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The chord progression in the chorus of Radiohead’s “Knives Out” is an interesting and unconventional one, making use of some borrowed chords and a mix of major and minor tonalities. The overall style of the song can be described as alternative rock with some influences of jazz harmony and chromaticism, creating a unique and moody atmosphere. The progression is mostly diatonic, but it also incorporates some borrowed chords from parallel modes to add color and tension.

“Fake Plastic Trees” by Radiohead is a melancholic song with an emotional chord progression. The song is in the key of A Major and features a mixture of diatonic chords, suspended chords, and extended chords that create a sense of yearning and tension. The verse is characterized by a cyclical progression that begins and ends on the tonic (A), providing a sense of unresolved tension. This helps to support the song’s themes of artificiality and dissatisfaction.

“Something I Can Never Have” by Nine Inch Nails features a haunting and melancholic chord progression typical of the alternative rock and industrial rock genres. The tonality of the piece centers around the key of C major, with occasional borrowed chords and chromaticism adding emotional color and tension. The verse and chorus sections both feature a similar pattern of repeating chords as well as a descending bass line connecting the chords, giving the piece cohesion.

“Weezer’s “Island in the Sun” features a memorable and catchy chord progression, with a mix of major and minor chords that creates an overall uplifting and pleasant atmosphere. The song is in the key of G Major and employs a simple and repetitive progression, characteristic of pop and rock music. Although the chord progression is fairly common, the rhythmic pattern and melodic line make the song stand out among other pop and rock tunes.

“Hey Jude,” by The Beatles, is an iconic song. The chord progression is in the key of D major and it follows a sort of Variation on I-V-IV-I progression of many pop and rock songs. However, what makes this song extremely unique is its out-of-the-box structure and the experimental use of borrowed cords – it shows The Beatles’ fondness for combining elements of pop, rock and classical music and results in an emotional, powerful progression that resonates strongly with listeners.

Radiohead – Knives Out – Verse

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Chord Progression

Cm, Bb, Ab, Gm, Dm, F, Em6, Em7, Cm, Bb, Ab, Gm, Dm, F, Em6, Em7

Chord Progression Analysis

“`
Cm (i)
Bb (VI)
Ab (V/III)
Gm (v)
Dm (ii)
F (IV)
Em6 (iv6)
Em7 (ivø7)
Cm (i)
Bb (VI)
Ab (V/III)
Gm (v)
Dm (ii)
F (IV)
Em6 (iv6)
Em7 (ivø7)
“`

`Borrowed chords:
“`Gm (v), Dm (ii), F (IV), Em6 (iv6), Em7 (ivø7)“`

Similar Chord Progressions

1. “Paranoid Android” by Radiohead:
“`
Gm (iv)
F#ø7 (viiø)
Bm (i)
E (IV)
G (VI)
A (VII)
“`
2. “Creep” by Radiohead:
“`
G (I)
B (III)
C (IV)
Cm (iv)
“`
3. “Blackbird” by The Beatles:
“`
G (I)
Em (vi)
C (IV)
Cm (iv)
G (I)
“`
4. “While My Guitar Gently Weeps” by The Beatles:
“`
Am (i)
C#m (iii♯)
Am (i)
C (III)
G (VII)
Am (i)
F#m (vi♯)
G (VII)
“`

These examples feature similar uses of borrowed chords from parallel major or minor keys and a mix of major and minor tonalities, creating a harmonically rich and intriguing sound.

Musical Analysis

This chord progression in “Knives Out” comprises a series of chords borrowed from the key of C major, creating a blend of bright and dark moods. The mixture of chords from parallel minor and major keys contributes to the dissonant quality of the song, which is characteristic of Radiohead’s style.

The progression begins with the tonic chord, Cm, and proceeds to the VI chord, Bb. The Ab chord acts as a secondary dominant, leading briefly to the Gm chord, which is borrowed from the parallel major along with the Dm and F chords. These chords add a touch of brightness to the otherwise somber progression.

The Em6 and Em7 chords introduce a bit of chromaticism and tension, which builds up further interest in the progression. The repetition of the progression helps establish the overall mood and atmosphere of the piece.

Overall Analysis

“Knives Out” by Radiohead features a chord progression that combines elements of rock and jazz with a touch of chromaticism. The harmony is based in the key of C minor, but it also borrows chords from the parallel major key, creating an interesting mix of major and minor tonalities. The overall feel of the piece is melancholic and introspective, with various chord relationships contributing to this mood.

Style Analysis

“Knives Out” demonstrates Radiohead’s penchant for combining rock and jazz elements within their music. The harmonic structure of the song, with its blend of major and minor chords, contributes to its eeriness and complexity. This chord progression is influenced by various genres, particularly progressive rock and jazz, wherein borrowing chords from parallel keys and using chromaticism are common. The level of harmonic sophistication reflects Radiohead’s innovative and experimental approach to songwriting.

Chords in the Verse section of Knives Out by Radiohead are:

Cm, Bb, Ab, Gm, Dm, F, Em6, Em7, Cm, Bb, Ab, Gm, Dm, F, Em6, Em7