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Related Music Theory Alchemy

The outro of ‘Hey Jude’ by The Beatles is a prime example of a repeated chord progression, specifically a repeated loop of D-C-G-D. This progression is repeated throughout the last significant section of the song, often referred to as the “na na na” section, essentially becoming a kind of mantra or chant that brings the song to a sustained and palpable resolution.

This chorus from The Beatles’ “The Continuing Story Of Bungalow Bill” is an example of clever use of common chord transitions with several shifts in tonality. The chord progression uses the tonic key of C Major and F minor, showing complex modulation derived from modal interchange and secondary dominant techniques.

This chord progression from the verse of Tame Impala’s “Alter Ego” suggests a key of C major due to the recurring instances of Cmaj7. However, the presence of certain chords like Bm7 and Dm suggests that Kevin Parker is creatively “borrowing” chords from the parallel and associated keys (C minor, D minor) to create colorful departures from the primary tonality. The use of extended chords (7ths) and suspended chords (Bsus4) adds a sense of complexity and sophistication to the harmony. As can be seen, the chord progression mostly oscillates between Cmaj7, Bsus4, Bm7 before moving to Dm and Gm towards the end of the verse.

“Jolene” by Dolly Parton is a classic country song written in A minor. Its chord progression is an iconic reflection of the country and folk genres, and is a study of simplicity and effective songwriting.

The chord progression of “Jolene” uses primarily diatonic chords but also includes a borrowed chord which introduces a touch of complexity to the harmonic structure of the song.

The song “Closer” by Nine Inch Nails is a dark and provocative piece built upon a relentless, driving chord progression and sinuous melodies. The downbeat feel and chromaticism contribute to the brooding, unsettling mood of the song, which is a hallmark of the industrial rock genre. The piece is in the key of B minor.

The Beatles – Hey Jude – Verse

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Chord Progression

[‘D’, ‘A’, ‘A7’, ‘D’, ‘G’, ‘D’, ‘A’, ‘A7’, ‘D’]

Chord Progression Analysis

“`
D (I)
A (V)
A7 (V7)
D (I)
G (IV)
D (I)
A (V)
A7 (V7)
D (I)
“`

This is a fairly typical pop/rock progression that loosely follows a I-V-IV-I pattern. However, this pattern is made more complex with the use of the V7 (A7 in this case) to add tension and depth.

Similar Chord Progressions

Here are a few songs with

Musical Analysis

“Hey Jude” is a poignant and touching composition. Musically, the initial part of the progression is designed to create a strong emotional bond with the listener. The song begins on the tonic chord (D), moves to the dominant (A), adds a seventh for tension (A7), then resolves back to the tonic (D). This is followed by a move to the subdominant (G), before returning to the tonic (D) and repeating the sequence. This simple yet effective progression helps create the song’s distinctive emotional landscape. Furthermore, the frequent return to the tonic chord (D) creates a sense of stability and resolution, underscoring the song’s overall comforting feel.

Overall Analysis

“Hey Jude,” by The Beatles, is an iconic song. The chord progression is in the key of D major and it follows a sort of Variation on I-V-IV-I progression of many pop and rock songs. However, what makes this song extremely unique is its out-of-the-box structure and the experimental use of borrowed cords – it shows The Beatles’ fondness for combining elements of pop, rock and classical music and results in an emotional, powerful progression that resonates strongly with listeners.

Style Analysis

In terms of style, “Hey Jude” is quintessentially Beatles. Its creative harmonic progressions, use of borrowed chords, and blending of rock, pop, and classical elements is characteristic of their late-period work. Additionally, the song’s unconventional structure (lacking a traditional verse-chorus-bridge format) and its extended “na-na-na” coda also mark it as a standout example of The Beatles’ innovative approach to songwriting.

Chords in the Verse section of Hey Jude by The Beatles are:

[‘D’, ‘A’, ‘A7’, ‘D’, ‘G’, ‘D’, ‘A’, ‘A7’, ‘D’]