Search

Related Music Theory Alchemy

“Fake Plastic Trees” by Radiohead is a melancholic song with an emotional chord progression. The song is in the key of A Major and features a mixture of diatonic chords, suspended chords, and extended chords that create a sense of yearning and tension. The verse is characterized by a cyclical progression that begins and ends on the tonic (A), providing a sense of unresolved tension. This helps to support the song’s themes of artificiality and dissatisfaction.

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

“Time To Pretend” by MGMT features a non-conventional and interesting chord progression. The progression can be primarily analyzed in the key of D Major with a brief modulation to the relative minor (F#m). The chords are not sophisticated in terms of extensions, but the arrangement and harmonic movement provide a unique and memorable melody. This chorus is an example of diatonic and modal mixture, using chords not only from the primary key but also borrowing chords from other modes.

“Good Old Fashioned Lover Boy” by Queen exhibits rich harmonic complexity that falls within the signature rock style of the band. This is evident in the fluctuation between major and minor chord quality, frequent use of 7th chords as well as borrowed chords from the parallel minor. The progression moves fluidly between the tonics, subdominants, and dominants, with a strong cadential movement towards the end that resolves the tension built upon earlier in the piece.

The song “Killer Queen” by Queen is primarily set in the key of F Major, while the Chorus 1 is in the key of G Major. The song’s harmonic voice leading and progressions reveal a sophisticated and nuanced approach that involves a continuous change of tonal center and utilization of secondary dominant and borrowed chords.

Radiohead – Fake Plastic Trees – Chorus 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

Bm7add11, A, Bm7add11, A, Asus4

Chord Progression Analysis

Bm7add11 (ii7add11), A (I), Bm7add11 (ii7add11), A (I), Asus4 (I4)

Borrowed Chord:
`None`

Similar Chord Progressions

1. Coldplay – “The Scientist” (Dm9, Bb, F, C, Csus4)
2. Jeff Buckley – “Hallelujah” (C, Am, C, Am, F, G, C, G, C)

These other compositions don’t follow the exact same chord progression as “Fake Plastic Trees,” but they share similar elements and characteristics, such as the use of add11 and sus4 chords to add flavor and tension to their progressions. Both songs, like “Fake Plastic Trees,” are in a major key and feature emotive vocal performances and memorable melodies.

Musical Analysis

The song starts with a Bm7add11 chord, which adds a touch of dissonance and tension as it includes the 11th (E note), creating an unresolved feeling. This tension is released when the progression moves to the A major chord, providing a sense of resolution before returning to the Bm7add11 chord for continued tension. The last chord, Asus4, serves as a slight variation to the A major chord and adds even more color and character to the progression, as it replaces the major third (C#) with a perfect fourth (D).

Overall Analysis

“Fake Plastic Trees” by Radiohead is in the key of A major and features an alternative rock style with a strong emphasis on the melody and a hauntingly beautiful vocal progression. The song contains a unique mix of simple and complex chords that give it a sense of tension and unease.

Style Analysis

Radiohead is known for their innovative and experimental approach to songwriting, which is evident in “Fake Plastic Trees.” The chord progression in the chorus is simple yet engaging, with the use of Bm7add11 and Asus4 chords adding depth and character to the otherwise straightforward I-ii progression. The verses feature simpler chords, allowing the focus to be on Thom Yorke’s emotive vocal performance. The strophic form used in the song creates a feeling of continuity, with each verse and chorus telling different parts of the same story.

Chords in the Chorus 1 section of Fake Plastic Trees by Radiohead are:

Bm7add11, A, Bm7add11, A, Asus4