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“I Sat By The Ocean” by Queens of The Stone Age is written in E Major key.

“In My Head” is a good example of the band’s signature style, combining elements of rock, punk, and alternative music. The usage of primary chords is fairly standard for rock music, but the inclusion of unexpected chords like G5 and D# adds a complex flavor to the progression making it notably unique amongst other songs within the genre.

“Don’t Look Back in Anger” by Oasis, a popular rock ballad, is characterized by its melancholic chord progressions. Its key is major, specifically C Major, but it involves a frequent use of borrowed chords for a touch of bitterness, matching the poignant lyrics.

“Somewhere Only We Know” by Keane uses a handful of straightforward major and minor chords which contribute to a pop, atmospheric, and emotive sound indicative of the band’s alternative rock aesthetic. The chord progression of the pre-chorus is fairly common and creates a cyclical and slightly unsettled feel that fits well with the song’s lyrical themes of uncertainty and longing for return.

“Tiny Dancer” is an iconic song by Elton John from his 1971 album Madman Across the Water. Written in the key of C Major, it genre-wise fits the mold of pop music from the early 1970s. Structurally, the song displays unique nuances, especially in its pre-chorus, which shifts the tonal center and incorporates some borrowed chords from parallel minor scales.

Queens of the Stone Age – I Sat By The Ocean – Pre-Chorus

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Chord Progression

[‘E’, ‘F#’, ‘G#7’]

Chord Progression Analysis

The chords in the pre-chorus are E major, F# minor, and G# dominant 7th. In the key of E major, these chords are represented as follows:

“`
E Major (‘I’)
F# minor (‘ii’)
G#7 (‘III7’)
“`

Here, G#7 is a borrowed chord, as the diatonic chord on the third degree in the key of E Major is normally minor, and not a dominant 7th.

Similar Chord Progressions

One song with a similar chord progression is “Creep” by Radiohead. It uses a I-III-IV-IV progression in the key of G major, represented as follows:

“`
G Major (‘I’)
B Major (‘III’)
C Major (‘IV’)
C Major (‘IV’)
“`
Like “I Sat By The Ocean,” “Creep” also uses a major chord where a minor chord would be expected (the B Major), creating a similar sense of surprise and tension.

Musical Analysis

In a musical sense, this progression provides an interesting twist. The E major to F# minor transition is a common move from the tonic to the supertonic. However, transitioning from F# minor to G#7 is less common, especially in the context of a IV-V-I progression, which would be a typical expectation. This deviation creates surprise and tension, which helps maintain listener interest.

Overall Analysis

“I Sat By The Ocean” by Queens of the Stone Age is in the key of E major and utilizes a mix of diatonic chords (i.e., chords native to the key of E major) and borrowed chords (i.e., chords borrowed from parallel or related keys).

Pre-Chorus

Style Analysis

As a part of the stoner rock genre, Queens of the Stone Age often use unexpected chord progressions, odd time signatures, and unique tonal colors to create their distinctive sound. This chorus progression, with its borrowed chord, fits into this unconventional approach. The F# minor to G#7 creates a sense of “rising tension,” which is common in rock music, but done in a unique, unexpected way.

Chords in the Pre-chorus section of I Sat By The Ocean by Queens of the Stone Age are:

[‘E’, ‘F#’, ‘G#7’]