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Feels Like We Only Go Backwards by Tame Impala uses very interesting chord progressions that convey a feeling of constant motion. The song is primarily in the key of F Major, as revealed by the majority of the chords (F, C, Gm). However, the chord progression in the verse introduces Dm and Cmaj7/G, showing some clever use of modal interchange, also known as borrowed chords.

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“Let It Happen” by Tame Impala is characterized by its psychedelic and experimental nuances. It features an overall bright and uplifting tone despite its use of some more complex chords. The song ska common in pop music. The chord progression in question has a strong melodic sensibility demonstrating Kevin Parker’s ability to incorporate complex musical ideas into a pop format.

The chord progression in question is from the verse 2 of Weezer’s “The Good Life.” It is a pop-rock song in the key of G major, and the progression features common chords found in the key, with one borrowed chord – B7 – to add a touch of tension and harmonic interest.

Chord Progression Analysis (with Roman Numerals):
G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – B7 (`V7/iii`)

The borrowed chord in question is the B7, which is borrowed from the relative minor key (E minor) and functions as a secondary dominant to the iii chord (B minor).

“When Doves Cry” by Prince shows the artist’s flair for the unusual. While the song is primarily in A minor, Prince takes liberties with creating unexpected shifts in harmony, which gives the song its unique character. The song revolves around five chords: Am, G, Em, F, and G, repeated throughout the verse. This circular progression offers a sense of continuity, yet Prince’s interpretation and arrangement create a sense of unpredictability.

The progression from B to A to E is a common progression in pop and rock music. This progression utilizes diatonic and non-diatonic chords, meaning that the chords all belong to the same key and it suggests the use of borrowed chords. A Perfect Circle tends to use a lot of downward motion in their chord progressions, moving from higher to lower pitches, which can give their music a distinct ‘heavy’ feel.

Tame Impala – Feels Like We Only Go Backwards – Verse 2

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Chord Progression

[‘Dm’, ‘Cmaj7/G’, ‘Cmaj7/G’, ‘Dm’, ‘G’, ‘Gm’]

Chord Progression Analysis

Verse 2, the chords progress as follows:
– D minor (‘vi’)
– C Major 7/G (‘VMaj7/IV’)
– C Major 7/G (‘VMaj7/IV’)
– D minor (‘vi’)
– G Major (‘II’)
– G minor (‘ii’)

“`md
Borrowed Chords: G Major (‘II’)
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Similar Chord Progressions

1. Radiohead – “Paranoid Android”:
– F# Minor (‘vi’)
– D Major (‘IV’)
– D Major (‘IV’)
– F# Minor (‘vi’)
– B Major (‘V’)
– B Minor (‘v’)

This progression is similar since it moves mainly between the relative minor and major, and also incorporates a major to minor shift.

2. Beach House – “Space Song”:
– E Minor (‘vi’)
– D Major (‘V’)
– D Major (‘V’)
– E Minor (‘vi’)
– A Major (‘II’)
– A Minor (‘ii’)

Another song that incorporates the shift between major and minor, and an unexpected II chord borrowed from the Lydian mode.

Musical Analysis

In the given progression of Verse 2 (Dm, Cmaj7/G, Cmaj7/G, Dm, G, Gm), the chords begin with D minor (vi), which is the relative minor of the song’s key. Then, the progressions move to the C Major 7/G (VMaj7/IV), this interesting move is an example of modal interchange (borrowing chords from the parallel minor) and it creates tension. The chord progression then returns to D minor (vi), which provides a bit of resolution.

However, the progression then moves to G Major (II), a borrowed chord from F Lydian, which is unexpected and adds a unique flavor to the song. Finally, the progression transitions into G minor (ii), which provides a sense of resolution and returns it back to the tonality of F Major.

Overall Analysis

“Feels Like We Only Go Backwards” by Tame Impala is a psychedelic pop song notable for its dreamy, lo-fi sound and use of unconventional chord progressions. Musically, the song is written in the key of F major, but creatively uses chromatic mediants, borrowed chords, and modal interchange to establish a unique harmony. The song also uses dynamic contrast to create a dreamlike atmosphere, increasing the song’s overall psychedelic effect.

Style Analysis

Tame Impala often utilizes unique chord progressions, non-diatonic chords, and modal interchange in their music, resulting in a psychedelic sound that’s both familiar and ethereal. The song’s production, with sweeping synth pads and dreamy vocal harmonies, further enhances this.

Chords in the Verse 2 section of Feels Like We Only Go Backwards by Tame Impala are:

[‘Dm’, ‘Cmaj7/G’, ‘Cmaj7/G’, ‘Dm’, ‘G’, ‘Gm’]