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Related Music Theory Alchemy

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Feels Like We Only Go Backwards by Tame Impala uses very interesting chord progressions that convey a feeling of constant motion. The song is primarily in the key of F Major, as revealed by the majority of the chords (F, C, Gm). However, the chord progression in the verse introduces Dm and Cmaj7/G, showing some clever use of modal interchange, also known as borrowed chords.

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The song seems to have a psychedelic pop/rock vibe reminiscing of the late ’60s and ’70s. The use of major seventh chords and repeated shifting between E Major and D Major hints at a sense of yearning and nostalgia, something that is commonly found in Tame Impala’s music.

“Just The Two Of Us” by Grover Washington Jr. is a soulful song with a distinct R&B and smooth jazz style. The song is in the key of E minor during the verses, but frequently borrows chords from the parallel major, E major, delivering a rich harmony that is both pleasing and surprising to the ear.

“All My Loving” by The Beatles is a mid-tempo pop song written in the key of E minor for the verse and D Major for the bridge and outro, featuring a distinct, upbeat walking bassline. The grey, almost mournful verses, along with the brighter, major-toned bridges and chorus, create a juxtaposition of feelings within the piece. The bridge also highlights The Beatles’ use of secondary dominants and chromaticism. Concluding in the tonic key of D Major, the song has an interesting interplay between Em and D Major throughout, which could be perceived as a Em: i, VI, III, II and D: vi, V7, I, vi, IV, ii, I progression.

“Fake Plastic Trees” by Radiohead is a haunting and introspective ballad that features an evocative chord progression. The progression appears to have been influenced by alternative rock and combines elements of both major and minor tonalities, as well as non-diatonic and diatonic chords. This blend of harmonic flavors creates an unforgettable sound that is melancholic, yet beautiful.

Tame Impala – Feels Like We Only Go Backwards – Verse 2

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Chord Progression

[‘Dm’, ‘Cmaj7/G’, ‘Cmaj7/G’, ‘Dm’, ‘G’, ‘Gm’]

Chord Progression Analysis

Verse 2, the chords progress as follows:
– D minor (‘vi’)
– C Major 7/G (‘VMaj7/IV’)
– C Major 7/G (‘VMaj7/IV’)
– D minor (‘vi’)
– G Major (‘II’)
– G minor (‘ii’)

“`md
Borrowed Chords: G Major (‘II’)
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Similar Chord Progressions

1. Radiohead – “Paranoid Android”:
– F# Minor (‘vi’)
– D Major (‘IV’)
– D Major (‘IV’)
– F# Minor (‘vi’)
– B Major (‘V’)
– B Minor (‘v’)

This progression is similar since it moves mainly between the relative minor and major, and also incorporates a major to minor shift.

2. Beach House – “Space Song”:
– E Minor (‘vi’)
– D Major (‘V’)
– D Major (‘V’)
– E Minor (‘vi’)
– A Major (‘II’)
– A Minor (‘ii’)

Another song that incorporates the shift between major and minor, and an unexpected II chord borrowed from the Lydian mode.

Musical Analysis

In the given progression of Verse 2 (Dm, Cmaj7/G, Cmaj7/G, Dm, G, Gm), the chords begin with D minor (vi), which is the relative minor of the song’s key. Then, the progressions move to the C Major 7/G (VMaj7/IV), this interesting move is an example of modal interchange (borrowing chords from the parallel minor) and it creates tension. The chord progression then returns to D minor (vi), which provides a bit of resolution.

However, the progression then moves to G Major (II), a borrowed chord from F Lydian, which is unexpected and adds a unique flavor to the song. Finally, the progression transitions into G minor (ii), which provides a sense of resolution and returns it back to the tonality of F Major.

Overall Analysis

“Feels Like We Only Go Backwards” by Tame Impala is a psychedelic pop song notable for its dreamy, lo-fi sound and use of unconventional chord progressions. Musically, the song is written in the key of F major, but creatively uses chromatic mediants, borrowed chords, and modal interchange to establish a unique harmony. The song also uses dynamic contrast to create a dreamlike atmosphere, increasing the song’s overall psychedelic effect.

Style Analysis

Tame Impala often utilizes unique chord progressions, non-diatonic chords, and modal interchange in their music, resulting in a psychedelic sound that’s both familiar and ethereal. The song’s production, with sweeping synth pads and dreamy vocal harmonies, further enhances this.

Chords in the Verse 2 section of Feels Like We Only Go Backwards by Tame Impala are:

[‘Dm’, ‘Cmaj7/G’, ‘Cmaj7/G’, ‘Dm’, ‘G’, ‘Gm’]