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Related Music Theory Alchemy

“I Am The Walrus” by The Beatles is a song that stands out because of its unique chord progressions and thematic material. The chord progression of the pre-chorus is particularly captivating and somehow unusual compared to common pop/rock tunes.

“Yesterday” by The Beatles is a classic Pop song in F Major maintaining a 2/2 time signature. The song changes the chords frequently to create a rich harmonic texture, and is known for its iconic descending guitar melody.

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“The Smashing Pumpkins” in the song ‘1979’ has used a somewhat unconventional yet memorable chord progression, particularly in the bridge section. This progression creates a certain mood and melodic texture befitting the song’s laid-back yet emotionally resonant feel.

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“You And Whose Army?” by Radiohead is an alternative rock song featuring an interesting chord progression in the bridge. The chord progression is characterized by its dynamic movement and integration of non-diatonic chords. The progression is in the key of C# minor, and it displays unique qualities that allow it to stand out from traditional chord progressions. The combination of borrowed chords and voice leading creates a sense of tension and excitement, which contributes to the song’s overall atmosphere.

The bridge of “Say Goodbye” by Beck features a simple two-chord progression. However, this simplicity allows space for an interesting interplay between melody and harmony while still evoking strong emotions. Despite being simple, the progression still manages to create a sense of tension and resolution.

The Beatles – I Am The Walrus – Bridge

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Chord Progression

[‘B’, ‘A’, ‘G’, ‘F’, ‘E’, ‘F’, ‘B7’]

Chord Progression Analysis

B(Major I), A(Major VII), G(Major VI), F(Major V), E(Major IV), F(Major V), B7(Dominant I)

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“Borrowed chord(s)”: The ‘F’, ‘F’ are borrowed chords from the parallel minor.
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Similar Chord Progressions

– Procol Harum’s “A Whiter Shade of Pale” also uses a similar descending bassline progression.
– F(Major I), E(Major VII), D(Major VI), C(Major V), B(Major IV), C(Major V), B7(Dominant I)
– Radiohead’s “Paranoid Android” also uses borrowed chords and varied key changes.
– G(Major I), F#(Major VII), E(Major VI), D(Major V), C#(Major IV), D(Major V), G7(Dominant I)

Please keep in mind that the naming of the Roman numeral progression varies, depending on the root, the scale and the chord in use.

Musical Analysis

The A to F segment in the verse follows a chromatic descending progression in the bass, which is a feature long employed in many pop songs but had only just emerged in Beatles’ songs at the time. The harmony in these verses mixs tonic (A) with IV (D), bVII (G), and bVI (F) in a closely related fashion.

The bridge, which you queried, does away with the A major key and instead presents a descending major scale starting on B Major, introducing harmonic tension with the surprising change. What’s unique here is the usage of B Major, which is a tritone away from the key of E (a non-diatonic motion).

Overall Analysis

“I Am The Walrus” is a composition by The Beatles in which the song varies in key and progressive elements, with fascinating uses of borrowed chords from parallel modes and chromatic bass motion. The melody resides predominantly within a pentatonic framework, frequently rotating around subversions. The Bridge section beautifully showcases Beatles’ experimentation with descending chord progression built around chromatic movement.

Style Analysis

Musically, “I Am The Walrus” reflects The Beatles’ renowned style of incorporating varied music styles, consisting of pop, art rock, and psychedelic music. The use of unusual chord progressions, borrowed chords, changing keys and tonalities, and electric instrumentation all contribute to the song’s unique sound. It’s an exemplar of their later period works where they pushed the boundaries of pop music into uncharted territory.

Chords in the Bridge section of I Am The Walrus by The Beatles are:

[‘B’, ‘A’, ‘G’, ‘F’, ‘E’, ‘F’, ‘B7’]