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“I Am The Walrus” is a distinctive composition by the Beatles from their 1967 album “Magical Mystery Tour”. Known for its surreal lyrics and creative chord progression, the song displays the Beatles’ mastery of composition and their innovative use of harmony. The song features elements from psychedelic rock, a genre that the Beatles helped popularize during the mid-1960s.

“Strawberry Fields Forever” by The Beatles is a song that displays the remarkable depth of harmonic creativity found in their songwriting. The chord progression in the Chorus 4 section of the song is particularly complex. This progressions illustrate the band’s ability to exploit common harmonic devices such as diatonic pivots, modal mixture, and deceptive resolutions, in order to produce beautifully unique and captivating chord sequences.

The song “Closer” by Nine Inch Nails is predominantly in the key of C minor. The song features a strong emphasis on repetition and minimalism, with the chord progressions mostly consisting of repeated chords within each section. The song has a moody and dark atmosphere, fitting the industrial rock genre.

Chord Progression Analysis (Pre-Chorus 2):
C minor 7 (i7) – C minor 7 (i7) – C minor 7 (i7) – C minor 7 (i7)

Borrowed Chords:
There are no borrowed chords in this specific chord progression.

“Give Me The Night” by George Benson is a jazz-fusion piece with a strong R&B and pop influence. The pre-chorus utilizes a smooth harmonic progression, involving the use of common jazz chords and inversions. The progression is primarily diatonic, with a few chromatic alterations, allowing for a sense of tension and resolution that contributes to the overall groove and smooth melody.

The Beatles – I Am The Walrus – Pre-Chorus 2

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Chord Progression

[‘A’, ‘A/G’, ‘Dadd9/F#’, ‘F’, ‘G’, ‘A’, ‘A/G’, ‘F’, ‘B7’]

Chord Progression Analysis

Based on the chords of Pre-Chorus 2 given, the sequence in the key of A major would be:

Chord Progression:

A (I)
A/G (I/♭VII)
Dadd9/F# (IV/VII)
F (♭VI)
G (♭VII)
A (I)
A/G (I/♭VII)
F (♭VI)
B7 (II7)

“`
Code Block:
The chords `F (♭VI)` and `G (♭VII)` are borrowed chords from A minor key.
“`

Similar Chord Progressions

The following songs have similar chord progressions which incorporate modal mixtures and use of secondary dominant chords:

– “This Love” by Maroon 5: Cm (i) – B (V/♭VI) – Ab (♭VI) – Bb (♭VII) – Eb (♭III) – Bb (♭VII)
– “I Just Can’t Stop Loving You” by Michael Jackson: Db (I) – Db/C (I/VII) – Gbadd9/Eb (IV/I) – Bb minor (♭VI) – Ab/C (V/iii) – Db (I)
– “Creep” by Radiohead: G (I) – G/F# (I/VII) – B (V/ii) – C (IV) – Cm (iv)

Most of these chord progressions involve modal mixture and dominant chords, much like “I Am The Walrus”. By studying these examples, one can see how common it is in pop/rock music to “borrow” chords from a parallel key to incorporate fresh and unique sounds.

Musical Analysis

The chromatic descent A – A/G in the bass part draws attention and adds tension. Additionally, the add9 in the Dadd9/F# chord expands its color and suggests a sense of resolution after the extension to the IV Δ chord. The F and G from A minor key give the progression a modal mixture touch, bringing unexpected harmonic surprises. Ending on B7 leaves the pre-chorus unresolved, increasing the anticipation of what comes next.

Overall Analysis

“I Am The Walrus” by The Beatles is a song that stands out because of its unique chord progressions and thematic material. The chord progression of the pre-chorus is particularly captivating and somehow unusual compared to common pop/rock tunes.

Style Analysis

The Beatles have always been known for their innovativeness and adventure into unusual harmonic content. The modal mixture and unexpected harmonic shifts in this song, including the ending on a secondary dominant chord, are typical of their versatility and distinctive sound.

Chords in the Pre-Chorus 2 section of I Am The Walrus by The Beatles are:

[‘A’, ‘A/G’, ‘Dadd9/F#’, ‘F’, ‘G’, ‘A’, ‘A/G’, ‘F’, ‘B7’]