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“Love of My Life” by Queen exhibits a very romantic and classical style, resonant of popular ballads primarily from the classical and romantic periods. The song beautifully plays with complex harmonies, frequent key changes and borrowings from parallel keys (modal mixture), which together yield a dramatic and emotional expression. Many of the chords used, including diminished chords, fully diminished seventh, major-minor seventh chords, and usage of secondary dominants are reminiscent of 19th-century Romantic music.

The key of the song “Good Old Fashioned Lover Boy” by Queen is primarily in C Major. The song employs both diatonic chords (chords that naturally occur within the major scale key) and borrowed chords (chords from a parallel mode). There is a bit of modal mixture where the song borrows from an outside key, specifically the minor key, which is often used in pop music to add color and tension. You can see this in the use of some of the chords here like Fm and Eb7. The piece also utilizes secondary dominant chords and diminished chords. In the bridge, there is modulation to different keys, namely to Fm, which is a parallel minor of F, includes Eb7 (secondary dominant) and Ab (borrowed chord), and goes through sequence of V-I pattern (G7-C).

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“Sour Times” by Portishead is a song with a complex and intriguing chord progression. It blends minor key tonality with modulations and chromaticism to give it a mysterious and brooding atmosphere. The song is primarily in the key of C# minor and features some borrowed chords and inversions that color the overall progression.

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“1979” by The Smashing Pumpkins employs a variety of chords throughout the song, including major, major 7th, and minor 7th chords. The chord progression varies between sections but is based mostly on a mid-tempo groove in the key of E Major. The song utilizes common pop/rock conventions to create a dreamy and nostalgic soundscape, with the juxtaposition of the major and minor 7th chords adding complexity.

“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

Queen – Love Of My Life – Verse 3

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Chord Progression

[‘Bm’, ‘F#m’, ‘G’, ‘D’, ‘F#’, ‘Bm’, ‘F#m’, ‘B’, ‘Cdim’, ‘B’, ‘Em’, ‘A’, ‘D’]

Chord Progression Analysis

Bm (‘ii’), F#m (‘vi’), G (‘bIII’ – borrowed from the minor scale), D (‘I’), F# (‘V/vi’ – secondary dominant), Bm (‘ii’), F#m (‘vi’), B (‘V’), Cdim (‘viio/vi’ – secondary leading-tone chord), B (‘V’), Em (‘ii’), A (‘V’), D (‘I’)

“`Borrowed chord: G (‘bIII’)“`

Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles: [‘Am’, ‘Am/G’, ‘Am/F#’, ‘Am/F’, ‘Am’, ‘G’, ‘D’, ‘E’, ‘C’, ‘C#dim’, ‘Am/C’, ‘G’, ‘D’, ‘E’]
2. “Hotel California” by The Eagles: [‘Bm’, ‘F#’, ‘A’, ‘E’, ‘G’, ‘D’, ‘Em’, ‘F#’]
3. “Blackbird” by The Beatles: [‘G’, ‘G#dim’, ‘A’, ‘Am7’, ‘G/B’, ‘C’, ‘Cm’, ‘G’, ‘C’, ‘D’]

These songs also use a mix of simple and complex harmony including secondary dominants, borrowed chords, and complex chord voicings, similar to “Love Of My Life”. In particular, they all feature a change in tonal centre at some point in their progression, which is a harmonic trait shared with Queen’s composition.

Musical Analysis

The chord progression has a good mix of stability and instability. It starts in D Major, quickly shifts into the relative minor (Bm), and then uses a borrowed chord from the B minor scale (G) to lead back to D Major. This temporary ‘modulation’ into the parallel minor is indicative of Queen’s use of chromatic harmony to add color and contrast to their music. The use of secondary dominants (F# and B) and secondary leading-tone chord (Cdim) further emphasizes tension and release, creating musical interest.

Overall Analysis

“Love Of My Life” by Queen, especially Verse 3, showcases a mix of simple and complex harmony, with many secondary dominants, borrowed chords, and diminished chords contributing to varying and shifting tonal centres. This makes for an emotional and contextually appropriate progression that fits well with the song’s lyrical content.

Style Analysis

Queen often used complex harmony and secondary dominants in their music, which gives their compositions a dramatic and theatrical quality – a feature that is extremely evident in “Love of My Life”. Their use of diminished chords, borrowed chords, and frequent modulation are hallmarks of their unique, rock-based take on classical harmony.

Chords in the Verse 3 section of Love Of My Life by Queen are:

[‘Bm’, ‘F#m’, ‘G’, ‘D’, ‘F#’, ‘Bm’, ‘F#m’, ‘B’, ‘Cdim’, ‘B’, ‘Em’, ‘A’, ‘D’]