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Related Music Theory Alchemy

The given chord progression for the ending of Radiohead’s “You And Whose Army?” is in the key of A major. There are four chords in the progression: A, C#m, B-5, and B-5. Overall, it follows a relatively simple harmonic structure that incorporates power chords and a chromatic neighbor tone in the bass.

“Idioteque” by Radiohead is an experimental and atmospheric electronic song, released on the album “Kid A” in 2000. The chord progression of the chorus is fairly simple, yet features some distinctive chords which create a sense of tension and release. It incorporates modal mixture and chromatic mediants, which are typical elements found in Radiohead’s music.

The chord progression of “Get You” by Daniel Caesar is intriguing and rich. The progression has a smooth, soulful sound with interesting uses of borrowed chords that add an alluring complexity to the song.

The song ‘Today’ by The Smashing Pumpkins is a classic example of mixing major and minor modes in rock music. The majority of the song is modal, centered around D major and B minor. However, the bridge section changes gears and revolves around E minor.

The bridge of “Say Goodbye” by Beck features a simple two-chord progression. However, this simplicity allows space for an interesting interplay between melody and harmony while still evoking strong emotions. Despite being simple, the progression still manages to create a sense of tension and resolution.

Radiohead – You And Whose Army – Bridge

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Chord Progression

C#m, C#m/B, C#m/A#, F#, C#m, C#m/B, C#m/A#, F#, C#m, E, F#, C#

Chord Progression Analysis

“`
C#m (i) – C#m/B (i6) – C#m/B♭ (N6) – F# (V) – C#m (i) – C#m/B (i6) – C#m/B♭ (N6) – F# (V) – C#m (i) – E (III) – F# (V) – C# (VI)
“`

Similar Chord Progressions

1. “Dear Prudence” by The Beatles
“`
D (I) – C (♭VII) – G (IV) – A (V) – D (I)
“`

2. “Glycerine” by Bush
“`
Bm (i) – A (VII) – E (IV) – G♯ (III+) – Bm (i)
“`

3. “I Will Follow You into the Dark” by Death Cab for Cutie
“`
A (I) – E (V) – A (I) – F♯m (vi) – D (IV) – A/C♯ (I6) – Bm (ii) – E (V)
“`

These chord progressions, while not identical, share a similar sense of motion and experiment with borrowed chords, chromaticism, and altered chord functions.

Musical Analysis

The chord progression starts with the C#m (i) chord, followed by the first inversion of the same chord, C#m/B (i6). This type of progression is common, as the movement in the bass creates a sense of forward momentum.

Next, the progression introduces the borrowed chord C#m/B♭ (N6), which functions as the Neapolitan 6th. This borrowing adds tension and color to the progression, as the Neapolitan 6th is a chromatic chord that is not diatonic to the key of C# minor.

The bridging section maintains tension by moving to the F# (V) chord, before returning to the C#m (i) chord. The progression then repeats the first four chords again, which further reinforces the tension established by the Neapolitan 6th chord.

The end of the progression takes an interesting turn, with the E (III) chord and subsequent F# (V) chord. The E chord acts as a predominant chord, which sets up the expectation for a return to the tonic chord. Instead, the progression moves to the F# (V), which is a surprising move that heightens the tension.

Finally, the progression resolves to the C# (VI) chord, a borrowed major chord that provides a surprising resolution and an uplifting conclusion to the bridge section.

Overall Analysis

“You And Whose Army?” by Radiohead is an alternative rock song featuring an interesting chord progression in the bridge. The chord progression is characterized by its dynamic movement and integration of non-diatonic chords. The progression is in the key of C# minor, and it displays unique qualities that allow it to stand out from traditional chord progressions. The combination of borrowed chords and voice leading creates a sense of tension and excitement, which contributes to the song’s overall atmosphere.

Style Analysis

The style of this chord progression is typical of Radiohead, as the band is known for its unique compositions and experimentation with traditional chord movements. The use of the Neapolitan 6th and other borrowed chords demonstrates Radiohead’s willingness to push the boundaries of alternative rock while also displaying their strong understanding of music theory. The way the progression moves between tension and release creates an engaging experience for the listener.

Chords in the Bridge section of You And Whose Army by Radiohead are:

C#m, C#m/B, C#m/A#, F#, C#m, C#m/B, C#m/A#, F#, C#m, E, F#, C#