Music Theory Alchemy

Search

Related Music Theory Alchemy

“Penny Lane” by The Beatles is an eclectic and elegant piece of music evident in its rhythm, harmony, melody, and lyrics. It is predominantly in the key of A Major, but it has several key changes and introduces chords that are non-diatonic, giving it a progressive and unexpected feel.

“Nothings Gonna Change My Love For You” is a romantic ballad featuring a smooth and melodic chord progression characteristic of the pop and jazz fusion genres. The Verse’s chord progression contains some elements of a standard jazz progression while also making use of several borrowed chords. The chords contribute to the warm and sentimental atmosphere that captures the essence of the song’s theme.

“Little Sister” by Queens of the Stone Age is in C# minor and features an interesting blend of simple cycle of power chords, articulating a I – V/v – III – V progression during verses. The track is heavy but also melodic, built from a four-chord pattern that creates a mesmerizing tonality within the rock genre.

“Heartbreaker” by The Rolling Stones is a classic rock song that utilizes a chord progression that is stereotypical of the genre. The verse and chorus unfold in the key of E minor, with the verse using primarily a cycle of Em7 and Am7. In terms of musical mood and expressivity, the progression conveys a melancholic yet energetic feeling, which is characteristic of the rock genre.

The Beatles – Help – Verse

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘A’, ‘C#m’, ‘F#m’, ‘D’, ‘G’, ‘A’, ‘C#m’, ‘F#m’, ‘D’, ‘G’, ‘A’]

Chord Progression Analysis

A Major (I) – C# Minor (vi) – F# Minor (ii) – D Major (IV) – G Major (♭VII, a borrowed chord from A Mixolydian) – Repeat this cycle again and return to A Major (I).
All full chord names and roman numerals:

“`plaintext
A Major (I)
C# Minor (vi)
F# Minor (ii)
D Major (IV)
G Major (♭VII)
A Major (I)
C# Minor (vi)
F# Minor (ii)
D Major (IV)
G Major (♭VII)
A Major (I)
“`

Similar Chord Progressions

The A – C#m – F#m – D chord progression is fairly common in pop music. One example is “Earth Angel” by The Penguins. It uses the same I – vi – ii – IV progression in the key of D:

D Major (I) – B Minor (vi) – E Minor (ii) – A Major (IV)
In terms of the borrowed chord (G Major in this case), artists like Radiohead have made use of similar concepts, an example being the verse progression of their song “Paranoid Android”:

“`plaintext
G Major (I)
D Major (IV)
C Major (♭VII, a borrowed chord from G Mixolydian)
“`

It can be noted that while these progressions may share similarities in structure and concept, the musical context and surrounding elements like melody, rhythm, and production play a significant role in carving their unique identities.

Musical Analysis

The A Major to C#m change is a common pop progression that injects warmth and breadth into the piece. The F#m serves as a transition point to the D Major chord, creating an ii – IV movement. This leads to the touch of G Major which is our borrowed chord from A Mixolydian. This chord yields a strong pull back to the tonic (A Major), creating engaging tension and release.

Overall Analysis

The chord progression in the verse of “Help!” by The Beatles is quite characteristic of their style, using common chords but in interesting and unusual ways. The verse of “Help!” notably presents a mix of classic pop chord progression (I-vi-ii-V), secondary dominant chords and chromatic progressions. The Beatles often incorporated novel harmonic structures that added depth and complexity to their pop music, as evidenced in this piece.

Style Analysis

“Help!” is emblematic of The Beatles’ mid-career work, during which they started to experiment more with their sound. The song embodies many features of the British Invasion style, using basic chord structures and progressions but with variation and experimentation – for instance, the borrowed chord, which was a common feature in The Beatles’ music.

Chords in the Verse section of Help by The Beatles are:

[‘A’, ‘C#m’, ‘F#m’, ‘D’, ‘G’, ‘A’, ‘C#m’, ‘F#m’, ‘D’, ‘G’, ‘A’]