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Related Music Theory Alchemy

“I Sat By The Ocean” by Queens of The Stone Age is written in E Major key.

“In My Head” is a good example of the band’s signature style, combining elements of rock, punk, and alternative music. The usage of primary chords is fairly standard for rock music, but the inclusion of unexpected chords like G5 and D# adds a complex flavor to the progression making it notably unique amongst other songs within the genre.

The song “The Outsider” by A Perfect Circle has a main key signature of E major, as indicated by the repeated occurrences of the chords B, A, and E. The overall structure is tonal, using chords common in Western music. Some elements of modality are observable though, with the use of the C chord, which in traditional music theory would be considered a borrowed chord from the parallel E minor scale. A sense of tension and release is created through the use of these non-diatonic chords, which ultimately helps to maintain the listener’s interest.

“Closer” by Nine Inch Nails, released in 1994, is a well-known song distinguished by its catchy synth lines, explosive percussion, and provocative lyricism. Hinged on a distinct, repeating synth bassline, the song employs a fundamental chord progression epitomizing the alternative rock and industrial genres. Its tonal centre revolves around the key of C# minor.

“Somewhere Only We Know” by Keane uses a handful of straightforward major and minor chords which contribute to a pop, atmospheric, and emotive sound indicative of the band’s alternative rock aesthetic. The chord progression of the pre-chorus is fairly common and creates a cyclical and slightly unsettled feel that fits well with the song’s lyrical themes of uncertainty and longing for return.

Queens of the Stone Age – I Sat By The Ocean – Pre-Chorus

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Chord Progression

[‘E’, ‘F#’, ‘G#7’]

Chord Progression Analysis

The chords in the pre-chorus are E major, F# minor, and G# dominant 7th. In the key of E major, these chords are represented as follows:

“`
E Major (‘I’)
F# minor (‘ii’)
G#7 (‘III7’)
“`

Here, G#7 is a borrowed chord, as the diatonic chord on the third degree in the key of E Major is normally minor, and not a dominant 7th.

Similar Chord Progressions

One song with a similar chord progression is “Creep” by Radiohead. It uses a I-III-IV-IV progression in the key of G major, represented as follows:

“`
G Major (‘I’)
B Major (‘III’)
C Major (‘IV’)
C Major (‘IV’)
“`
Like “I Sat By The Ocean,” “Creep” also uses a major chord where a minor chord would be expected (the B Major), creating a similar sense of surprise and tension.

Musical Analysis

In a musical sense, this progression provides an interesting twist. The E major to F# minor transition is a common move from the tonic to the supertonic. However, transitioning from F# minor to G#7 is less common, especially in the context of a IV-V-I progression, which would be a typical expectation. This deviation creates surprise and tension, which helps maintain listener interest.

Overall Analysis

“I Sat By The Ocean” by Queens of the Stone Age is in the key of E major and utilizes a mix of diatonic chords (i.e., chords native to the key of E major) and borrowed chords (i.e., chords borrowed from parallel or related keys).

Pre-Chorus

Style Analysis

As a part of the stoner rock genre, Queens of the Stone Age often use unexpected chord progressions, odd time signatures, and unique tonal colors to create their distinctive sound. This chorus progression, with its borrowed chord, fits into this unconventional approach. The F# minor to G#7 creates a sense of “rising tension,” which is common in rock music, but done in a unique, unexpected way.

Chords in the Pre-chorus section of I Sat By The Ocean by Queens of the Stone Age are:

[‘E’, ‘F#’, ‘G#7’]