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Related Music Theory Alchemy

“In My Head” by Queens of the Stone Age shows a variety of complex chord progressions that are often seen in alternative rock and other sub-genres of rock music. The chord progressions seem to use a combination of modal and chromatic harmony which gives it an edgy and intriguing sound quality.

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“Little Sister” by Queens of the Stone Age is based in the rock genre, featuring a simple melody with strong rhythmic components, built on a mix of power, suspended and major chords. The use of the C#5 and G#5/D# chords in the verses and the F#sus4-E-G#sus4 repetition in the chorus indicate an overall key signature of F# minor.

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Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

The Beach Boys’ “Good Vibrations” presents an interesting mix of major and minor chords with excellent use of chord inversions and borrowings. The song is harmonically adventurous, showcasing the band’s pop mastery with Brian Wilson’s unmatched compositional skills. This song is primarily in the key of A Major, with many borrowed chords and modulation that creates its unique feel.

“Eight Days A Week” by The Beatles is in the key of D major. The song features a handful of basic major and minor chords with a sprinkling of interesting harmonic developments such as the E7 transition chord and the use of the B minor chord which provide a rich palette of colors for the progression.

Queens of the Stone Age – In My Head – Chorus

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Chord Progression

[‘E’, ‘G5’, ‘D’, ‘D#’]

Chord Progression Analysis

The chorus features the following chords:

E Major (`I`)
G5 (`bIII`)
D Major (`VII`)
D# Major (`VII#`)

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Borrowed Chord: G5
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Similar Chord Progressions

Few artists tend to use similar chord progressions as their style is highly distinctive. However, some songs from grunge and desert rock genre do employ similar essence owned by Queens of the Stone Age. For instance, Nirvana’s “Smells Like Teen Spirit” has a similar progression in its chorus:

A (‘VI’)
G#5 (‘#V’)
D (‘VII’)
D# (‘VII#’)

Notice the usage of non-diatonic and borrowed chords creating a similar sonic texture. Even though the keys are different, the common usage of chromatic mediants and non-diatonic chords can be clearly seen in both the songs.

Musical Analysis

The inclusion of the G5 and D# Major chords in this progression is very interesting. The G5, is a borrowed chord from the parallel minor key. Borrowed chords are often used in music to add color and disruption to the harmony. In this case, the G5 creates a momentary shift in harmony when it arrives, disrupting the tonality established by the E Major.
Moving on to the D and D# Major chords, these chords are a whole step apart, which creates a chromatic mediant relationship which often brings tension and resolution in a song.

Overall Analysis

“In My Head” is a good example of the band’s signature style, combining elements of rock, punk, and alternative music. The usage of primary chords is fairly standard for rock music, but the inclusion of unexpected chords like G5 and D# adds a complex flavor to the progression making it notably unique amongst other songs within the genre.

Style Analysis

As mentioned earlier, the usage of non-diatonic chords and notes is part of the Queens of the Stone Age’s distinctive style. They aren’t afraid to experiment with unconventional chord progressions, which contributes to the unique sound they’re known for. It’s a mix of grunge, desert rock, and a dash of psychedelic that makes their music instantly recognizable.

Chords in the Chorus section of In My Head by Queens of the Stone Age are:

[‘E’, ‘G5’, ‘D’, ‘D#’]