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“Eight Days A Week” by The Beatles is in the key of D major. The song features a handful of basic major and minor chords with a sprinkling of interesting harmonic developments such as the E7 transition chord and the use of the B minor chord which provide a rich palette of colors for the progression.

“Come Together”, released by The Beatles in 1969 on their Abbey Road album, is a rock song known for its catchy bass-line, cryptic lyrics and iconic chorus. It’s written in D minor key, a common key in rock music. Across the progression, there is not only an interesting mix of different chords but also a novel use of borrowed chords that play a significant role in making the song mysterious, intriguing, and unique.

“California Kids” by Weezer is a pop rock song with influences from alternative and power pop. The chord progression in Verse 2 shows a blend of diatonic and borrowed chords, which contributes to a slight sense of tension and resolution throughout the progression. The chords in the verse also exhibit movement by step (C to C/B) and a mixture of major and minor tonalities.

The chord progression in verse 2 of “Telepatia” by Kali Uchis is a jazz-influenced progression in the key of E minor. It features several extended chords, such as the Em9 and Gmaj7 used throughout, and a dominant chord, B7, which provides tension and resolution in the progression. The G/A chord, which is essentially an A11 chord without the 3rd, also gives the progression a sense of blending major and minor tonalities.

“Paint It Black” plays with minor tonality, which isn’t extremely common in rock and roll music of the era. The song is in the key of E minor and uses the chords Em, B, D, G, and A. The verse has an interesting use of harmonies, incorporating the minor i, major V, minor iv, major bIII, and major IV chords.

The Beatles – Eight Days A Week – Verse 2

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Chord Progression

[‘D’, ‘E7’, ‘G’, ‘D’, ‘D’, ‘E7’, ‘G’, ‘D’]

Chord Progression Analysis

Here is a detailed chord progression analysis list and the identified borrowed chords:
1. D (I)
2. E7 (II7)
3. G (IV)
4. D (I)
5. D (I)
6. E7 (II7)
7. G (IV)
8. D (I)

“`A borrowed chord occurs in this progression is: E7 which is a II7, borrowed from the D Mixolydian mode.“`

Similar Chord Progressions

The Beatles influenced a raft of artists who have used similar chord progressions in their work. The Kinks’ song “Waterloo Sunset” employs a similar progression: [‘D’, ‘E7’, ‘G’, ‘D’]. The song “Mr. Brightside” by The Killers also bares a resemblance, with a partial chord progression of [‘D’, ‘E’, ‘G’, ‘D’]. Remember that the reinterpretation of chord progressions in different compositions is a common practice in music.

Musical Analysis

The verse 2 chord progression creates a pleasing seesaw effect, toggling back and forth between familiar tonal centers. The E7 chord introduces an interesting touch as it functions as a secondary dominant (V/V), momentarily shifting our hearing towards the key of A. However, instead of resolving to A, it moves to G, a deceptive resolution that adds an unexpected twist. The E7 is also borrowed from the Mixolydian mode, blending in a bluesy element to the major tonality, whilst the D and G chords firmly anchor the song in the D major key.

Overall Analysis

“Eight Days A Week” by The Beatles, released in 1965, is renowned for its catchy melodic phrases, tight harmonies, and distinctive use of chords. The song is firmly rooted in the key of D major, but there is an interesting use of borrowed chords.

Verse 2

Style Analysis

Despite the straightforward melodies and harmonies, “Eight Days A Week” is a perfect example of the Beatles’ innovative approach to songwriting that pushed the boundaries of pop music. It uses an unusual blend of major/minor tonalities and modal interchange, something not commonly seen in music at the time. Reminiscent of the folk and country music from which they drew inspiration, the song transcends traditional stylistic boundaries, falling somewhere between pop, rock, and folk.

Chords in the Verse 2 section of Eight Days A Week by The Beatles are:

[‘D’, ‘E7’, ‘G’, ‘D’, ‘D’, ‘E7’, ‘G’, ‘D’]