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The chord progression of “I Want To Hold Your Hand” by The Beatles is particularly interesting for its use of key changes and borrowed chords. It reflects both the catchy driving pop rock melody signature of early Beatles and the sophistication of harmonic innovation, which defines their later work.

“Strawberry Fields Forever” by The Beatles is a significant example of their high level of technical composition skills. This track, which is played in the key of A Major, incorporates variations in the conventional chord progressions by using borrowed chords and shifting harmonic and melodic structures, showcasing their profound understanding of music theory and ability to use those ideas creatively.

“Let It Be” by The Beatles is a song in the key of C Major. The chord progression featured in Verse 3 of the song, C – G – Am – Am/G – Fmaj7 – F6 – C – G – F – C/E – Dm7 – C, is a common progression in pop music. It has a repetitive structure and revolves around the I-V-vi-VI progression.

** The chord progression in Verse 3 of Radiohead’s “Fake Plastic Trees” is a combination of diatonic and non-diatonic chords in the key of A major, featuring the use of suspended chords, 9th chords, and 6th chords. The progression has a tonally ambiguous and ethereal quality, which is characteristic of Radiohead’s style.

**

“Sometimes It Snows In April” is a song by Prince in the pop style. It’s characterized by its use of extended and added note chords, as seen in the chord progression for Verse 3. This advanced harmonic content gives the song a distinct, rich, and complex musical texture, typical of Prince’s style.

The Beatles – I Want To Hold Your Hand – Verse 3

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Chord Progression

[‘G’, ‘D’, ‘Em’, ‘B’, ‘G’, ‘D’, ‘Em’, ‘B7’]

Chord Progression Analysis

“`shell
G Major (‘I’)
D Major (‘V’)
E Minor (‘vi’)
B Major (‘III’, borrowed chord from parallel major)
G Major (‘I’)
D Major (‘V’)
E Minor (‘vi’)
B7 Major (‘III7’, borrowed chord from parallel major)
“`

Similar Chord Progressions

1. “Creep” by Radiohead:

“`shell
G Major (‘I’)
B Major (‘III’, borrowed chord from parallel major)
C Major (‘IV’)
C Minor (‘iv’, borrowed chord from parallel minor)
“`
2. “Let It Be” by The Beatles:

“`shell
C Major (‘I’)
G Major (‘V’)
A minor (‘vi’)
F Major(‘IV’)
“`

Both exhibit some of YouTube’s influence. Notably, Radiohead’s “Creep” uses a similar change from the I chord, directly to a borrowed III chord, just like “I Want to Hold Your Hand”.

Musical Analysis

The progression is primarily based in the key of G Major. Starting with the I chord(G Major) gives the progression its tonal targeted sound. Shifting to the D Major (the ‘V’ or dominant chord), which returns to the E minor that commonly functions as the vi chord of a progression. The interesting part here is the addition of the B Major and B7 chords. These are ‘borrowed chords’, specifically from the parallel major of E minor, representing a modal mixture, which adds complexity and a unique twist to the conventional chord progression. The B7 acts as a secondary dominant, creating a strong pull to the tonic (G Major).

Overall Analysis

“I Want To Hold Your Hand” by The Beatles is one of the band’s early hits noted for its crafty melodic hooks and harmonic structure attesting to their evolving musical sophistication. The chord progression of Verse 3 is a great reflection of this, using classic pop songwriting techniques such as the predominant use of I, IV and V chords along with a borrowed chord from another mode, that add to the emotional depth of the song.

Style Analysis

This progression characterizes The Beatles’ evolving style in the early 60s, which displayed a penchant for blending the simplicity of rock and roll with more sophisticated compositional techniques. This blend is what allowed their music to appeal to a broad audience, maintaining a catchy pop aesthetic, while also advancing musical content and complexity. The use of borrowed chords is indicative of The Beatles’ willingness to experiment with more unconventional harmonic territory.

Chords in the Verse 3 section of I Want To Hold Your Hand by The Beatles are:

[‘G’, ‘D’, ‘Em’, ‘B’, ‘G’, ‘D’, ‘Em’, ‘B7’]