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Related Music Theory Alchemy

The Outro of “Exit Music (For a Film)” by Radiohead features a striking and emotive chord progression that showcases their innovative approach to harmony. It is characterized by the use of irregular modal interchanges, sustained chords, and slight variations on repeating patterns.

“Everything In Its Right Place” by Radiohead is an experimental and ambient piece released in 2000 as part of their album “Kid A.” The piece defies traditional pop and rock song forms, delving more into the territory of electronic and experimental music. The outro chord progression is simple but intriguing, serving a hypnotic and unresolved quality that keeps the listener engaged.

“Perfect Situation” by Weezer is a pop-rock song that follows a standard verse-chorus format, with a strong focus on melody and harmony. The song is in the key of G major, and the chord progression provided is for the second verse. It features a simple, yet effective progression that creates a sense of movement and tension before resolving back to the tonic chord. This gives the song a very engaging, classic pop/rock feel.

The verse 2 chord progression in “Can’t Take My Eyes Off You” by Muse follows a typical jazz/pop style with the use of extended and altered chords such as Major 7th and minor 7th ♭5 chords. It also features a variation in line with the different sections of the piece.

The chord progression in Muse’s Hysteria (verse 2) is a fairly unique progression that revolves around a minor tonality with some hints of E7 acting as a secondary dominant. It seems to have an ambiguous key center, fluctuating between E minor and A minor. The progression is repeated, providing a sense of tension and familiarity throughout the verse.

Radiohead – Exit Music For A Film – Verse 2

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Chord Progression

Am, E, C/G, Dadd9/F#, Am, E, Asus4, A

Chord Progression Analysis

“`
A minor (i),
E major (V),
C major / G (VI/G),
Dadd9 / F# (IVadd9/F#),
A minor (i),
E major (V),
Asus4 (i sus4),
A major (I)
“`

Borrowed chords:
“`
C major / G (VI/G) and Dadd9 / F# (IVadd9/F#)
“`

Similar Chord Progressions

1. Pink Floyd – “Breathe” Chord progression:
“`
Em9 (ii9),
A7sus4 (IV7 sus4),
A7 (IV7),
Dmaj7 (VII maj7),
Fmaj7#11 (III maj7 #11)
“`

2. Coldplay – “Clocks” Chord progression:
“`
Ebmaj7 (III maj7),
Bbm/Bb (iii),
Fm/Bb (vi11),
Gm/C (vii7/C)
“`

These chord progressions are examples of other artists incorporating non-diatonic and creative harmonic structures in their compositions, similar to Radiohead’s “Exit Music (For a Film).”

Musical Analysis

The chord progression includes tension-creating elements, such as the non-diatonic Dadd9/F# (over the F# bass note), which can be seen as a borrowed chord from the parallel major (A major) and the VI chord in first inversion (C/G). Another point of interest is the E major chord which appears twice and works as a dominant chord to lead back to A minor and A major at different points. The progression also features a brief moment of suspension with Asus4, resolving to A major. These elements give the chord progression a sense of disorientation, moodiness, and emotional depth.

Overall Analysis

“Exit Music (For a Film)” by Radiohead features a unique and somewhat complex chord progression, particularly in the second verse. The song can be viewed as being in A minor, with various borrowed chords and non-diatonic chords. The chord progression reflects Radiohead’s experimental and innovative approach to harmony and songwriting.

Style Analysis

Radiohead is known for their innovative and unconventional approach to songwriting and harmony. “Exit Music (For a Film)” exemplifies this style by incorporating non-diatonic and borrowed chords, creating an unsettling and emotional atmosphere. This type of chord progression is characteristic of alternative and art rock styles, where traditional musical boundaries are often pushed.

Chords in the Verse 2 section of Exit Music For A Film by Radiohead are:

Am, E, C/G, Dadd9/F#, Am, E, Asus4, A