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“Love of My Life” is a stunning ballad written by Freddie Mercury of Queen. The song is written in the key of A major and is primarily played on piano. It features a sophisticated and somewhat unconventional chord progression that serves as the foundation for Mercury’s versatile vocal performance. It’s arguably one of Queen’s more classical-influenced pieces and makes use of borrowed chord techniques frequently, which are commonly associated with the band’s flirtation with different musical styles, including rock, classical, and opera.

“Bohemian Rhapsody” is a multi-genre masterpiece that incorporates elements of ballad, opera, and hard rock, showcasing Queen’s versatility and musical potential. The song is mainly in the key of Bb major, but it aggressively utilizes modulations, chromaticism, borrowed chords, and modally mixed chords. The given chord progression is from the verse that follows the opera section, here Queen offers an unusual, nuanced chord progression that complements the surrounding sections.

“Something” written by George Harrison from The Beatles majorly follows the key of C major and includes a few borrowed chords. There is a usage of secondary dominants and seventh chords which lend a harmonic complexity to the song. During the course of the song, the chords shift from the major scale to the parallel minor scale.

The Wind Cries Mary by Jimi Hendrix is a rock ballad with elements of blues, featuring a unique and expressive chord progression. The song is in the key of F major and the verse progression consists of 25 chords. The progression is largely diatonic, but includes chromatic lines and borrowed chords, which give the piece a rather unpredictable yet emotive quality.

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The given chord progression is from the fourth verse of “Megalomania” by Muse. It reflects a mix of classical and rock influences and showcases Muse’s signature harmonic choices, featuring borrowed chords and non-diatonic elements.

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Queen – Love Of My Life – Verse 4

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Chord Progression

[‘Bm’, ‘F#m’, ‘G’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘Em’, ‘A’, ‘D’]

Chord Progression Analysis

– B minor (i)
– F# minor (v)
– G Major (VI)
– D Major (III)
– G Major (VI)
– D Major (III)
– B minor (i)
– E minor (iv)
– A Major (VII)
– D Major (III)

The chord progression `G` to `D Major` can be seen as a borrowed chord from the parallel Major key of `B Minor`.

Here is the progression with borrowed chords indicated in code block:
“`B minor – F# minor – G Major (bVI) – D Major (bIII) – G Major (bVI) – D Major (bIII) – B minor – E minor – A Major (VII) – D Major (bIII)“`

Similar Chord Progressions

The Beatles’ song “While My Guitar Gently Weeps” has a similar progression in its verses B minor – A Major – G Major – D Major – G Major – D Major – E Minor (i – VII – VI – III – VI – III – iv). The progression from Bm to Am (i – VII) isn’t present in “Love of My Life”, but the following progression of G Major to D Major and back, resolving to a minor chord is a common thread between both pieces.

Musical Analysis

This song demonstrates Queen’s extensive harmonic and melodic usage, with its chord progression influencing a feeling of romanticism and sophistication. Freddie Mercury (the songwriter) delights in key changes and the use of secondary dominants and borrowed chords, which adds depth and complexity to the music. The usage of the VI – III progression can be seen as a deceptive cadence, where G Major (VI) resolves unexpectedly to D Major (III) rather than the expected minor tonic (i).

Overall Analysis

“Love of My Life” by Queen exhibits a very romantic and classical style, resonant of popular ballads primarily from the classical and romantic periods. The song beautifully plays with complex harmonies, frequent key changes and borrowings from parallel keys (modal mixture), which together yield a dramatic and emotional expression. Many of the chords used, including diminished chords, fully diminished seventh, major-minor seventh chords, and usage of secondary dominants are reminiscent of 19th-century Romantic music.

Style Analysis

The style exhibited in this song is a fusion of 19th-century romantic music and popular music, particularly ballad style. This can be seen with the incorporation of chromatic harmonies, complex chord progressions, and key changes which exude romantic compositional techniques.

Chords in the Verse 4 section of Love Of My Life by Queen are:

[‘Bm’, ‘F#m’, ‘G’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘Em’, ‘A’, ‘D’]