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Related Music Theory Alchemy

“In My Life” by The Beatles is in A Major key, and it makes use of both diatonic and non-diatonic chords. The song is notable for its use of various chord trickery such as modal borrowing, secondary dominant, and chromatic bass movement. Additionally, the song is filled with the Beatles’ signatures: a mix of major and minor chords and the use of the VI-IV progression.

“Hey Jude,” by The Beatles, is an iconic song. The chord progression is in the key of D major and it follows a sort of Variation on I-V-IV-I progression of many pop and rock songs. However, what makes this song extremely unique is its out-of-the-box structure and the experimental use of borrowed cords – it shows The Beatles’ fondness for combining elements of pop, rock and classical music and results in an emotional, powerful progression that resonates strongly with listeners.

The chord progression in the verse of “Time To Pretend” by MGMT is primarily built around the key of D major. It features a simple and repetitive structure, with some variations. The chords used are mainly triads and simple extensions, with the occasional use of suspended chords (Dsus2) to create tension and release. The progression showcases the band’s ability to create an engaging and immersive soundscape, while keeping the harmony relatively simple.

The progression is in the key of C major. The use of the Bb major is known as modal interchange, where a chord that is not in the key is borrowed from a parallel key, which in this case is C minor. This contributes an interesting tone color to the overall sound. The chord progression does consist a use of slash chords (C/B, C/G) which adds a more complex bassline creating a more harmonically active feeling, and yielding more tension and release.

The given chord progression is found in Verse 2 of Tyler, The Creator’s song “Are We Still Friends.” The song is in the key of E major, and the progression features a mix of major, minor, and dominant seventh chords. The distinctive chromatic movement and the use of borrowed chords make for a memorable and unique progression. The combination of these elements results in a lush and emotionally charged progression which contributes greatly to the overall feel of the song.

The Beatles – In My Life – Verse 2

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Chord Progression

[‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’, ‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’]

Chord Progression Analysis

Here are the full chord names and their analysis in Roman numerals:

“`python
“A Major (‘I’)”, “E Major (‘V’)”, “F# Minor (‘vi’)”, “A7/G (V7/IV with a 3rd inversion)”, “D Major (‘IV’)”, “D Minor (‘iv’)”, “A Major (‘I’)”,
“A Major (‘I’)”, “E Major (‘V’)”, “F# Minor (‘vi’)”, “A7/G (V7/IV with a 3rd inversion)”, “D Major (‘IV’)”, “D Minor (‘iv’)”, “A Major (‘I’)”
“`

In this progression, “D Minor (‘iv’)” is a borrowed chord from the parallel minor key (A minor).

Similar Chord Progressions

Similar chord progressions can be found in many other popular songs, especially those from the same era. Some examples include “California Dreamin’” by The Mamas & the Papas, “God Only Knows” by The Beach Boys, and “Everybody’s Changing” by Keane. Here are the progressions:

“California Dreamin’”:

“`python
“C Major (‘I’)”, “Bb Major (borrowed ‘♭VII’)”, “F Major (‘IV’)”, “C Major (‘I’)”
“`

“God Only Knows”:

“`python
“E Major (‘I’)”, “B/F# (‘V/vi with 1st inversion’)”, “F# Minor (‘vi’)”, “D#m7/F# (ii7/vi with 1st inversion)”, “F# Major (‘V’)”, “B Major (‘V/vi’)”, “E Major (‘I’)”
“`

“Everybody’s Changing”:

“`python
“D Major (‘I’)”, “Bm (‘vi’)”, “G Major (‘IV’)”, “A Major (‘V’)”
“`
In each of these cases, the artist uses a slightly different technique to achieve a similar sense of depth and complexity in their progression.

Musical Analysis

The progression starts in A Major, which gives the song a bright and joyful feeling. The progression then moves to E Major, the V chord, which is a very common movement that sets up a feeling of tension and anticipation.

The progression then delves into some more complex harmonic territory by moving to the vi chord, F# Minor, followed by an unusual A7/G, which is the dominant 7th chord of the IV (D Major) with a third inversion incorporated.

The song then moves to the IV chord, D Major, and then quickly switches to D minor, a borrowed chord from the parallel minor key, which creates an unexpected and poignant shift in tonality. Finally, the progression moves back to the I chord, A Major, rounding off the phrase and bringing a sense of resolution.

Overall Analysis

“In My Life” is a song written by The Beatles which stands as a hallmarks of their inventive songwriting and command of complex musical structures. The song is primarily in the key of A Major, but it employs a number of borrowed chords and modal interchange to create a more interesting and richer harmonic landscape. The melody, rhythm, and lyrics of this song are poignant and memorable, making “In My Life” an enduring classic in the Beatles’ catalog.

Style Analysis

The Beatles were known for their adventurous and experimental approach to songwriting, and “In My Life” is no exception. The use of the borrowed chord (D minor) from the parallel minor key is a typical Beatles’ touch, as well as the third inversion in A7/G chord, evidencing their comfort with more complex harmonic structures.

Chords in the Verse 2 section of In My Life by The Beatles are:

[‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’, ‘A’, ‘E’, ‘F#m’, ‘A7/G’, ‘D’, ‘Dm’, ‘A’]