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“Eleanor Rigby” is known for its unusual and innovative use of the Aeolian mode, otherwise known as the natural minor scale, which is reflected in the chord progression Em – C. The song incorporates string arrangements and has a narrative, storytelling style. Unlike most pop and rock songs of the time, it does not contain drums or guitars. The chord utilization is simple with only two chords used throughout, Em and C, but it nevertheless creates a unique and haunting soundscape.

The overall analysis of “With A Little Help From My Friends” indicates usage of the classic Pop/Rock chord style that The Beatles were known for. This style often features I-IV-V (1-4-5) progressions and the usage of minor chords to create emotive contrasts. “With A Little Help From My Friends” uses this to great effect, even incorporating borrowed chords from parallel scales for enhanced emotion and “singability.”

“Say It Ain’t So” by Weezer is a rock song, primarily falling within the alternative rock and power pop styles. The chord progression of Verse 1 is simple yet effective in creating a somber, introspective mood. It primarily utilizes diatonic chords of the C major key, with the E major chord borrowed from the parallel minor key (C minor).

Chord progression analysis with Roman numerals:
A minor (vi) – E major (V/vi) – F major (IV) – C major (I)

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Borrowed chord: E major (V/vi)
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“Hallelujah” by Jeff Buckley is a well-known example of a poignant, introspective ballad with a mix of pop, folk, and gospel elements. It features intricate, emotionally evocative chord progressions that move beyond typical diatonic patterns and uses borrowed chords to create an emotionally charged atmosphere.

“Tonight, Tonight” by The Smashing Pumpkins is a rock song happy to embrace classical music tropes. An orchestral, string-heavy arrangement propels the song, surrounding the listener with a rich tapestry of sound. The grandiose sound of the full orchestra is bolstered by the band’s dual guitars and Billy Corgan’s characteristic singing.

The Beatles – Eleanor Rigby – Verse 1

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Chord Progression

[‘Em’, ‘C’, ‘C’, ‘Em’, ‘Em’, ‘C’, ‘Em’]

Chord Progression Analysis

Here is the chord progression for Verse 1 with the full chord names.

Em (i), C (VI), C (VI), Em (i), Em (i), C (VI), Em (i)

Similar Chord Progressions

1. Radiohead’s song “Creep.” Although not the same, it follows a resonating pattern of switching between a minor chord (in this case G minor) and a major chord (B major).

G (I), B (III), C (IV), Cm (iv)

2. Johnny Cash’s “Hurt”. This song follows a similar pattern of oscillating between A minor and F major.

Am (i), C (III), D (IV), G (VII)

3. Lana Del Rey’s “Summertime Sadness” also follows a vaguely similar progression in B minor.

Bm (i), G (VI), D (III), A (VII)

The above examples demonstrate a similar treatment of minor-major chord oscillation in their progressions.

Musical Analysis

The song’s melancholic tonality is rooted in its E minor centricity and the cyclical pattern of moving between E minor and C major. The E minor chord works as the tonic (home chord), whereas the motion to C major provides a brief, partial sense of relief from the somber tonality of E minor. It is important to mention here that C Major is the relative major of E minor which adds to the continuity of the overall sound. The lack of chordal variation prominently focuses the listener’s attention on the melody and lyrics.

Overall Analysis

“Eleanor Rigby’” is a song by The Beatles, released on their 1966 album “Revolver”. Being unusually somber and profound for a pop song, it showcases The Beatles’ expanding musical palette and their desire to move past the conventional parameters of popular music at the time. The song itself is crafted entirely around the key of E minor, with only occasional diversions to the IV chord (C Major). It strongly exhibits the use of Aeolian mode (commonly known as the ‘natural’ minor) and employs string quartet instrumentation, a unique stylistic pattern at that time.

Style Analysis

The Beatles were known for their innovative use of chord progressions and exploratory approach to songwriting, in which regard, “Eleanor Rigby” stands out as one of their most unusual compositions. The absence of any traditional rock instrumentation (like drums, bass, or guitar) and featuring a double string quartet, adds a baroque/classical tinge making the song highly unorthodox for a pop/rock band in the late 1960s.

Chords in the Verse 1 section of Eleanor Rigby by The Beatles are:

[‘Em’, ‘C’, ‘C’, ‘Em’, ‘Em’, ‘C’, ‘Em’]