Search

Related Music Theory Alchemy

“I Am The Walrus” is a composition by The Beatles that showcases a variety of chord progressions, rhythmic sensibilities, and melodic explorations that are representative of their signature sound. The song’s structure presents a complex and unorthodox harmonic design that is characteristic of The Beatles’ later experimental phase.

The pre-chorus 1 [‘A’, ‘A/G’, ‘Dadd9/F#’, ‘F’, ‘G’, ‘A’, ‘A/G’, ‘F’, ‘B7’] presents a series of descending bass notes provided by the root movement of these chords- from A to G (in ‘A/G’) to F# (in ‘Dadd9/F#’) and then repeated. This technique significantly enhances the melodic content of this progression. From a stylistic perspective, the song’s chord progression is enriched by the functional interplay of diatonic and non-diatonic elements over a changing tonal landscape.

**

“Cant Buy Me Love” by The Beatles is a pure example of their early rock-and-roll style influenced by blues. It uses common chord progressions in rock and blues, such as the I-IV-V progression and the use of dominant 7th chords. The song is set in C major, and makes repeated use of the I-IV (C-F) progression. A significant feature in the song is the use of the dominant 7th chords (C7 and F7), which adds some bluesy quality to the song and also serves as a transition chord to the next chord in the progression.

**

“Perfect” by The Smashing Pumpkins is written in the key of D major. The song takes a relatively standard and common approach in chord progression, particularly with the cyclical variations that have the onset within a classic pop/rock realm. The tonality and mid-tempo pacing give the song a melancholic and nostalgic tone.

This particular section is mostly based in the key of F major and highlights Freddie Mercury’s love for moving from the classical I-ii-V progression to the jazz-inspired I-IV-ii-V, often followed by a jazzy II-V-I. In this part of the song, you will find some interesting use of borrowed chords and leading tones, contributing to the chromaticism that enriches the progression.

The chord progression in the bridge of “Gone, Gone” by Tyler, The Creator can be described as a combination of diatonic and borrowed chords from the parallel minor key. The key of the song is F major, and the progression combines elements of pop, R&B, and jazz, creating a distinctive harmonic sound.

The Beatles – I Am The Walrus – Bridge

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘B’, ‘A’, ‘G’, ‘F’, ‘E’, ‘F’, ‘B7’]

Chord Progression Analysis

B(Major I), A(Major VII), G(Major VI), F(Major V), E(Major IV), F(Major V), B7(Dominant I)

“`python
“Borrowed chord(s)”: The ‘F’, ‘F’ are borrowed chords from the parallel minor.
“`

Similar Chord Progressions

– Procol Harum’s “A Whiter Shade of Pale” also uses a similar descending bassline progression.
– F(Major I), E(Major VII), D(Major VI), C(Major V), B(Major IV), C(Major V), B7(Dominant I)
– Radiohead’s “Paranoid Android” also uses borrowed chords and varied key changes.
– G(Major I), F#(Major VII), E(Major VI), D(Major V), C#(Major IV), D(Major V), G7(Dominant I)

Please keep in mind that the naming of the Roman numeral progression varies, depending on the root, the scale and the chord in use.

Musical Analysis

The A to F segment in the verse follows a chromatic descending progression in the bass, which is a feature long employed in many pop songs but had only just emerged in Beatles’ songs at the time. The harmony in these verses mixs tonic (A) with IV (D), bVII (G), and bVI (F) in a closely related fashion.

The bridge, which you queried, does away with the A major key and instead presents a descending major scale starting on B Major, introducing harmonic tension with the surprising change. What’s unique here is the usage of B Major, which is a tritone away from the key of E (a non-diatonic motion).

Overall Analysis

“I Am The Walrus” is a composition by The Beatles in which the song varies in key and progressive elements, with fascinating uses of borrowed chords from parallel modes and chromatic bass motion. The melody resides predominantly within a pentatonic framework, frequently rotating around subversions. The Bridge section beautifully showcases Beatles’ experimentation with descending chord progression built around chromatic movement.

Style Analysis

Musically, “I Am The Walrus” reflects The Beatles’ renowned style of incorporating varied music styles, consisting of pop, art rock, and psychedelic music. The use of unusual chord progressions, borrowed chords, changing keys and tonalities, and electric instrumentation all contribute to the song’s unique sound. It’s an exemplar of their later period works where they pushed the boundaries of pop music into uncharted territory.

Chords in the Bridge section of I Am The Walrus by The Beatles are:

[‘B’, ‘A’, ‘G’, ‘F’, ‘E’, ‘F’, ‘B7’]