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Related Music Theory Alchemy

“I Sat By The Ocean” by Queens of The Stone Age is written in E Major key.

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Looking at the entire song and isolating the verse, the chord progression provided shows a rock style often seen in Queens of the Stone Age compositions. The harmonic language of this song and its progression style fall within the realm of Pop / Rock music, with frequent use of minor chords suggesting a somber or introspective mood. On first glance, it appears to contain chords primarily from the key of F# minor, with no obvious borrowings from other keys. However, a closer inspection will allow us to delve deeper into their harmonic function.

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Vance Joy’s “Riptide” is a folk-pop song that presents a unique coupling of simplicity and depth on the musical landscape. The chord progression, in particular the pre-chorus, is relatively straightforward, but it introduces a flavor of complexity thanks to the inclusion of the borrowed chord. The song operates primarily within the key of C major, and maintains a predominantly folk-like, easy listening aesthetic throughout. Its chord progression, while simple, is nonetheless powerful in conveying the song’s desired emotional ambiance.

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“When I Was Your Man” by Bruno Mars is in the key of C major. The song relies heavily on diatonic chords and uses a structure that is common in popular music, especially ballads. It follows conventional diatonic chord progressions and also incorporates non-diatonic chords for added tension and resolution.

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This pre-chorus from Weezer’s “Buddy Holly” features an eight-chord progression in the key of A major. It includes a borrowed chord (Dm) from the parallel minor key (A minor). The harmonic movement consists of alternating D major and C# minor chords, followed by F# minor chords, before returning to the D major root and finally resolving with the borrowed Dm chord. This progression contributes to the energetic, catchy, and upbeat style of the song.

Queens of the Stone Age – I Sat By The Ocean – Pre-Chorus

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Chord Progression

[‘E’, ‘F#’, ‘G#7’]

Chord Progression Analysis

The chords in the pre-chorus are E major, F# minor, and G# dominant 7th. In the key of E major, these chords are represented as follows:

“`
E Major (‘I’)
F# minor (‘ii’)
G#7 (‘III7’)
“`

Here, G#7 is a borrowed chord, as the diatonic chord on the third degree in the key of E Major is normally minor, and not a dominant 7th.

Similar Chord Progressions

One song with a similar chord progression is “Creep” by Radiohead. It uses a I-III-IV-IV progression in the key of G major, represented as follows:

“`
G Major (‘I’)
B Major (‘III’)
C Major (‘IV’)
C Major (‘IV’)
“`
Like “I Sat By The Ocean,” “Creep” also uses a major chord where a minor chord would be expected (the B Major), creating a similar sense of surprise and tension.

Musical Analysis

In a musical sense, this progression provides an interesting twist. The E major to F# minor transition is a common move from the tonic to the supertonic. However, transitioning from F# minor to G#7 is less common, especially in the context of a IV-V-I progression, which would be a typical expectation. This deviation creates surprise and tension, which helps maintain listener interest.

Overall Analysis

“I Sat By The Ocean” by Queens of the Stone Age is in the key of E major and utilizes a mix of diatonic chords (i.e., chords native to the key of E major) and borrowed chords (i.e., chords borrowed from parallel or related keys).

Pre-Chorus

Style Analysis

As a part of the stoner rock genre, Queens of the Stone Age often use unexpected chord progressions, odd time signatures, and unique tonal colors to create their distinctive sound. This chorus progression, with its borrowed chord, fits into this unconventional approach. The F# minor to G#7 creates a sense of “rising tension,” which is common in rock music, but done in a unique, unexpected way.

Chords in the Pre-chorus section of I Sat By The Ocean by Queens of the Stone Age are:

[‘E’, ‘F#’, ‘G#7’]