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Related Music Theory Alchemy

“Creep” by Radiohead is an alternative rock song in the key of G major, with a somewhat melancholic tone. The chord progression used is iconic, and it heavily relies on borrowed chords to create tension and resolution in the harmony. This use of chords creates a distinct sound that has become synonymous with the song.

“Exit Music (For a Film)” by Radiohead is a song characterized by a strong sense of melancholy and dark ambiance. The harmonic movement creates tension through the use of chromaticism, borrowed chords, and non-diatonic notes. In the verse progression, there is a mixture of minor and major chords, along with added tones that enhance the complexity and mood of the music.

The chord progression in Verse 2 of Kali Uchis’s “After The Storm” is a mix of diatonic and chromatic chords that create an interesting neo-soul groove. The harmony is primarily based on G# minor, featuring the G#m7 and A#m7 as primary chords, and the D#aug chord adds tension and release within the progression. Additionally, the use of the D#aug chord acts as a chromatic mediant between G#m7 and A#m7.

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“Closer” by Nine Inch Nails utilizes a relatively simple chord structure, which allows the song to establish a pervasive atmosphere and direct the listener’s focus on the lyrics and melodies. This piece is in the key of C minor, and the chord progression is cyclical in nature, with Verse 2 consisting of the repetition of Cm7 chord throughout.

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“Eight Days A Week” by The Beatles, released in 1965, is renowned for its catchy melodic phrases, tight harmonies, and distinctive use of chords. The song is firmly rooted in the key of D major, but there is an interesting use of borrowed chords.

Verse 2

Radiohead – Creep – Verse 2

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Chord Progression

G, B, C, Cm, G, B, C, Cm

Chord Progression Analysis

The full chord names and roman numerals for the verse 2 of “Creep” are as follows:

G major (I) – B major (III) – C major (IV) – C minor (iv)

`C minor (iv)` is a borrowed chord from the parallel minor key (G minor).

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps”
Chord progression: A minor (i) – A major/C# (I/VI) – C# minor (iii) – C major (bIII)

2. Muse – “Unintended”
Chord progression: D major (I) – G minor (iv) – Bb major (VI) – A major (V)

These alternative rock songs also feature a mix of diatonic and borrowed chords, which create a sound similar to “Creep” and showcase the emotional power of such progressions.

Musical Analysis

The chord progression in verse 2 of “Creep” starts with the tonic chord (G major), which then moves in a circle of fifths motion to B major (III). This choice is interesting, as the iii chord rarely appears in pop music progressions. Next, the progression moves a whole step up to the C major chord, which is the subdominant (IV) chord. Finally, C minor (iv) is used as a borrowed chord from G minor, which creates a strong emotional contrast and sets up the return to the tonic chord. The repetition of this progression emphasizes the tension and release that the progression creates.

Overall Analysis

“Creep” by Radiohead is a song in the key of G major that features a four-chord progression in its verse 2, which is distinctive for its use of a borrowed chord from the parallel minor (G minor). Although the song’s simple harmonic structure is quite common in pop music, its use of a borrowed chord adds an element of surprise and emotional depth, establishing Radiohead’s unique sound.

Style Analysis

“Creep” is a song that belongs to the alternative rock genre and was released in 1992 as part of Radiohead’s debut album, “Pablo Honey.” The song features Thom Yorke’s haunting vocals, layered guitar sounds, and poignant lyrics that tap into themes of self-loathing and isolation. The use of the borrowed iv chord in the progression adds to the melancholic and unsettling atmosphere that characterizes much of Radiohead’s music.

Chords in the Verse 2 section of Creep by Radiohead are:

G, B, C, Cm, G, B, C, Cm