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Feels Like We Only Go Backwards by Tame Impala uses very interesting chord progressions that convey a feeling of constant motion. The song is primarily in the key of F Major, as revealed by the majority of the chords (F, C, Gm). However, the chord progression in the verse introduces Dm and Cmaj7/G, showing some clever use of modal interchange, also known as borrowed chords.

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Tame Impala’s “Let It Happen” is a song in A major key. The chord progression seems simple at first, with a repetitive motive throughout the verse but it creates a hypnotic effect that is very much in line with Tame Impala’s psychedelic style.

The song “Closer” by Nine Inch Nails is based primarily around the C minor 7 chord, giving the song its dark and moody atmosphere. The song is in the key of C minor. This chord progression is repetitive and simple, allowing other aspects of the song, such as the lyrics and production, to take center stage.

“Since I’ve Been Loving You” by Led Zeppelin is a slow blues ballad with a rich harmonic palette, featuring expressive guitar solos and a passionate, longing vocal performance. The song is characterized by its use of chromaticism, borrowed chords, and seventh chords, which contribute to its intense, bluesy atmosphere. The chord progression for Verse 2 displays a moody and introspective tone, which serves as the perfect backdrop for the plaintive lyrics and the emotional solos throughout the piece.

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

Tame Impala – Feels Like We Only Go Backwards – Verse 2

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Chord Progression

[‘Dm’, ‘Cmaj7/G’, ‘Cmaj7/G’, ‘Dm’, ‘G’, ‘Gm’]

Chord Progression Analysis

Verse 2, the chords progress as follows:
– D minor (‘vi’)
– C Major 7/G (‘VMaj7/IV’)
– C Major 7/G (‘VMaj7/IV’)
– D minor (‘vi’)
– G Major (‘II’)
– G minor (‘ii’)

“`md
Borrowed Chords: G Major (‘II’)
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Similar Chord Progressions

1. Radiohead – “Paranoid Android”:
– F# Minor (‘vi’)
– D Major (‘IV’)
– D Major (‘IV’)
– F# Minor (‘vi’)
– B Major (‘V’)
– B Minor (‘v’)

This progression is similar since it moves mainly between the relative minor and major, and also incorporates a major to minor shift.

2. Beach House – “Space Song”:
– E Minor (‘vi’)
– D Major (‘V’)
– D Major (‘V’)
– E Minor (‘vi’)
– A Major (‘II’)
– A Minor (‘ii’)

Another song that incorporates the shift between major and minor, and an unexpected II chord borrowed from the Lydian mode.

Musical Analysis

In the given progression of Verse 2 (Dm, Cmaj7/G, Cmaj7/G, Dm, G, Gm), the chords begin with D minor (vi), which is the relative minor of the song’s key. Then, the progressions move to the C Major 7/G (VMaj7/IV), this interesting move is an example of modal interchange (borrowing chords from the parallel minor) and it creates tension. The chord progression then returns to D minor (vi), which provides a bit of resolution.

However, the progression then moves to G Major (II), a borrowed chord from F Lydian, which is unexpected and adds a unique flavor to the song. Finally, the progression transitions into G minor (ii), which provides a sense of resolution and returns it back to the tonality of F Major.

Overall Analysis

“Feels Like We Only Go Backwards” by Tame Impala is a psychedelic pop song notable for its dreamy, lo-fi sound and use of unconventional chord progressions. Musically, the song is written in the key of F major, but creatively uses chromatic mediants, borrowed chords, and modal interchange to establish a unique harmony. The song also uses dynamic contrast to create a dreamlike atmosphere, increasing the song’s overall psychedelic effect.

Style Analysis

Tame Impala often utilizes unique chord progressions, non-diatonic chords, and modal interchange in their music, resulting in a psychedelic sound that’s both familiar and ethereal. The song’s production, with sweeping synth pads and dreamy vocal harmonies, further enhances this.

Chords in the Verse 2 section of Feels Like We Only Go Backwards by Tame Impala are:

[‘Dm’, ‘Cmaj7/G’, ‘Cmaj7/G’, ‘Dm’, ‘G’, ‘Gm’]