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Related Music Theory Alchemy

“In My Life” by The Beatles is in A Major key, and it makes use of both diatonic and non-diatonic chords. The song is notable for its use of various chord trickery such as modal borrowing, secondary dominant, and chromatic bass movement. Additionally, the song is filled with the Beatles’ signatures: a mix of major and minor chords and the use of the VI-IV progression.

“Strawberry Fields Forever” by The Beatles is a song that displays the remarkable depth of harmonic creativity found in their songwriting. The chord progression in the Chorus 4 section of the song is particularly complex. This progressions illustrate the band’s ability to exploit common harmonic devices such as diatonic pivots, modal mixture, and deceptive resolutions, in order to produce beautifully unique and captivating chord sequences.

The chord progression in verse 2 of “Telepatia” by Kali Uchis is a jazz-influenced progression in the key of E minor. It features several extended chords, such as the Em9 and Gmaj7 used throughout, and a dominant chord, B7, which provides tension and resolution in the progression. The G/A chord, which is essentially an A11 chord without the 3rd, also gives the progression a sense of blending major and minor tonalities.

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Looking at the entire song and isolating the verse, the chord progression provided shows a rock style often seen in Queens of the Stone Age compositions. The harmonic language of this song and its progression style fall within the realm of Pop / Rock music, with frequent use of minor chords suggesting a somber or introspective mood. On first glance, it appears to contain chords primarily from the key of F# minor, with no obvious borrowings from other keys. However, a closer inspection will allow us to delve deeper into their harmonic function.

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“When You Die” by MGMT features a fairly unconventional chord progression that mixes elements of rock, pop, and classic psychedelia. The progression creates tension and intrigue through the use of extended harmonies, chromaticism, and borrowed chords. The distinctiveness of this progression contributes to the song’s unique sound.

The Beatles – In My Life – Verse 2

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Chord Progression

[‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’, ‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’]

Chord Progression Analysis

Here are the full chord names and their analysis in Roman numerals:

“`python
“A Major (‘I’)”, “E Major (‘V’)”, “F# Minor (‘vi’)”, “A7/G (V7/IV with a 3rd inversion)”, “D Major (‘IV’)”, “D Minor (‘iv’)”, “A Major (‘I’)”,
“A Major (‘I’)”, “E Major (‘V’)”, “F# Minor (‘vi’)”, “A7/G (V7/IV with a 3rd inversion)”, “D Major (‘IV’)”, “D Minor (‘iv’)”, “A Major (‘I’)”
“`

In this progression, “D Minor (‘iv’)” is a borrowed chord from the parallel minor key (A minor).

Similar Chord Progressions

Similar chord progressions can be found in many other popular songs, especially those from the same era. Some examples include “California Dreamin’” by The Mamas & the Papas, “God Only Knows” by The Beach Boys, and “Everybody’s Changing” by Keane. Here are the progressions:

“California Dreamin’”:

“`python
“C Major (‘I’)”, “Bb Major (borrowed ‘♭VII’)”, “F Major (‘IV’)”, “C Major (‘I’)”
“`

“God Only Knows”:

“`python
“E Major (‘I’)”, “B/F# (‘V/vi with 1st inversion’)”, “F# Minor (‘vi’)”, “D#m7/F# (ii7/vi with 1st inversion)”, “F# Major (‘V’)”, “B Major (‘V/vi’)”, “E Major (‘I’)”
“`

“Everybody’s Changing”:

“`python
“D Major (‘I’)”, “Bm (‘vi’)”, “G Major (‘IV’)”, “A Major (‘V’)”
“`
In each of these cases, the artist uses a slightly different technique to achieve a similar sense of depth and complexity in their progression.

Musical Analysis

The progression starts in A Major, which gives the song a bright and joyful feeling. The progression then moves to E Major, the V chord, which is a very common movement that sets up a feeling of tension and anticipation.

The progression then delves into some more complex harmonic territory by moving to the vi chord, F# Minor, followed by an unusual A7/G, which is the dominant 7th chord of the IV (D Major) with a third inversion incorporated.

The song then moves to the IV chord, D Major, and then quickly switches to D minor, a borrowed chord from the parallel minor key, which creates an unexpected and poignant shift in tonality. Finally, the progression moves back to the I chord, A Major, rounding off the phrase and bringing a sense of resolution.

Overall Analysis

“In My Life” is a song written by The Beatles which stands as a hallmarks of their inventive songwriting and command of complex musical structures. The song is primarily in the key of A Major, but it employs a number of borrowed chords and modal interchange to create a more interesting and richer harmonic landscape. The melody, rhythm, and lyrics of this song are poignant and memorable, making “In My Life” an enduring classic in the Beatles’ catalog.

Style Analysis

The Beatles were known for their adventurous and experimental approach to songwriting, and “In My Life” is no exception. The use of the borrowed chord (D minor) from the parallel minor key is a typical Beatles’ touch, as well as the third inversion in A7/G chord, evidencing their comfort with more complex harmonic structures.

Chords in the Verse 2 section of In My Life by The Beatles are:

[‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’, ‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’]