Radiohead – You And Whose Army – Outro
You And Whose Army < All Analyses
Chord Progression
C#m, E, F#, C#, C#m, E, F#, C#, C#m, E, F#, C#, C#m, E, F#, C#
Chord Progression Analysis
C#m – i
E – III (borrowed chord from C# major)
F# – V/v (secondary dominant of the borrowed III chord)
C# – I (borrowed chord from C# major)
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| C#m (i) | E (III) | F# (V/v) | C# (I) |
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Similar Chord Progressions
1. The Beatles – “While My Guitar Gently Weeps”
Chord Progression:
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| Am (i) | A (I) | E (V) | G (VII) |
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2. Muse – “Space Dementia”
Chord Progression:
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| Bm (i) | D (III) | Bm (i) | G (VI) |
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3. Coldplay – “Clocks”
Chord Progression:
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| Ebm (i) | Bb (V) | Gb (III) | Fm (v) | Ab (VII) | Ebm (i) | Bb (V) | Ab (VII) |
“`
Musical Analysis
The chord progression’s use of borrowed chords and secondary dominants creates complexity and interest, while maintaining a sense of tonality with the strong I/i resolution. The borrowed III creates a surprise shift in tonality, which is further emphasized by the secondary dominant V/v leading back to the I chord. This mixture of major and minor qualities gives the progression an ambiguous and dreamy feel that is often found in Radiohead’s music.
Overall Analysis
This chord progression from Radiohead’s “You And Whose Army” is in the key of C# minor, and the chords are predominantly composed of diatonic chords from the C# natural minor scale with some borrowed chords from the parallel major scale. The progression follows a looped pattern, creating a hypnotic and catchy quality which is characteristic of Radiohead’s music.
Style Analysis
This chord progression is characteristic of Radiohead’s atmospheric, innovative style. It is cleverly composed, with the mix of major and minor chords creating a mesmerizing and emotive feel, which suits the overall atmosphere of the song. Radiohead is known for their ability to experiment and push the boundaries of traditional harmonic progressions, and this chord progression is another example of that.
What are the chords in: Radiohead – You And Whose Army – Outro?
C#m, E, F#, C#, C#m, E, F#, C#, C#m, E, F#, C#, C#m, E, F#, C#