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Related Music Theory Alchemy

“Creep” by Radiohead is a song in the key of G major that features a four-chord progression in its verse 2, which is distinctive for its use of a borrowed chord from the parallel minor (G minor). Although the song’s simple harmonic structure is quite common in pop music, its use of a borrowed chord adds an element of surprise and emotional depth, establishing Radiohead’s unique sound.

“Fake Plastic Trees” by Radiohead is a haunting and introspective ballad that features an evocative chord progression. The progression appears to have been influenced by alternative rock and combines elements of both major and minor tonalities, as well as non-diatonic and diatonic chords. This blend of harmonic flavors creates an unforgettable sound that is melancholic, yet beautiful.

The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

The chord progression of “Because” by The Beatles demonstrates the band’s profound exploration of harmony. The song starts in the key of C# minor, revolves around this key, and includes various modulations and tonicizations to explore chords beyond the key. It heavily employs secondary dominants and borrowed chords, particularly the diminished 7th chords, which is not uncommon in Beatles’s songs. The chord progression has a dreamy and fluid flow due to these harmonic explorations.

“Comfortably Numb” by Pink Floyd is a classic progressive rock song from their 1979 concept album “The Wall”. It features unique chord progressions, ambient guitar tones, and an atmospheric vocal performance. This particular verse progression is inspired by the Dorian mode, contributing to its melancholic and introspective atmosphere.

Radiohead – Creep – Verse 1

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Chord Progression

G, B, C, Cm, G, B, C, Cm

Chord Progression Analysis

– G major (I)
– B major (III)
– C major (IV)
– C minor (iv)

“`Borrowed chord: C minor (iv)“`

Similar Chord Progressions

1. “Space Oddity” by David Bowie:
– C major (I)
– E minor (iii)
– F major (IV)
– F minor (iv)

2. “Zombie” by The Cranberries:
– E minor (i)
– C major (VI)
– G major (III)
– D major (VII)

3. “Imagine” by John Lennon:
– C major (I)
– C major7 (Imaj7)
– F major (IV)
– C major (I)

These chord progressions are similar to Radiohead’s “Creep” in the sense that they use the technique of borrowing chords from parallel keys, or follow a distinct four-chord pattern that is common in popular music, particularly in the alternative rock genre.

Musical Analysis

The song uses a diatonic chord progression with one borrowed chord (C minor) that provides a unique color to the harmony. This borrowed chord, C minor, is taken from the parallel minor key, creating a sudden shift in tonality that adds to the emotional impact of the song. This modal interchange is common in popular music, particularly in alternative rock.

The verses have a slow tempo and a 4/4 time signature, giving the music an overall somber tone. The melody in the vocal line is based around the G major scale and moves back and forth between the G and B notes, with the occasional pitch bending that complements the overall melancholic atmosphere of the song.

Overall Analysis

“Creep” by Radiohead is a song that features a well-known four-chord progression throughout the verses. This progression is G – B – C – Cm, which is often considered one of the factors that contribute to the song’s memorable and emotional quality. The chord progression helps create a melancholic and haunting atmosphere in the song. This song is notably influenced by alternative rock and grunge styles from the early 90s.

Style Analysis

“Creep” showcases the distinct style of Radiohead that set them apart in the early 90s. It features a combination of traditional rock instrumentation with electric guitars, bass, and drums, but also includes orchestral elements, particularly the use of strings in the chorus. The recording techniques, such as the use of reverb and layering of the vocals, contribute to the dark and brooding character of the song. The song’s lyrics are introspective and self-deprecating, which became a hallmark of alternative rock and grunge in the 90s.

Chords in the Verse 1 section of Creep by Radiohead are:

G, B, C, Cm, G, B, C, Cm