Music Theory Alchemy

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“Hey Jude” goes through a clear progression, switching through the keys of D major, A major and G major. Like many Beatles songs, it cleverly varies between these keys in keeping with the melody and mood of the piece. The complexity of this progression is part of the song’s charm and helps exemplifies the band’s creative approach to composition.

“While My Guitar Gently Weeps” is in the key of A minor and quite uniquely, the song borrows chords from parallel major and minor keys, as well as from modes like mixolydian. It is one of George Harrison’s contributions to the Beatles and showcases sophisticated harmonic techniques and an intricate chordal design, reflecting deeply on the influence of Eastern music and philosophies on his songwriting.

The chord progression in the interlude of “Are We Still Friends?” by Tyler, The Creator is a simple yet effective progression that moves from the tonic chord to a dominant seventh, followed by a subdominant chord, and finally a minor subdominant chord. The progression creates an interesting shift in tonality that is common in jazz and soul music, which are styles that Tyler is known to incorporate into his work.

“Kashmir” by Led Zeppelin is a classic rock song that is well-known for its distinctive and mysterious sound. This interlude, in particular, creates a sense of tension and resolution through its simple but effective chord progression. The overall harmonic structure is built on a modal mixture, drawing from both the major and minor modes, which contributes to its unique atmosphere.

The song “A Day in the Life” by the Beatles is known for its unique and striking musical features. The chord progression in the interlude, in particular, represents an example of the Beatles’ innovative approach to harmonic structure and tonal movement. This section is essentially a sequence of dominant-seventh chords that each resolve to the note a fifth below, a common harmonic progression known as the circle of fifths. The interlude features a prominent orchestral crescendo and transition that are hallmarks of the Beatles’ experimental approach to the use of orchestral instruments in rock music.

The Beatles – Hey Jude – Interlude

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Chord Progression

[‘D’, ‘D7’, ‘A7’]

Chord Progression Analysis

In the key of D:
– D (I)
– D7 (V7 of IV)
– A7 (V7)

“`code
Borrowed Chord: None
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Similar Chord Progressions

One band that have been heavily influenced by The Beatles is Oasis. Their song “Don’t Look Back In Anger” has a similar progression. In the key of C:

– C (I)
– C7 (V7 of IV)
– G (V)

This progression mirrors the basic structure of the “Hey Jude” progression, with a IV chord (in this case, G), acting as a pivot between the initial I chord and the dominant. The initial tonic-dominant relationship is subverted, with a temporary modulation to F being suggested by the C7 chord. This mirrors the use of secondary dominants in “Hey Jude”.

Musical Analysis

The progression starts with a D major chord (the tonic) which sets the mood. The D7 chord is the secondary dominant of G, making it a strong setup for a potential IV chord. However, instead of resolving to G, it returns to A7 (the dominant). This clever use of harmony defies our expectations, creating a momentary modulation. A7 then naturally leads back to D, creating a sense of completeness.

Overall Analysis

“Hey Jude,” written by The Beatles, charts a classic journey from tonic to dominant, with a detour through the subdominant and the minor dominant. It starts with a D chord (I), moves onto A (V), then A7 (V7) and back to D (I). The interlude features the progression D (I) – D7 (I7) – A7 (V7). This clever progression creates a momentary modulation to the key of G with the D7 chord, creating an interesting harmonic shift.

Style Analysis

Hey Jude is often admired for its inspired, yet straightforward progressions. The Beatles often used basic diatonic progressions as the basis of their tracks, infusing them with interesting harmonic shifts such as secondary dominants and borrowed chords. This particular progression underpins the song’s interlude, marking an important structural and textural shift within the song.

Chords in the Interlude section of Hey Jude by The Beatles are:

[‘D’, ‘D7’, ‘A7’]