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Related Music Theory Alchemy

“Eleanor Rigby’” is a song by The Beatles, released on their 1966 album “Revolver”. Being unusually somber and profound for a pop song, it showcases The Beatles’ expanding musical palette and their desire to move past the conventional parameters of popular music at the time. The song itself is crafted entirely around the key of E minor, with only occasional diversions to the IV chord (C Major). It strongly exhibits the use of Aeolian mode (commonly known as the ‘natural’ minor) and employs string quartet instrumentation, a unique stylistic pattern at that time.

“All You Need Is Love” is in the key of G major. The song primarily uses the chords within the key signature and has a relatively simple harmonic structure. However, the song does utilize a few distinct chord choices that contribute to its unique sonic character. The song applies modal interchange with an inclusion of A minor from the G Mixolydian mode and the D7 and D6 which evoke a hint of the D Mixolydian mode.

Prince’s “Purple Rain” is a classic power ballad, rooted deeply in pop and rock genres. The chord progressions, with particular emphasis on the one given in Verse 3, underlines Prince’s lyricism and craft, showcasing his unique ability to blend seemingly simple chord progressions to evoke emotional and profound moods. The key of the song is G major.

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The given chord progression is from the verse 3 of the song “The Good Life” by Weezer. The song is in the key of G major and features a mix of diatonic chords from the G major scale and a borrowed chord from the parallel minor (G minor).

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“House of the Rising Sun” by The Animals is a well-known folk song that has been adapted into a blues ballad with a haunting quality. The verse chord progression features a combination of minor and major chords that contribute to its emotional intensity, while also creating a sense of tension and resolution.

The Beatles – Eleanor Rigby – Verse 3

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Chord Progression

[‘Em’, ‘C’, ‘C’, ‘Em’, ‘Em’, ‘C’, ‘C’, ‘Em’]

Chord Progression Analysis

The verse 3 uses a repetitive I-♭VI-I sequence with an overall key of E minor.

“`
E minor (‘I’)
C major (‘♭VI’)

E minor (‘I’)
C major (‘♭VI’)

E minor (‘I’)
C major (‘♭VI’)

E minor (‘I’)
C major (‘♭VI’)
“`

Similar Chord Progressions

1. “All Along The Watchtower” by Bob Dylan also oscillates between two chords (Am and G) which creates a feeling of tension and unease.

“`
A minor (‘I’)
G major (‘♭VII’)

A minor (‘I’)
G major (‘♭VII’)

A minor (‘I’)
G major (‘♭VII’)

A minor (‘I’)
G major (‘♭VII’)
“`

2. “With or Without You” by U2 has a chord progression of D – A – Bm – G, repeating throughout the song, a technique called an ostinato.

“`
D major (‘I’)
A major (‘V’)
B minor (‘vi’)
G major (‘IV’)
“`

Musical Analysis

The Em chord gives a melancholic and dark feeling while the C chord provides some relief with a relatively more uplifting tone. However, the rapid alternation between these two chords imparts an overall feeling of complexity and melancholy which is in line with the song’s lyrical content about loneliness and isolation.

Overall Analysis

“Eleanor Rigby” is known for its unusual and innovative use of the Aeolian mode, otherwise known as the natural minor scale, which is reflected in the chord progression Em – C. The song incorporates string arrangements and has a narrative, storytelling style. Unlike most pop and rock songs of the time, it does not contain drums or guitars. The chord utilization is simple with only two chords used throughout, Em and C, but it nevertheless creates a unique and haunting soundscape.

Style Analysis

“Eleanor Rigby” demonstrates an innovative use of the Aeolian mode in pop music. Its emotive use of strings and the two-chord progression successfully conveys a melancholic atmosphere. The song doesn’t have a traditional chorus and is more similar to classical compositions or folk storytelling. The Beatles’ ability to create a unique musical landscape with simple chords illustrates their pioneering genius in songwriting.

Chords in the Verse 3 section of Eleanor Rigby by The Beatles are:

[‘Em’, ‘C’, ‘C’, ‘Em’, ‘Em’, ‘C’, ‘C’, ‘Em’]