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Related Music Theory Alchemy

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The Beatles were known for their innovative use of musical elements, and this can be seen in “I Want To Hold Your Hand”. The song is largely in the key of G major, but it also has some borrowed chords from other keys. This variety creates a unique listening experience that keeps the song fresh.

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“With a Little Help from My Friends” is a song by the Beatles from their 1967 album ‘Sgt. Pepper’s Lonely Hearts Club Band’. It features Ringo Starr who sings the song in the role of ‘Billy Shears’, a fictional character from the ‘Sgt. Pepper’ album. It was composed by Paul McCartney and John Lennon.

The full chord sequence you provided represents the verse. The song itself is predominantly in E Major, but contains several borrowed chords and modal exchanges. As was common with Beatles’s compositions, they often incorporated intricate chord progressions and did not strictly adhere to traditional key signatures.

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The Beatles’ “Rocky Raccoon” incorporates a repeating sequence of predominantly seventh chords, displaying a mix of minor, dominant, and sustained chords within the and C Major/A minor keys. This diversity contributes to the song’s unique harmony, and given its context in a folk rock style, the progression exudes a rustic, storytelling personality.

“`plaintext
D Major (I)
E Minor (ii)
G Major (IV)
B Minor (vi)
A Major (V)
G Major (IV)
D Major (I)
E Minor (ii)
G Major (IV)
B Minor (vi)
A Major (V)
G Major (IV)
“`

Muse’s “New Born” is a rock composition with progressive and alternative elements. The harmonic structure is simple, making use of common chords and progressions. In the given chord progression from Verse 3, there is a sense of tension and release between the major and minor chords, creating a sense of dynamics and urgency. The chord progression itself is repetitive, with subtle variations added to keep interest.

The Beatles – I Want To Hold Your Hand – Verse 3

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Chord Progression

[‘G’, ‘D’, ‘Em’, ‘B’, ‘G’, ‘D’, ‘Em’, ‘B7’]

Chord Progression Analysis

“`shell
G Major (‘I’)
D Major (‘V’)
E Minor (‘vi’)
B Major (‘III’, borrowed chord from parallel major)
G Major (‘I’)
D Major (‘V’)
E Minor (‘vi’)
B7 Major (‘III7’, borrowed chord from parallel major)
“`

Similar Chord Progressions

1. “Creep” by Radiohead:

“`shell
G Major (‘I’)
B Major (‘III’, borrowed chord from parallel major)
C Major (‘IV’)
C Minor (‘iv’, borrowed chord from parallel minor)
“`
2. “Let It Be” by The Beatles:

“`shell
C Major (‘I’)
G Major (‘V’)
A minor (‘vi’)
F Major(‘IV’)
“`

Both exhibit some of YouTube’s influence. Notably, Radiohead’s “Creep” uses a similar change from the I chord, directly to a borrowed III chord, just like “I Want to Hold Your Hand”.

Musical Analysis

The progression is primarily based in the key of G Major. Starting with the I chord(G Major) gives the progression its tonal targeted sound. Shifting to the D Major (the ‘V’ or dominant chord), which returns to the E minor that commonly functions as the vi chord of a progression. The interesting part here is the addition of the B Major and B7 chords. These are ‘borrowed chords’, specifically from the parallel major of E minor, representing a modal mixture, which adds complexity and a unique twist to the conventional chord progression. The B7 acts as a secondary dominant, creating a strong pull to the tonic (G Major).

Overall Analysis

“I Want To Hold Your Hand” by The Beatles is one of the band’s early hits noted for its crafty melodic hooks and harmonic structure attesting to their evolving musical sophistication. The chord progression of Verse 3 is a great reflection of this, using classic pop songwriting techniques such as the predominant use of I, IV and V chords along with a borrowed chord from another mode, that add to the emotional depth of the song.

Style Analysis

This progression characterizes The Beatles’ evolving style in the early 60s, which displayed a penchant for blending the simplicity of rock and roll with more sophisticated compositional techniques. This blend is what allowed their music to appeal to a broad audience, maintaining a catchy pop aesthetic, while also advancing musical content and complexity. The use of borrowed chords is indicative of The Beatles’ willingness to experiment with more unconventional harmonic territory.

Chords in the Verse 3 section of I Want To Hold Your Hand by The Beatles are:

[‘G’, ‘D’, ‘Em’, ‘B’, ‘G’, ‘D’, ‘Em’, ‘B7’]