘IV’)”, “C Major (‘I’)”
“`

“God Only Knows”:

“`python
“E Major (‘I’)”, “B/F# (‘V/vi with 1st inversion’)”, “F# Minor (‘vi’)”, “D#m7/F# (ii7/vi with 1st inversion)”, “F# Major (‘V’)”, “B Major (‘V/vi’)”, “E Major (‘I’)”
“`

“Everybody’s Changing”:

“`python
“D Major (‘I’)”, “Bm (‘vi’)”, “G Major (‘IV’)”, “A Major (‘V’)”
“`
In each of these cases, the artist uses a slightly different technique to achieve a similar sense of depth and complexity in their progression.

Musical Analysis

The progression starts in A Major, which gives the song a bright and joyful feeling. The progression then moves to E Major, the V chord, which is a very common movement that sets up a feeling of tension and anticipation.

The progression then delves into some more complex harmonic territory by moving to the vi chord, F# Minor, followed by an unusual A7/G, which is the dominant 7th chord of the IV (D Major) with a third inversion incorporated.

The song then moves to the IV chord, D Major, and then quickly switches to D minor, a borrowed chord from the parallel minor key, which creates an unexpected and poignant shift in tonality. Finally, the progression moves back to the I chord, A Major, rounding off the phrase and bringing a sense of resolution.

Overall Analysis

“In My Life” is a song written by The Beatles which stands as a hallmarks of their inventive songwriting and command of complex musical structures. The song is primarily in the key of A Major, but it employs a number of borrowed chords and modal interchange to create a more interesting and richer harmonic landscape. The melody, rhythm, and lyrics of this song are poignant and memorable, making “In My Life” an enduring classic in the Beatles’ catalog.

Style Analysis

The Beatles were known for their adventurous and experimental approach to songwriting, and “In My Life” is no exception. The use of the borrowed chord (D minor) from the parallel minor key is a typical Beatles’ touch, as well as the third inversion in A7/G chord, evidencing their comfort with more complex harmonic structures.

Chords in the Verse 2 section of In My Life by The Beatles are:

[‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’, ‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’]