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Related Music Theory Alchemy

The song “Eight Days a Week” by The Beatles is an interesting example of pop music songwriting from the mid 1960’s. It showcases Paul McCartney and John Lennon’s ability to use common chord progressions and tweak them in a unique and recognizable way. It utilizes a simple progression in the verse but what makes it different is their use of 7th and borrowed chords. The key of the song is D major.

“Let It Be” by The Beatles utilizes a very accessible and effective chord progression throughout the song. This progression is designed to create tension and release as it progresses, as well as establish the root key of the song, which is C Major.

The chords used throughout the song show a strong use of borrowed chords, inversions, and extensions, adding to the depth and complexity of the song despite the relatively uncomplicated chord progression.

The balance between the root key, dissonance, resolution, and overall harmony creates an emotive and engaging song that maintains listener interest and displays the songwriting abilities of The Beatles.

“Fake Plastic Trees” by Radiohead is a haunting and introspective ballad that features an evocative chord progression. The progression appears to have been influenced by alternative rock and combines elements of both major and minor tonalities, as well as non-diatonic and diatonic chords. This blend of harmonic flavors creates an unforgettable sound that is melancholic, yet beautiful.

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“Im Still Standing” by Elton John is a classic rock/pop song composed in E Major. You can see that this is a complex composition with frequent chord changes, giving it a rich musical texture. The chord progression is not diatonic, which means that it includes chords from outside of its home key of E Major.

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Looking at the entire song and isolating the verse, the chord progression provided shows a rock style often seen in Queens of the Stone Age compositions. The harmonic language of this song and its progression style fall within the realm of Pop / Rock music, with frequent use of minor chords suggesting a somber or introspective mood. On first glance, it appears to contain chords primarily from the key of F# minor, with no obvious borrowings from other keys. However, a closer inspection will allow us to delve deeper into their harmonic function.

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The Beatles – Eight Days A Week – Verse 2

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Chord Progression

[‘D’, ‘E7’, ‘G’, ‘D’, ‘D’, ‘E7’, ‘G’, ‘D’]

Chord Progression Analysis

Here is a detailed chord progression analysis list and the identified borrowed chords:
1. D (I)
2. E7 (II7)
3. G (IV)
4. D (I)
5. D (I)
6. E7 (II7)
7. G (IV)
8. D (I)

“`A borrowed chord occurs in this progression is: E7 which is a II7, borrowed from the D Mixolydian mode.“`

Similar Chord Progressions

The Beatles influenced a raft of artists who have used similar chord progressions in their work. The Kinks’ song “Waterloo Sunset” employs a similar progression: [‘D’, ‘E7’, ‘G’, ‘D’]. The song “Mr. Brightside” by The Killers also bares a resemblance, with a partial chord progression of [‘D’, ‘E’, ‘G’, ‘D’]. Remember that the reinterpretation of chord progressions in different compositions is a common practice in music.

Musical Analysis

The verse 2 chord progression creates a pleasing seesaw effect, toggling back and forth between familiar tonal centers. The E7 chord introduces an interesting touch as it functions as a secondary dominant (V/V), momentarily shifting our hearing towards the key of A. However, instead of resolving to A, it moves to G, a deceptive resolution that adds an unexpected twist. The E7 is also borrowed from the Mixolydian mode, blending in a bluesy element to the major tonality, whilst the D and G chords firmly anchor the song in the D major key.

Overall Analysis

“Eight Days A Week” by The Beatles, released in 1965, is renowned for its catchy melodic phrases, tight harmonies, and distinctive use of chords. The song is firmly rooted in the key of D major, but there is an interesting use of borrowed chords.

Verse 2

Style Analysis

Despite the straightforward melodies and harmonies, “Eight Days A Week” is a perfect example of the Beatles’ innovative approach to songwriting that pushed the boundaries of pop music. It uses an unusual blend of major/minor tonalities and modal interchange, something not commonly seen in music at the time. Reminiscent of the folk and country music from which they drew inspiration, the song transcends traditional stylistic boundaries, falling somewhere between pop, rock, and folk.

Chords in the Verse 2 section of Eight Days A Week by The Beatles are:

[‘D’, ‘E7’, ‘G’, ‘D’, ‘D’, ‘E7’, ‘G’, ‘D’]