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Related Music Theory Alchemy

The song “Eight Days a Week” by The Beatles is an interesting example of pop music songwriting from the mid 1960’s. It showcases Paul McCartney and John Lennon’s ability to use common chord progressions and tweak them in a unique and recognizable way. It utilizes a simple progression in the verse but what makes it different is their use of 7th and borrowed chords. The key of the song is D major.

“Across The Universe” by The Beatles, written mostly by John Lennon, is known for its rich and complex harmonic structures that added new dimensions to pop music. The song is predominately in the key of D major, with occasional borrowings from the parallel minor (D minor) and the closely-related key of B minor. The verse 1 progression – D, Bm, F#m, Em7, A, A7, D, Bm, F#m, Em7, Gm – creates an affectingly melancholic mood through its mix of major, minor and borrowed chords, producing a unique ambience that evokes a sense of cosmic contemplation, matching with the philosophical lyrics of the song.

“Right Where It Belongs” by Nine Inch Nails features a melancholic and somewhat unconventional chord progression that moves between different tonal centers. The base key can be identified as F major from the frequency of F major chords in the progression.

“Save Me” by Queen is in the key of G Major and it features a number of modulations to closely related keys. It resonates a distinct rock ballad style incorporating unique variations of common chord progressions from rock and pop genres. The progression’s utilization of inverted chords also brings depth and character to the melody.

2.

The chord progression in Muse’s Hysteria (verse 2) is a fairly unique progression that revolves around a minor tonality with some hints of E7 acting as a secondary dominant. It seems to have an ambiguous key center, fluctuating between E minor and A minor. The progression is repeated, providing a sense of tension and familiarity throughout the verse.

The Beatles – Eight Days A Week – Verse 2

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Chord Progression

[‘D’, ‘E7’, ‘G’, ‘D’, ‘D’, ‘E7’, ‘G’, ‘D’]

Chord Progression Analysis

Here is a detailed chord progression analysis list and the identified borrowed chords:
1. D (I)
2. E7 (II7)
3. G (IV)
4. D (I)
5. D (I)
6. E7 (II7)
7. G (IV)
8. D (I)

“`A borrowed chord occurs in this progression is: E7 which is a II7, borrowed from the D Mixolydian mode.“`

Similar Chord Progressions

The Beatles influenced a raft of artists who have used similar chord progressions in their work. The Kinks’ song “Waterloo Sunset” employs a similar progression: [‘D’, ‘E7’, ‘G’, ‘D’]. The song “Mr. Brightside” by The Killers also bares a resemblance, with a partial chord progression of [‘D’, ‘E’, ‘G’, ‘D’]. Remember that the reinterpretation of chord progressions in different compositions is a common practice in music.

Musical Analysis

The verse 2 chord progression creates a pleasing seesaw effect, toggling back and forth between familiar tonal centers. The E7 chord introduces an interesting touch as it functions as a secondary dominant (V/V), momentarily shifting our hearing towards the key of A. However, instead of resolving to A, it moves to G, a deceptive resolution that adds an unexpected twist. The E7 is also borrowed from the Mixolydian mode, blending in a bluesy element to the major tonality, whilst the D and G chords firmly anchor the song in the D major key.

Overall Analysis

“Eight Days A Week” by The Beatles, released in 1965, is renowned for its catchy melodic phrases, tight harmonies, and distinctive use of chords. The song is firmly rooted in the key of D major, but there is an interesting use of borrowed chords.

Verse 2

Style Analysis

Despite the straightforward melodies and harmonies, “Eight Days A Week” is a perfect example of the Beatles’ innovative approach to songwriting that pushed the boundaries of pop music. It uses an unusual blend of major/minor tonalities and modal interchange, something not commonly seen in music at the time. Reminiscent of the folk and country music from which they drew inspiration, the song transcends traditional stylistic boundaries, falling somewhere between pop, rock, and folk.

Chords in the Verse 2 section of Eight Days A Week by The Beatles are:

[‘D’, ‘E7’, ‘G’, ‘D’, ‘D’, ‘E7’, ‘G’, ‘D’]