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Related Music Theory Alchemy

“Girl” by The Beatles is a classic example of their use of chromatic harmony and modal interchange. The chord progression shows complexity in both its chord choices and structure, a distinguishing feature in much of their music. By closely examining this piece, we can better understand The Beatles’ harmonic technique where they blend the techniques of classical music (like chromaticism and harmonic diversity) with pop songwriting.

“A Day In The Life” is a progressive rock song from the “Sgt Pepper’s Lonely Hearts Club Band” album, released in 1967. The progression includes some well-known chords, along with more unusual chords and alterations that contribute to the unique sound of the song.

“Iris” by Goo Goo Dolls is a song in the key of D Major, and uses a very common pop/rock chord progression. The sheer repetition of the progression throughout the verse establishes a solid harmonic background upon which the melody can freely roam. Chords include the primary triads (I, IV, V) which are D, G, A, minor variations of the secondary triads (ii, iii, vi), which are Em, F#m, Bm.

“Can You Feel The Love Tonight” by Elton John is a heart-touching love song that carries a smooth flowing blend of pop and soft rock, showing Elton John’s inclination to use diatonic (major and minor) chords, 7th chords and inversions. The song, largely stays in its home key of C major, has an interesting chord progression that shifts between the tonic, subdominant, and dominant. Internally, there are multiple secondary dominant chords and borrowing from the parallel minor, providing color and contrast.

The chord progression in the verse of Beck’s “Paper Tiger” can be considered a combination of common and non-diatonic chords. The progression moves from a major chord to its dominant 7th and then resolves to the relative minor. Stylistically, this progression is used in rock, pop, and jazz music to create tension and resolution while maintaining a sense of movement or flow.

The Beatles – Girl – Verse 1

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Chord Progression

[‘Bm’, ‘F#7’, ‘Bm’, ‘Bm7’, ‘Em’, ‘D’, ‘F#7’, ‘Bm’, ‘F#7’, ‘Bm’, ‘Bm7’, ‘Em’, ‘Bm’]

Chord Progression Analysis

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The Verse 1 of “Girl” goes as follows:
“`
B minor (i), F#7(V7), B minor (i), B minor 7(i7), E minor ( iv),
D (bVI), F#7 (V7), B minor (i), F#7(V7), B minor(i), B minor7(i7),
E minor(iv), B minor (i)
“`
Here, B minor is the tonic (i) chord of the song. The F#7 is the dominant seventh (V7) and key to establishing B minor as the tonal centre. E minor acts as the subdominant (iv) chord which provides a smooth transition back to the tonic. D provides a flat major sixth (bVI) which is a borrowed chord from the parallel major of B minor (B major).

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Similar Chord Progressions

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A similar progression can be heard in “While My Guitar Gently Weeps” also by The Beatles which includes minor, dominant 7th, minor 7th, and a borrowed bVI chord from parallel major.

Another example is “Stairway To Heaven” by Led Zeppelin with the progression goes as follows:
“`
A minor (i), G#7 (VII7), A minor(i), A minor7(i7),
D(iv), F major (bVI), A minor(i), G#7(VII7), A minor(i), A minor7(i7),
D(iv), A minor(i)
“`
This progression, similar to “Girl”, employs a mixture of minor, minor7, and dominant 7th chords. It also borrows F from the parallel major.

Musical Analysis

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The song’s melody is mainly centered around the i chord (B minor), which creates a haunting and melancholic atmosphere. The addition of sevenths (Bm7, F#7) gives the progression a jazzy touch and increases the tension which is released when the progression resolves back to Bm.

The song, although structurally simple, cleverly uses harmonic tension and release to create dynamic interest. The minor harmonic pattern reinforces the moody and romantic lyrics of the song.

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Overall Analysis

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“Girl” is a song by The Beatles from their 1965 album “Rubber Soul”. The song is written in the key of E minor and it showcases the band’s ability to incorporate non-diatsubject resorting to non-diatonic progressions and utilizes various seventh chords to establish a more sophisticated and jazzy soundid progression. It’s important to note their use of the Dorian mode, which adds to the melodic and harmonic sophistication of the song. Moreover, the song exhibits the lyrical and songwriting depth of The Beatles.

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Style Analysis

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The Beatles are known for their innovation with chord progressions, tonalities, and styles. “Girl” is a great representation of their exploration of more sophisticated musical settings, here by implementing seventh chords and a modal use.

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Chords in the Verse 1 section of Girl by The Beatles are:

[‘Bm’, ‘F#7’, ‘Bm’, ‘Bm7’, ‘Em’, ‘D’, ‘F#7’, ‘Bm’, ‘F#7’, ‘Bm’, ‘Bm7’, ‘Em’, ‘Bm’]