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Related Music Theory Alchemy

“In My Head” by Queens of the Stone Age shows a variety of complex chord progressions that are often seen in alternative rock and other sub-genres of rock music. The chord progressions seem to use a combination of modal and chromatic harmony which gives it an edgy and intriguing sound quality.

The “Like Clockwork” track by Queens of the Stone Age showcases a wide range of harmonic complexity. The track is in the key of F# minor and it is characterized by non-traditional chord progressions. From the range of chords used within the song, it’s clear that the song deviates from strict diatonic harmony, and freely borrows chords from parallel keys (modal mixture).

The chord progression in the chorus of “Say Goodbye” by Beck features a simple, yet unique combination of major and minor chords. It is primarily built around the key of G major, but includes a chromatic twist with the inclusion of the A# major chord. The progression is fairly repetitive, which provides a stable and recognizable backbone for the chorus.

“Have You Ever Seen The Rain” is a popular song by Creedence Clearwater Revival from the 1971 album “Pendulum”. This song is performed in the key of C major, and uses chords from the diatonic scale. However, it also utilizes borrowed chords and chord inversions to create a bit of colour and novelty.

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

Queens of the Stone Age – In My Head – Chorus

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Chord Progression

[‘E’, ‘G5’, ‘D’, ‘D#’]

Chord Progression Analysis

The chorus features the following chords:

E Major (`I`)
G5 (`bIII`)
D Major (`VII`)
D# Major (`VII#`)

“`
Borrowed Chord: G5
“`

Similar Chord Progressions

Few artists tend to use similar chord progressions as their style is highly distinctive. However, some songs from grunge and desert rock genre do employ similar essence owned by Queens of the Stone Age. For instance, Nirvana’s “Smells Like Teen Spirit” has a similar progression in its chorus:

A (‘VI’)
G#5 (‘#V’)
D (‘VII’)
D# (‘VII#’)

Notice the usage of non-diatonic and borrowed chords creating a similar sonic texture. Even though the keys are different, the common usage of chromatic mediants and non-diatonic chords can be clearly seen in both the songs.

Musical Analysis

The inclusion of the G5 and D# Major chords in this progression is very interesting. The G5, is a borrowed chord from the parallel minor key. Borrowed chords are often used in music to add color and disruption to the harmony. In this case, the G5 creates a momentary shift in harmony when it arrives, disrupting the tonality established by the E Major.
Moving on to the D and D# Major chords, these chords are a whole step apart, which creates a chromatic mediant relationship which often brings tension and resolution in a song.

Overall Analysis

“In My Head” is a good example of the band’s signature style, combining elements of rock, punk, and alternative music. The usage of primary chords is fairly standard for rock music, but the inclusion of unexpected chords like G5 and D# adds a complex flavor to the progression making it notably unique amongst other songs within the genre.

Style Analysis

As mentioned earlier, the usage of non-diatonic chords and notes is part of the Queens of the Stone Age’s distinctive style. They aren’t afraid to experiment with unconventional chord progressions, which contributes to the unique sound they’re known for. It’s a mix of grunge, desert rock, and a dash of psychedelic that makes their music instantly recognizable.

Chords in the Chorus section of In My Head by Queens of the Stone Age are:

[‘E’, ‘G5’, ‘D’, ‘D#’]