Search

Related Music Theory Alchemy

The song is in the key of A Major and it makes some interesting use of borrowed chords and modulations. The arrangement of the song is fairly typical rock/pop with a verse-chorus-bridge structure. The bridge utilizes a modulation to the relative minor key, F# minor.

“The Long and Winding Road” by The Beatles is an iconic pop ballad renowned for its rich harmonic content. It employs both modal interchange and secondary dominants, thus securing its place as an exemplary piece in pop music harmony. Its dominant tonality is D Major, however, it makes use of many borrowed chords.

**

“Don’t Look Back In Anger” uses simple yet effective chord progressions common in pop/rock music. It incorporates both major and minor chords, showing some classic pop sensibilities. The song is situated in the key of C Major. Embedded within this progression are instances of borrowed chords – the E7 for instance, is a secondary dominant, often used to inject a bit of tension and to give strong resolution leading into the next chord.

**

“Hallelujah” is a song by singer-songwriter Jeff Buckley and is a cover of a song originally written by Leonard Cohen. The song is in the key of C major and features a moderate tempo with a 6/8 time signature. This particular chord progression, taken from the second verse, consists mainly of diatonic chords found within the key, but also includes a few borrowed chords and a secondary dominant, giving the song a sense of tension and release.

“Exit Music (For a Film)” by Radiohead features a unique and somewhat complex chord progression, particularly in the second verse. The song can be viewed as being in A minor, with various borrowed chords and non-diatonic chords. The chord progression reflects Radiohead’s experimental and innovative approach to harmony and songwriting.

The Beatles – In My Life – Verse 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’, ‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’]

Chord Progression Analysis

Here are the full chord names and their analysis in Roman numerals:

“`python
“A Major (‘I’)”, “E Major (‘V’)”, “F# Minor (‘vi’)”, “A7/G (V7/IV with a 3rd inversion)”, “D Major (‘IV’)”, “D Minor (‘iv’)”, “A Major (‘I’)”,
“A Major (‘I’)”, “E Major (‘V’)”, “F# Minor (‘vi’)”, “A7/G (V7/IV with a 3rd inversion)”, “D Major (‘IV’)”, “D Minor (‘iv’)”, “A Major (‘I’)”
“`

In this progression, “D Minor (‘iv’)” is a borrowed chord from the parallel minor key (A minor).

Similar Chord Progressions

Similar chord progressions can be found in many other popular songs, especially those from the same era. Some examples include “California Dreamin’” by The Mamas & the Papas, “God Only Knows” by The Beach Boys, and “Everybody’s Changing” by Keane. Here are the progressions:

“California Dreamin’”:

“`python
“C Major (‘I’)”, “Bb Major (borrowed ‘♭VII’)”, “F Major (‘IV’)”, “C Major (‘I’)”
“`

“God Only Knows”:

“`python
“E Major (‘I’)”, “B/F# (‘V/vi with 1st inversion’)”, “F# Minor (‘vi’)”, “D#m7/F# (ii7/vi with 1st inversion)”, “F# Major (‘V’)”, “B Major (‘V/vi’)”, “E Major (‘I’)”
“`

“Everybody’s Changing”:

“`python
“D Major (‘I’)”, “Bm (‘vi’)”, “G Major (‘IV’)”, “A Major (‘V’)”
“`
In each of these cases, the artist uses a slightly different technique to achieve a similar sense of depth and complexity in their progression.

Musical Analysis

The progression starts in A Major, which gives the song a bright and joyful feeling. The progression then moves to E Major, the V chord, which is a very common movement that sets up a feeling of tension and anticipation.

The progression then delves into some more complex harmonic territory by moving to the vi chord, F# Minor, followed by an unusual A7/G, which is the dominant 7th chord of the IV (D Major) with a third inversion incorporated.

The song then moves to the IV chord, D Major, and then quickly switches to D minor, a borrowed chord from the parallel minor key, which creates an unexpected and poignant shift in tonality. Finally, the progression moves back to the I chord, A Major, rounding off the phrase and bringing a sense of resolution.

Overall Analysis

“In My Life” is a song written by The Beatles which stands as a hallmarks of their inventive songwriting and command of complex musical structures. The song is primarily in the key of A Major, but it employs a number of borrowed chords and modal interchange to create a more interesting and richer harmonic landscape. The melody, rhythm, and lyrics of this song are poignant and memorable, making “In My Life” an enduring classic in the Beatles’ catalog.

Style Analysis

The Beatles were known for their adventurous and experimental approach to songwriting, and “In My Life” is no exception. The use of the borrowed chord (D minor) from the parallel minor key is a typical Beatles’ touch, as well as the third inversion in A7/G chord, evidencing their comfort with more complex harmonic structures.

Chords in the Verse 2 section of In My Life by The Beatles are:

[‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’, ‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’]