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Related Music Theory Alchemy

“Creep” by Radiohead is an alternative rock song in the key of G major, with a somewhat melancholic tone. The chord progression used is iconic, and it heavily relies on borrowed chords to create tension and resolution in the harmony. This use of chords creates a distinct sound that has become synonymous with the song.

“Everything In Its Right Place” by Radiohead is an experimental and ambient piece released in 2000 as part of their album “Kid A.” The piece defies traditional pop and rock song forms, delving more into the territory of electronic and experimental music. The outro chord progression is simple but intriguing, serving a hypnotic and unresolved quality that keeps the listener engaged.

The verse 2 chord progression in “Can’t Take My Eyes Off You” by Muse follows a typical jazz/pop style with the use of extended and altered chords such as Major 7th and minor 7th ♭5 chords. It also features a variation in line with the different sections of the piece.

The chord progression in the verse 2 of Beck’s “Morning” is an example of a common progression in popular music, involving the I, IV, iii, and ii chords. The harmony is mostly diatonic, staying within the key of E major. The progression features regular 4-chord phrases and a smooth, consonant flow between chords.

“Landslide” by The Smashing Pumpkins is a cover of a popular folk-rock song by Fleetwood Mac. In this song, The Smashing Pumpkins show their alternative rock style, while also paying homage to the folk-rock genre and especially to the founder of Folk-Rock “Fleetwood Mac”. The chords used throughout the song are predominantly composed in the key of G major, with the occasional use of a common borrowed chord (Am) from the G minor key.

Radiohead – Creep – Verse 2

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Chord Progression

G, B, C, Cm, G, B, C, Cm

Chord Progression Analysis

The full chord names and roman numerals for the verse 2 of “Creep” are as follows:

G major (I) – B major (III) – C major (IV) – C minor (iv)

`C minor (iv)` is a borrowed chord from the parallel minor key (G minor).

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps”
Chord progression: A minor (i) – A major/C# (I/VI) – C# minor (iii) – C major (bIII)

2. Muse – “Unintended”
Chord progression: D major (I) – G minor (iv) – Bb major (VI) – A major (V)

These alternative rock songs also feature a mix of diatonic and borrowed chords, which create a sound similar to “Creep” and showcase the emotional power of such progressions.

Musical Analysis

The chord progression in verse 2 of “Creep” starts with the tonic chord (G major), which then moves in a circle of fifths motion to B major (III). This choice is interesting, as the iii chord rarely appears in pop music progressions. Next, the progression moves a whole step up to the C major chord, which is the subdominant (IV) chord. Finally, C minor (iv) is used as a borrowed chord from G minor, which creates a strong emotional contrast and sets up the return to the tonic chord. The repetition of this progression emphasizes the tension and release that the progression creates.

Overall Analysis

“Creep” by Radiohead is a song in the key of G major that features a four-chord progression in its verse 2, which is distinctive for its use of a borrowed chord from the parallel minor (G minor). Although the song’s simple harmonic structure is quite common in pop music, its use of a borrowed chord adds an element of surprise and emotional depth, establishing Radiohead’s unique sound.

Style Analysis

“Creep” is a song that belongs to the alternative rock genre and was released in 1992 as part of Radiohead’s debut album, “Pablo Honey.” The song features Thom Yorke’s haunting vocals, layered guitar sounds, and poignant lyrics that tap into themes of self-loathing and isolation. The use of the borrowed iv chord in the progression adds to the melancholic and unsettling atmosphere that characterizes much of Radiohead’s music.

Chords in the Verse 2 section of Creep by Radiohead are:

G, B, C, Cm, G, B, C, Cm