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Related Music Theory Alchemy

The chord progression in Radiohead’s “You And Whose Army” showcases the band’s unique style of blending chord progressions from different key centers, as well as their tendency to use borrowed chords. The progression consists largely of diatonic chords from the key of C# minor, but also features a few borrowed chords from D# minor and the parallel major key, C# Major.

“Exit Music (For a Film)” by Radiohead is a song characterized by a strong sense of melancholy and dark ambiance. The harmonic movement creates tension through the use of chromaticism, borrowed chords, and non-diatonic notes. In the verse progression, there is a mixture of minor and major chords, along with added tones that enhance the complexity and mood of the music.

The chord progression in the outro of “Fake Plastic Trees” by Radiohead utilizes some common and some less common harmonic devices. The piece employs diatonic chords with some added extensions, giving a sense of tension and release. Furthermore, the progression is in the key of A major, which contributes to the overall tonality and harmonic structure.

“Someone to Love” by Queen exhibits a blend of rock and gospel music, showcasing their musical brilliance and theatrical elements. The chord progression forms a classic example of a departure from the typical I-IV-V root progression seen in much of popular western music, demonstrating Queen’s ingenious writing style.

“Bullet with Butterfly Wings” by The Smashing Pumpkins can be categorized as alternative rock. The chord progression showcases the grunge influence, with an emphasis on power chords and the use of suspended second chords which are often used to create ambiguity or tension.

Radiohead – You And Whose Army – Outro

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Chord Progression

C#m, E, F#, C#, C#m, E, F#, C#, C#m, E, F#, C#, C#m, E, F#, C#

Chord Progression Analysis

C#m – i
E – III (borrowed chord from C# major)
F# – V/v (secondary dominant of the borrowed III chord)
C# – I (borrowed chord from C# major)

“`
| C#m (i) | E (III) | F# (V/v) | C# (I) |
“`

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps”
Chord Progression:

“`
| Am (i) | A (I) | E (V) | G (VII) |
“`

2. Muse – “Space Dementia”
Chord Progression:

“`
| Bm (i) | D (III) | Bm (i) | G (VI) |
“`

3. Coldplay – “Clocks”
Chord Progression:

“`
| Ebm (i) | Bb (V) | Gb (III) | Fm (v) | Ab (VII) | Ebm (i) | Bb (V) | Ab (VII) |
“`

Musical Analysis

The chord progression’s use of borrowed chords and secondary dominants creates complexity and interest, while maintaining a sense of tonality with the strong I/i resolution. The borrowed III creates a surprise shift in tonality, which is further emphasized by the secondary dominant V/v leading back to the I chord. This mixture of major and minor qualities gives the progression an ambiguous and dreamy feel that is often found in Radiohead’s music.

Overall Analysis

This chord progression from Radiohead’s “You And Whose Army” is in the key of C# minor, and the chords are predominantly composed of diatonic chords from the C# natural minor scale with some borrowed chords from the parallel major scale. The progression follows a looped pattern, creating a hypnotic and catchy quality which is characteristic of Radiohead’s music.

Style Analysis

This chord progression is characteristic of Radiohead’s atmospheric, innovative style. It is cleverly composed, with the mix of major and minor chords creating a mesmerizing and emotive feel, which suits the overall atmosphere of the song. Radiohead is known for their ability to experiment and push the boundaries of traditional harmonic progressions, and this chord progression is another example of that.

Chords in the Outro section of You And Whose Army by Radiohead are:

C#m, E, F#, C#, C#m, E, F#, C#, C#m, E, F#, C#, C#m, E, F#, C#