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The song, “Sour Times” by Portishead, is in the key of C# minor. The chord progression of the chorus that you’ve provided swings between three chords (F#m7, Emaj7, D#7) four times before ending on a C#m chord. It suggests a II – I – VII progression in the chorus, which is rare and distinctive in contemporary music genres. This choice of chord progression creates a mysterious, dark, and contemplative mood, characteristic of the trip-hop genre that Portishead propounds.

“Sour Times” by Portishead is largely written in the key of C# minor, with elements of modal interchange and chromaticism that contribute to its haunting, dark sound. The song exhibits a remarkable amount of harmonic complexity and non-diatonic harmony, which is a defining characteristic of the trip-hop genre. The piece makes use of intricate inversions and chromatic voice leading, along with a frequent use of sevenths and diminished chords for added tension.

The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.

“Whole Lotta Love” by Led Zeppelin is a hard rock song that was released in 1969. The song features a famous guitar riff with a simple, blues-influenced chord progression. That guitar riff is based on the D and E chords and can be heard throughout the main part of the song. The verse consists of the same primary chords as the riff, with slight variations in the E chord during the iconic “You need cooling” vocal part. The overall harmonic structure of the song with its repeating chords D and E gives it a strong I-V dynamic while staying in the D Mixolydian mode. Additionally, the guitar riff borrows elements of other blues progressions, creating a distinguished sound.

This is simply a repetition of the F major chord, played four times. This does not provide much variety or harmonic interest, but it might create a sense of stability and could be used to produce a strong tonal center.

Portishead – Sour Times – Verse 3

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Chord Progression

[‘C#m’, ‘C’, ‘E/B’, ‘E/G#’, ‘C#m’, ‘C’, ‘E/B’, ‘E/G#’, ‘C#m’, ‘C’, ‘E/B’, ‘E/G#’]

Chord Progression Analysis

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Together, the chords form the following progression:

`C#m – C – E/B – E/G#`

In relation to the C# minor key, they are:

`C#m (‘i’) – C Major (‘♭VII’) – E Major/B (‘III/V’) – E Major/G# (‘III’)`

This repeats and forms the harmonic foundation for the verse of the song.

The `C Major` is a borrowed chord from the parallel key, C# Major. The `E Major/B` and `E Major/G#` are slash chords that implies a melodic movement in the bass.

“`markdown
Borrowed Chord:
C Major (‘♭VII’)
“`

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Similar Chord Progressions

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The use of borrowed chords from the parallel major/minor key is quite common in popular music. Similar chord progressions can be found in the works of Radiohead and The Beatles among others.

For instance, Radiohead’s “Paranoid Android” contains a notable borrowed chord progression: `G – B – C – Cm` in the key of G.

`G Major (‘I’) – B Major (‘III’) – C Major (‘IV’) – C Minor (‘iv’)`

The `B Major` is borrowed from the parallel key, G minor, and the `C Minor` is similarly borrowed from G minor.

The Beatles’ “While My Guitar Gently Weeps” also showcases a borrowed chord: `A – Amaj7 – A7 – D`.

`A Major (‘I’) – A Major 7th (‘I7’) – A Dominant 7th (‘I7’) – D Major (‘IV’)`

Here, the `A Dominant 7th` is borrowed from the parallel minor key, A minor.

Musical Analysis

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The chord progression stands out for its brooding and suspenseful atmosphere, which is heightened by the minor key tonality and the use of a borrowed chord. By borrowing the `C Major` chord from the parallel major key, an interesting contrast is created. This along with the atmospheric textures of the song lends a sense of unease and tension to the music.

The `E Major/B` and `E Major/G#` are slash chords, which indicate a specified bass note other than the root of the chord. In this case, the bass note moves from B to G# while the chord remains the same – E Major. This creates a smooth and intricate bass line within the chord progression.

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Overall Analysis

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“Sour Times” by Portishead is a song with a complex and intriguing chord progression. It blends minor key tonality with modulations and chromaticism to give it a mysterious and brooding atmosphere. The song is primarily in the key of C# minor and features some borrowed chords and inversions that color the overall progression.

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Style Analysis

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“Sour Times” is characteristic of Portishead’s distinctive style, which combines elements of trip hop, downtempo, and electronic music with jazz and film score aesthetics. This chord progression is emblematic of these influences as it uses complex harmonic devices such as borrowed chords and slash chords to create an atmospheric and cinematic musical backdrop.

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Chords in the Verse 3 section of Sour Times by Portishead are:

[‘C#m’, ‘C’, ‘E/B’, ‘E/G#’, ‘C#m’, ‘C’, ‘E/B’, ‘E/G#’, ‘C#m’, ‘C’, ‘E/B’, ‘E/G#’]