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Nine Inch Nails

The chorus of “Closer” by Nine Inch Nails is built around a progression that oscillates between a single major chord, F, and a single minor seventh chord, Cm7. This is quite minimalistic. Major chords usually have a happy, positive feel, while minor chords induce a somewhat sad, introspective mood. The use of C minor 7th gives a particular color to the progression: it’s a minor chord with an added minor seventh, which means it’s a bit less stable than a regular minor chord.

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Nine Inch Nails

The song “Closer” by Nine Inch Nails is in the key of B major. The primary chords used throughout the song are: B major (I), C# major (II), G major (bVI), E major (IV), F# major (V), and C (bII). The chords progression is unconventional when compared to traditional music theory. This unconventional use of chords and progressions creates a unique and distinct sound that characterizes the song.

Chord Analysis (Pre-Chorus):

The chord progression in the pre-chorus, which is also found in the verse, would be:
B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II)

Borrowed Chord:

G major (bVI) is a borrowed chord from B minor, the parallel minor of B major in this song.

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Muse

The chord progression from Muse’s “Hate This And I’ll Love You” displays a mix of diatonic and borrowed chords from the parallel minor. The progression is in the key of A major and shows an unconventional use of chords that gives the song its unique sound. It also showcases certain characteristics of Muse’s music style that includes complex chord progressions and frequent changes between major and minor harmonies.

Chord Progression Analysis and Roman Numerals:

A ('I'), Gm ('bVII'), D/F# ('IV/V'), A ('I'),
Gm ('bVII'), D ('IV'), A ('I'), Gm ('bVII'),
D/F# ('IV/V'), A ('I'), Gm ('bVII'), D/F# ('IV/V')

The borrowed chord in this progression is Gm, taken from the parallel minor, A minor:
`Gm (‘bVII’)`

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Beck

The chord progression in “Ramona” by Beck is a blend of diatonic and chromatic harmony with some borrowed chords from outside the key. The piece is in the key of G major, and it features several instances of voice leading, smooth transitions between chords, and the occasional unexpected chord that adds interest and depth to the progression.

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Queens of the Stone Age

“Little Sister” by Queens of the Stone Age is in C# minor and features an interesting blend of simple cycle of power chords, articulating a I – V/v – III – V progression during verses. The track is heavy but also melodic, built from a four-chord pattern that creates a mesmerizing tonality within the rock genre.

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Nine Inch Nails – Closer – Verse

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Chord Progression

B, C#, B, C#, B, C#, B, C#, G, B, C#, B, C#, B, C#, B, C#, G, B, C#, B, C#, B, C#, B, C#, G, B, C#, B, C#, B, C#, B, C#, G

Chord Progression Analysis

Verse – Bmin (i), C# (ii), Bmin (i), C# (ii), Bmin (i), C# (ii), Bmin (i), C# (ii), G (bVI), Bmin (i), C# (ii), Bmin (i), C# (ii), Bmin (i), C# (ii), Bmin (i), C# (ii), G (bVI), Bmin (i), C# (ii), Bmin (i), C# (ii), Bmin (i), C# (ii), Bmin (i), C# (ii), G (bVI), Bmin (i), C# (ii), Bmin (i), C# (ii), Bmin (i), C# (ii), Bmin (i), C# (ii), G (bVI)

There are no borrowed chords in this progression.

Similar Chord Progressions

1. Radiohead – “Creep”
Chord Progression: G (IV), B (vi), C (VII), Cm (vii)
While not an exact match, “Creep” has some similarities to “Closer” in its use of chromaticism and the intermittent shift between major and minor chords. The chord progression in “Creep” pivots around the tonal center (G), while incorporating elements of color through the use of the Cm chord.

2. The Cure – “Fascination Street”
Chord Progression: G#min (i), F# (VII), E (VI), F# (VII)
“Fascination Street” shares the dark atmosphere and brooding quality associated with “Closer,” using a simple, repetitive chord progression to create an eerie, haunting effect. The use of the descending progression from G#min to F# and E contributes to this unsettling feel.

Musical Analysis

The verse of “Closer” is characterized by a consistent alternation between the tonic (i) and supertonic (ii) chords, with an occasional use of the bVI chord to add tension and color. This creates a hypnotic effect, and the repeated pattern contributes to the driving, mechanical nature of the song. The entire song is built upon this relatively simple chordal foundation, which helps to emphasize the dark, brooding atmosphere and the melancholic melodies.

Overall Analysis

The song “Closer” by Nine Inch Nails is a dark and provocative piece built upon a relentless, driving chord progression and sinuous melodies. The downbeat feel and chromaticism contribute to the brooding, unsettling mood of the song, which is a hallmark of the industrial rock genre. The piece is in the key of B minor.

Style Analysis

“Closer” falls under the industrial rock genre, characterized by a heavy use of electronic elements, distorted sounds, and dark lyrical content. This song is emblematic of the late-1980s to mid-1990s period of Nine Inch Nails’ career, when they were heavily influenced by industrial and electronic music styles. The repetitive nature of the chord progression, combined with the aggressive and provocative lyrics, contribute to the raw, confrontational sound that is typical of the industrial rock genre.

Chords in the Verse section of Closer by Nine Inch Nails are:

B, C#, B, C#, B, C#, B, C#, G, B, C#, B, C#, B, C#, B, C#, G, B, C#, B, C#, B, C#, B, C#, G, B, C#, B, C#, B, C#, B, C#, G

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