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Related Music Theory Alchemy

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The Beatles were known for their innovative use of musical elements, and this can be seen in “I Want To Hold Your Hand”. The song is largely in the key of G major, but it also has some borrowed chords from other keys. This variety creates a unique listening experience that keeps the song fresh.

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“The Long and Winding Road” by The Beatles is an iconic pop ballad renowned for its rich harmonic content. It employs both modal interchange and secondary dominants, thus securing its place as an exemplary piece in pop music harmony. Its dominant tonality is D Major, however, it makes use of many borrowed chords.

“Brown Sugar” by The Rolling Stones is a rock and roll song prominently featuring electric guitar and piano, characterized by its driving groove and catchy chorus. The base key for the song is C Major. The harmonic progression is fairly simple and stays mainly within the diatonic chords, with some occasional borrowing from other modes.

“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

“Penny Lane” by The Beatles is an eclectic and elegant piece of music evident in its rhythm, harmony, melody, and lyrics. It is predominantly in the key of A Major, but it has several key changes and introduces chords that are non-diatonic, giving it a progressive and unexpected feel.

The Beatles – I Want To Hold Your Hand – Verse 3

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Chord Progression

[‘G’, ‘D’, ‘Em’, ‘B’, ‘G’, ‘D’, ‘Em’, ‘B7’]

Chord Progression Analysis

“`shell
G Major (‘I’)
D Major (‘V’)
E Minor (‘vi’)
B Major (‘III’, borrowed chord from parallel major)
G Major (‘I’)
D Major (‘V’)
E Minor (‘vi’)
B7 Major (‘III7’, borrowed chord from parallel major)
“`

Similar Chord Progressions

1. “Creep” by Radiohead:

“`shell
G Major (‘I’)
B Major (‘III’, borrowed chord from parallel major)
C Major (‘IV’)
C Minor (‘iv’, borrowed chord from parallel minor)
“`
2. “Let It Be” by The Beatles:

“`shell
C Major (‘I’)
G Major (‘V’)
A minor (‘vi’)
F Major(‘IV’)
“`

Both exhibit some of YouTube’s influence. Notably, Radiohead’s “Creep” uses a similar change from the I chord, directly to a borrowed III chord, just like “I Want to Hold Your Hand”.

Musical Analysis

The progression is primarily based in the key of G Major. Starting with the I chord(G Major) gives the progression its tonal targeted sound. Shifting to the D Major (the ‘V’ or dominant chord), which returns to the E minor that commonly functions as the vi chord of a progression. The interesting part here is the addition of the B Major and B7 chords. These are ‘borrowed chords’, specifically from the parallel major of E minor, representing a modal mixture, which adds complexity and a unique twist to the conventional chord progression. The B7 acts as a secondary dominant, creating a strong pull to the tonic (G Major).

Overall Analysis

“I Want To Hold Your Hand” by The Beatles is one of the band’s early hits noted for its crafty melodic hooks and harmonic structure attesting to their evolving musical sophistication. The chord progression of Verse 3 is a great reflection of this, using classic pop songwriting techniques such as the predominant use of I, IV and V chords along with a borrowed chord from another mode, that add to the emotional depth of the song.

Style Analysis

This progression characterizes The Beatles’ evolving style in the early 60s, which displayed a penchant for blending the simplicity of rock and roll with more sophisticated compositional techniques. This blend is what allowed their music to appeal to a broad audience, maintaining a catchy pop aesthetic, while also advancing musical content and complexity. The use of borrowed chords is indicative of The Beatles’ willingness to experiment with more unconventional harmonic territory.

Chords in the Verse 3 section of I Want To Hold Your Hand by The Beatles are:

[‘G’, ‘D’, ‘Em’, ‘B’, ‘G’, ‘D’, ‘Em’, ‘B7’]