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Related Music Theory Alchemy

“Welcome to the Machine” by Pink Floyd is a progressive rock piece that features a rather minimalistic chord progression, with only one chord during the outro. The piece is characterized by its lush soundscape, synthesizer layering, and the use of sound effects to create an atmosphere of a mechanized world.

The second guitar solo in “Comfortably Numb” by Pink Floyd is based on a simple five-chord progression, spanning two diatonic tonalities (i.e., B minor and G major). This progression heavily relies on the B Aeolian mode (or natural minor scale) and showcases the band’s affinity for modal interchange and progressive rock elements.

The chord progression of Verse 1 from Radiohead’s “Motion Picture Soundtrack” features a fairly simple harmony with some unique embellishments. The common use of suspended chords and added extensions give the progression its distinctive atmosphere and modern sound.

The song “3s and 7s” by Queens of the Stone Age is in the key of A# minor. The chord progression predominantly features three chords: A#m, G#, and F. The progression utilizes elements of rock and metal music, characteristic of the band’s style. The composition has a darker feel brought by the use of minor chords and dropped tuning, which is frequently employed in harder styles of rock music.

“Purple Haze” by Jimi Hendrix is a classic rock song centered around the blues and psychedelic rock styles. The verse features an interesting and unconventional chord progression, which adds to the distinctive sound of the piece. The verse progression itself consists of four chords: E7#9, G, A, and E.

Pink Floyd – Welcome To The Machine – Verse 1

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Chord Progression

Em, Cmaj7, Emadd9, C, Am, Em, C, Emadd9, C, Em, Em, Cmaj7, Emadd9

Chord Progression Analysis

Em (i) – Cmaj7 (VI) – Emadd9 (iadd9) – C (VI) – Am (iv) – Em (i) – C (VI) – Emadd9 (iadd9) – C (VI) – Em (i) – Em (i) – Cmaj7 (VI) – Emadd9 (iadd9)

Similar Chord Progressions

1) Radiohead – “Exit Music (For a Film)”
Am (i) – Am(add9) – Dmaj7 (IV) – Fmaj7 (VI) – E (V) – Am/E (i)

2) David Bowie – “Space Oddity”
Em (i) – Emadd9 (iadd9) – Em7/A (♭III) – Cmaj7 (VI) – Em (i)

These songs share a similar atmosphere and use of extended or borrowed chords to create a distinctive sound. While not identical to Welcome To The Machine, they exemplify artists’ exploration of chord progressions that venture beyond simple diatonic harmonies to produce emotionally evocative music.

Musical Analysis

The progression starts with Em (i), which establishes the tonality of the piece. The following chord, Cmaj7 (VI), is a borrowed chord from the E Aeolian mode, adding a sense of depth and richness to the progression. The next chord, Emadd9 (iadd9), is an addition of the 9th degree to the tonic chord, creating a more ambiguous and dreamy texture.

The progression continues with a series of diatonic chords, such as C (VI) and Am (iv), reinforcing the tonal center around E minor. The repeated use of Emadd9 (iadd9) throughout the progression further accentuates the emotional and ethereal atmosphere of the piece.

Overall Analysis

The chord progression in Welcome To The Machine by Pink Floyd features a combination of diatonic chords and some extensions to create a lush, ethereal sound. The progression mainly circulates around the key of E minor, with added color tones and an emotional center created by the interplay of chords such as the major 7th and the addition of the 9th degree to certain chords.

Style Analysis

Pink Floyd is known for their unique approach to songwriting and their experimental use of harmony and texture. This particular chord progression exemplifies their affinity for creating lush soundscapes and using unexpected chord extensions or borrowed chords to evoke strong emotional reactions. The signature sounds of their extended guitar solos and atmospheric synths also significantly contribute to the overall character and identity of this piece.

Chords in the Verse 1 section of Welcome To The Machine by Pink Floyd are:

Em, Cmaj7, Emadd9, C, Am, Em, C, Emadd9, C, Em, Em, Cmaj7, Emadd9