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“I Am The Walrus” by The Beatles is a song that stands out because of its unique chord progressions and thematic material. The chord progression of the pre-chorus is particularly captivating and somehow unusual compared to common pop/rock tunes.

“Maxwell’s Silver Hammer” is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by Paul McCartney. The song is primarily in the key of D Major and exhibits a mix of major, minor, and dominant seventh chords. This verse progression manifests the distinctive Beatles’ sound which often includes chromaticism and prevalence of secondary dominants that link the chords together, giving a smooth flow and color to the harmonic progression.

The given chord progression consists of five unique chords: Am, D, G, Em, and D repeated in a structured pattern. The progression is in the key of G major, with one borrowed chord. This chord progression is a good example of Weezer’s mix of rock and pop styles, displaying a strong use of diatonic harmony with a touch of chromaticism.

“Creep” by Radiohead is a well-known song that features a fairly simple chord progression in its bridge. The progression is memorable for its fusion of diatonic and chromatic elements, creating a sense of tension and interest.

“Dont Let Me Down” by The Beatles is a song that’s heavily grounded in the key of E Major, with some interesting use of borrowed chords for a richer, more emotional harmonic texture. The song is a fine example of The Beatles’ songwriting style, which often involves mixing diatonic chords with chromatic passing chords, borrowed chords, and secondary dominants.

The Beatles – I Am The Walrus – Bridge

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Chord Progression

[‘B’, ‘A’, ‘G’, ‘F’, ‘E’, ‘F’, ‘B7’]

Chord Progression Analysis

B(Major I), A(Major VII), G(Major VI), F(Major V), E(Major IV), F(Major V), B7(Dominant I)

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“Borrowed chord(s)”: The ‘F’, ‘F’ are borrowed chords from the parallel minor.
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Similar Chord Progressions

– Procol Harum’s “A Whiter Shade of Pale” also uses a similar descending bassline progression.
– F(Major I), E(Major VII), D(Major VI), C(Major V), B(Major IV), C(Major V), B7(Dominant I)
– Radiohead’s “Paranoid Android” also uses borrowed chords and varied key changes.
– G(Major I), F#(Major VII), E(Major VI), D(Major V), C#(Major IV), D(Major V), G7(Dominant I)

Please keep in mind that the naming of the Roman numeral progression varies, depending on the root, the scale and the chord in use.

Musical Analysis

The A to F segment in the verse follows a chromatic descending progression in the bass, which is a feature long employed in many pop songs but had only just emerged in Beatles’ songs at the time. The harmony in these verses mixs tonic (A) with IV (D), bVII (G), and bVI (F) in a closely related fashion.

The bridge, which you queried, does away with the A major key and instead presents a descending major scale starting on B Major, introducing harmonic tension with the surprising change. What’s unique here is the usage of B Major, which is a tritone away from the key of E (a non-diatonic motion).

Overall Analysis

“I Am The Walrus” is a composition by The Beatles in which the song varies in key and progressive elements, with fascinating uses of borrowed chords from parallel modes and chromatic bass motion. The melody resides predominantly within a pentatonic framework, frequently rotating around subversions. The Bridge section beautifully showcases Beatles’ experimentation with descending chord progression built around chromatic movement.

Style Analysis

Musically, “I Am The Walrus” reflects The Beatles’ renowned style of incorporating varied music styles, consisting of pop, art rock, and psychedelic music. The use of unusual chord progressions, borrowed chords, changing keys and tonalities, and electric instrumentation all contribute to the song’s unique sound. It’s an exemplar of their later period works where they pushed the boundaries of pop music into uncharted territory.

Chords in the Bridge section of I Am The Walrus by The Beatles are:

[‘B’, ‘A’, ‘G’, ‘F’, ‘E’, ‘F’, ‘B7’]