Search

Related Music Theory Alchemy

“Eleanor Rigby’” is a song by The Beatles, released on their 1966 album “Revolver”. Being unusually somber and profound for a pop song, it showcases The Beatles’ expanding musical palette and their desire to move past the conventional parameters of popular music at the time. The song itself is crafted entirely around the key of E minor, with only occasional diversions to the IV chord (C Major). It strongly exhibits the use of Aeolian mode (commonly known as the ‘natural’ minor) and employs string quartet instrumentation, a unique stylistic pattern at that time.

“Across The Universe” by The Beatles, written mostly by John Lennon, is known for its rich and complex harmonic structures that added new dimensions to pop music. The song is predominately in the key of D major, with occasional borrowings from the parallel minor (D minor) and the closely-related key of B minor. The verse 1 progression – D, Bm, F#m, Em7, A, A7, D, Bm, F#m, Em7, Gm – creates an affectingly melancholic mood through its mix of major, minor and borrowed chords, producing a unique ambience that evokes a sense of cosmic contemplation, matching with the philosophical lyrics of the song.

** The chord progression in Verse 3 of Radiohead’s “Fake Plastic Trees” is a combination of diatonic and non-diatonic chords in the key of A major, featuring the use of suspended chords, 9th chords, and 6th chords. The progression has a tonally ambiguous and ethereal quality, which is characteristic of Radiohead’s style.

**

“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

**
The given chord progression is from the verse 3 of the song “The Good Life” by Weezer. The song is in the key of G major and features a mix of diatonic chords from the G major scale and a borrowed chord from the parallel minor (G minor).

**

The Beatles – Eleanor Rigby – Verse 3

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Em’, ‘C’, ‘C’, ‘Em’, ‘Em’, ‘C’, ‘C’, ‘Em’]

Chord Progression Analysis

The verse 3 uses a repetitive I-♭VI-I sequence with an overall key of E minor.

“`
E minor (‘I’)
C major (‘♭VI’)

E minor (‘I’)
C major (‘♭VI’)

E minor (‘I’)
C major (‘♭VI’)

E minor (‘I’)
C major (‘♭VI’)
“`

Similar Chord Progressions

1. “All Along The Watchtower” by Bob Dylan also oscillates between two chords (Am and G) which creates a feeling of tension and unease.

“`
A minor (‘I’)
G major (‘♭VII’)

A minor (‘I’)
G major (‘♭VII’)

A minor (‘I’)
G major (‘♭VII’)

A minor (‘I’)
G major (‘♭VII’)
“`

2. “With or Without You” by U2 has a chord progression of D – A – Bm – G, repeating throughout the song, a technique called an ostinato.

“`
D major (‘I’)
A major (‘V’)
B minor (‘vi’)
G major (‘IV’)
“`

Musical Analysis

The Em chord gives a melancholic and dark feeling while the C chord provides some relief with a relatively more uplifting tone. However, the rapid alternation between these two chords imparts an overall feeling of complexity and melancholy which is in line with the song’s lyrical content about loneliness and isolation.

Overall Analysis

“Eleanor Rigby” is known for its unusual and innovative use of the Aeolian mode, otherwise known as the natural minor scale, which is reflected in the chord progression Em – C. The song incorporates string arrangements and has a narrative, storytelling style. Unlike most pop and rock songs of the time, it does not contain drums or guitars. The chord utilization is simple with only two chords used throughout, Em and C, but it nevertheless creates a unique and haunting soundscape.

Style Analysis

“Eleanor Rigby” demonstrates an innovative use of the Aeolian mode in pop music. Its emotive use of strings and the two-chord progression successfully conveys a melancholic atmosphere. The song doesn’t have a traditional chorus and is more similar to classical compositions or folk storytelling. The Beatles’ ability to create a unique musical landscape with simple chords illustrates their pioneering genius in songwriting.

Chords in the Verse 3 section of Eleanor Rigby by The Beatles are:

[‘Em’, ‘C’, ‘C’, ‘Em’, ‘Em’, ‘C’, ‘C’, ‘Em’]