Music Theory Alchemy

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“Creep” by Radiohead is a well-known song that features a fairly simple chord progression in its bridge. The progression is memorable for its fusion of diatonic and chromatic elements, creating a sense of tension and interest.

The verse of “All I Need” by Radiohead features a simple chord progression consisting of three main chords: C, Em, and G. It alternates between these three chords for most of the progression, with some occasional repetition of the C chord. This progression provides a consistent harmonic foundation for the vocal melody and sets a mostly stable and melancholic mood.

The song “Every Day Is Exactly The Same” by Nine Inch Nails has a dark and moody atmosphere, characterized by the repetitive chord progression that sets the gloomy tone. This prolific use of chords throughout snippets of the song creates a musical portrait of monotony and disillusion which is reflective of the song’s title and lyrics. Looking at the chords provided from the second verse, this mood is accomplished through the consistent use of minor tonalities and alternation between two power chords – E and C.

“Eight Days A Week” by The Beatles, released in 1965, is renowned for its catchy melodic phrases, tight harmonies, and distinctive use of chords. The song is firmly rooted in the key of D major, but there is an interesting use of borrowed chords.

Verse 2

“Undone – The Sweater Song” by Weezer is a grunge rock song from their debut album, “Weezer (The Blue Album)” released in 1994. The chord progression in Verse 2 seems to blend elements from both pop and rock genres, with some diatonic chords and a borrowed chord that adds an unexpected twist.

Radiohead – Creep – Verse 2

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Chord Progression

G, B, C, Cm, G, B, C, Cm

Chord Progression Analysis

The full chord names and roman numerals for the verse 2 of “Creep” are as follows:

G major (I) – B major (III) – C major (IV) – C minor (iv)

`C minor (iv)` is a borrowed chord from the parallel minor key (G minor).

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps”
Chord progression: A minor (i) – A major/C# (I/VI) – C# minor (iii) – C major (bIII)

2. Muse – “Unintended”
Chord progression: D major (I) – G minor (iv) – Bb major (VI) – A major (V)

These alternative rock songs also feature a mix of diatonic and borrowed chords, which create a sound similar to “Creep” and showcase the emotional power of such progressions.

Musical Analysis

The chord progression in verse 2 of “Creep” starts with the tonic chord (G major), which then moves in a circle of fifths motion to B major (III). This choice is interesting, as the iii chord rarely appears in pop music progressions. Next, the progression moves a whole step up to the C major chord, which is the subdominant (IV) chord. Finally, C minor (iv) is used as a borrowed chord from G minor, which creates a strong emotional contrast and sets up the return to the tonic chord. The repetition of this progression emphasizes the tension and release that the progression creates.

Overall Analysis

“Creep” by Radiohead is a song in the key of G major that features a four-chord progression in its verse 2, which is distinctive for its use of a borrowed chord from the parallel minor (G minor). Although the song’s simple harmonic structure is quite common in pop music, its use of a borrowed chord adds an element of surprise and emotional depth, establishing Radiohead’s unique sound.

Style Analysis

“Creep” is a song that belongs to the alternative rock genre and was released in 1992 as part of Radiohead’s debut album, “Pablo Honey.” The song features Thom Yorke’s haunting vocals, layered guitar sounds, and poignant lyrics that tap into themes of self-loathing and isolation. The use of the borrowed iv chord in the progression adds to the melancholic and unsettling atmosphere that characterizes much of Radiohead’s music.

Chords in the Verse 2 section of Creep by Radiohead are:

G, B, C, Cm, G, B, C, Cm