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Related Music Theory Alchemy

The progression is in the key of C major. The use of the Bb major is known as modal interchange, where a chord that is not in the key is borrowed from a parallel key, which in this case is C minor. This contributes an interesting tone color to the overall sound. The chord progression does consist a use of slash chords (C/B, C/G) which adds a more complex bassline creating a more harmonically active feeling, and yielding more tension and release.

The song “Eight Days a Week” by The Beatles is an interesting example of pop music songwriting from the mid 1960’s. It showcases Paul McCartney and John Lennon’s ability to use common chord progressions and tweak them in a unique and recognizable way. It utilizes a simple progression in the verse but what makes it different is their use of 7th and borrowed chords. The key of the song is D major.

The chord progression in the chorus of Muse’s “Apocalypse Please” consists of a mix of diatonic chords and borrowed chords from the parallel major and minor keys. The progression features strong harmonic movement with a pivot modulation. Muse is known for their dramatic, often symphonic rock sound, and this progression is no exception in showing off their signature style. The progression also shares some similarities with other artists’ works in both structure and harmonic content.

“Wonderwall” by Oasis is a rock song with folk roots and a melodic pop influence. It uses the alternative rock idiom of harmony, which bestows the song with a sound leaning towards traditional folk and classic pop. The band utilizes common vintage chords mixed with modern progressions to create that identifiable Oasis sound.

Taylor Swift’s “Black Dog” features a chorus that uses a sophisticated and intricate chord progression to drive the emotional depth and thematic elements of the song. This progression combines inversions and extensions to create a layered and textured musical atmosphere, reflecting the complexity of the song’s lyrics and enhancing its reflective nature.

The Beatles – For No One – Chorus

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Chord Progression

[‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘Gsus4’, ‘G’]

Chord Progression Analysis

Dm (i) -> A7 (V) -> Dm (i) -> A7 (V) -> Dm (i) -> A7 (V) -> Dm (i) -> A7 (V) -> Dm (i) -> Gsus4 (IV) -> G (IV)

Borrowed Chords:
“`
Gsus4, G (From G Major)
“`

Similar Chord Progressions

1. “Fly Me To The Moon” by Frank Sinatra has a similar cyclical progression between minor and dominant 7th chords.

[`Am (i) -> Dm7 (iv) -> G7 (VII) -> Cmaj7 (III)`]

2. Another song with a similar harmonic approach is Radiohead’s “Exit Music (For a Film)”, especially with the use of both major and minor chords for tension and release.

[`C (I) -> Bm (ii) -> F#(V) -> G (VI) -> Dm (ii) -> Am (i) -> E7 (V7) -> Am (i)`]

These examples demonstrate how alternating between the minor tonic and a dominant 7th chord can result in captivating, emotionally resonant music across different genres and eras.

Musical Analysis

The repetitious pattern of Dm and A7 creates a sense of tension and resolution, with Dm serving as the tonic chord and A7 as the dominant chord, creating a pull back to the tonic. The Gsus4 and G are interesting as they’re from D minor’s relative major, G Major, which gives a brighter feel for a moment before returning back to the D minor tonality.

Overall Analysis

“For No One” is a song from The Beatles’ album Revolver, released in 1966. The song has a melancholic theme, represented quite well through a sophisticated chord progression that features significant use of the minor scale and infrequent use of chord extensions, such as 7th and suspended chords. It’s written primarily in C Major, but the chorus alternates between D Minor and A7, an interesting modal shift (Using structural chords from different modes).

Style Analysis

“For No One” stands out due to its Baroque pop influences, a style that was unique among The Beatles’ discography. This is evident in the use of the clavichord and French horn, which alongside the sophisticated, emotionally-charged chord progressions give the song a distinctive melancholic and nostalgic character.

Chords in the Chorus section of For No One by The Beatles are:

[‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘Gsus4’, ‘G’]