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Related Music Theory Alchemy

“Creep” by Radiohead is a well-known song that features a fairly simple chord progression in its bridge. The progression is memorable for its fusion of diatonic and chromatic elements, creating a sense of tension and interest.

“Fake Plastic Trees” by Radiohead is in the key of A major and features an alternative rock style with a strong emphasis on the melody and a hauntingly beautiful vocal progression. The song contains a unique mix of simple and complex chords that give it a sense of tension and unease.

“Viva La Vida” by Coldplay is a pop song that sits primarily in the key of G major, featuring four common chords: C Major, D Major, G Major, and E minor. The song’s simplicity lies in the consistent use of these chords, which creates a consistent harmony throughout the song.

The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.

Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)

The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.

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“Good Vibrations” by The Beach Boys employs a series of chord progressions that echo the rising tension and resolution in the song’s narrative. The song is primarily in the key of D minor, with moments of temporary modulation, which allows for colorful and unexpected harmonies to emerge. This harmonic and melodic complexity is one of the defining characteristics of Brian Wilson’s writing style, highlighting his ability to push the boundaries of pop music.

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Radiohead – Creep – Verse 1

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Chord Progression

G, B, C, Cm, G, B, C, Cm

Chord Progression Analysis

– G major (I)
– B major (III)
– C major (IV)
– C minor (iv)

“`Borrowed chord: C minor (iv)“`

Similar Chord Progressions

1. “Space Oddity” by David Bowie:
– C major (I)
– E minor (iii)
– F major (IV)
– F minor (iv)

2. “Zombie” by The Cranberries:
– E minor (i)
– C major (VI)
– G major (III)
– D major (VII)

3. “Imagine” by John Lennon:
– C major (I)
– C major7 (Imaj7)
– F major (IV)
– C major (I)

These chord progressions are similar to Radiohead’s “Creep” in the sense that they use the technique of borrowing chords from parallel keys, or follow a distinct four-chord pattern that is common in popular music, particularly in the alternative rock genre.

Musical Analysis

The song uses a diatonic chord progression with one borrowed chord (C minor) that provides a unique color to the harmony. This borrowed chord, C minor, is taken from the parallel minor key, creating a sudden shift in tonality that adds to the emotional impact of the song. This modal interchange is common in popular music, particularly in alternative rock.

The verses have a slow tempo and a 4/4 time signature, giving the music an overall somber tone. The melody in the vocal line is based around the G major scale and moves back and forth between the G and B notes, with the occasional pitch bending that complements the overall melancholic atmosphere of the song.

Overall Analysis

“Creep” by Radiohead is a song that features a well-known four-chord progression throughout the verses. This progression is G – B – C – Cm, which is often considered one of the factors that contribute to the song’s memorable and emotional quality. The chord progression helps create a melancholic and haunting atmosphere in the song. This song is notably influenced by alternative rock and grunge styles from the early 90s.

Style Analysis

“Creep” showcases the distinct style of Radiohead that set them apart in the early 90s. It features a combination of traditional rock instrumentation with electric guitars, bass, and drums, but also includes orchestral elements, particularly the use of strings in the chorus. The recording techniques, such as the use of reverb and layering of the vocals, contribute to the dark and brooding character of the song. The song’s lyrics are introspective and self-deprecating, which became a hallmark of alternative rock and grunge in the 90s.

Chords in the Verse 1 section of Creep by Radiohead are:

G, B, C, Cm, G, B, C, Cm