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Related Music Theory Alchemy

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The Beatles were known for their innovative use of musical elements, and this can be seen in “I Want To Hold Your Hand”. The song is largely in the key of G major, but it also has some borrowed chords from other keys. This variety creates a unique listening experience that keeps the song fresh.

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“A Hard Day’s Night” by The Beatles, despite seeming to have a simple structure, is quite unique in its musical composition. The progression varies from standard rock, pop, and folk structure by integrating unique transitions and slightly unconventional chord choices.

Verse

“Let It Be” by The Beatles is a song in the key of C Major. The chord progression featured in Verse 3 of the song, C – G – Am – Am/G – Fmaj7 – F6 – C – G – F – C/E – Dm7 – C, is a common progression in pop music. It has a repetitive structure and revolves around the I-V-vi-VI progression.

The song “With A Little Help From My Friends” by The Beatles is written in the key of E major. The third verse is mostly consistent with the key, with the only chords used are E, F#m, and B.

“Yesterday” is predominantly composed in the key of F Major. The song is a classic in pop songwriting and showcases the effective use of borrowed chords to capture a unique, nostalgic sound that has made it one of the most covered songs in pop music. Specifically, in this verse, the use of secondary dominants and borrowed chords from the parallel minor key provides the song’s distinctive tonal color.

The Beatles – I Want To Hold Your Hand – Verse 3

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Chord Progression

[‘G’, ‘D’, ‘Em’, ‘B’, ‘G’, ‘D’, ‘Em’, ‘B7’]

Chord Progression Analysis

“`shell
G Major (‘I’)
D Major (‘V’)
E Minor (‘vi’)
B Major (‘III’, borrowed chord from parallel major)
G Major (‘I’)
D Major (‘V’)
E Minor (‘vi’)
B7 Major (‘III7’, borrowed chord from parallel major)
“`

Similar Chord Progressions

1. “Creep” by Radiohead:

“`shell
G Major (‘I’)
B Major (‘III’, borrowed chord from parallel major)
C Major (‘IV’)
C Minor (‘iv’, borrowed chord from parallel minor)
“`
2. “Let It Be” by The Beatles:

“`shell
C Major (‘I’)
G Major (‘V’)
A minor (‘vi’)
F Major(‘IV’)
“`

Both exhibit some of YouTube’s influence. Notably, Radiohead’s “Creep” uses a similar change from the I chord, directly to a borrowed III chord, just like “I Want to Hold Your Hand”.

Musical Analysis

The progression is primarily based in the key of G Major. Starting with the I chord(G Major) gives the progression its tonal targeted sound. Shifting to the D Major (the ‘V’ or dominant chord), which returns to the E minor that commonly functions as the vi chord of a progression. The interesting part here is the addition of the B Major and B7 chords. These are ‘borrowed chords’, specifically from the parallel major of E minor, representing a modal mixture, which adds complexity and a unique twist to the conventional chord progression. The B7 acts as a secondary dominant, creating a strong pull to the tonic (G Major).

Overall Analysis

“I Want To Hold Your Hand” by The Beatles is one of the band’s early hits noted for its crafty melodic hooks and harmonic structure attesting to their evolving musical sophistication. The chord progression of Verse 3 is a great reflection of this, using classic pop songwriting techniques such as the predominant use of I, IV and V chords along with a borrowed chord from another mode, that add to the emotional depth of the song.

Style Analysis

This progression characterizes The Beatles’ evolving style in the early 60s, which displayed a penchant for blending the simplicity of rock and roll with more sophisticated compositional techniques. This blend is what allowed their music to appeal to a broad audience, maintaining a catchy pop aesthetic, while also advancing musical content and complexity. The use of borrowed chords is indicative of The Beatles’ willingness to experiment with more unconventional harmonic territory.

Chords in the Verse 3 section of I Want To Hold Your Hand by The Beatles are:

[‘G’, ‘D’, ‘Em’, ‘B’, ‘G’, ‘D’, ‘Em’, ‘B7’]