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Related Music Theory Alchemy

“Welcome to the Machine” by Pink Floyd is a progressive rock piece that features a rather minimalistic chord progression, with only one chord during the outro. The piece is characterized by its lush soundscape, synthesizer layering, and the use of sound effects to create an atmosphere of a mechanized world.

The chord progression in the chorus of “Breathe” by Pink Floyd is a non-diatonic progression, meaning it does not strictly follow a specific key. The progression features some borrowed chords and a dominant seventh alteration. The style is influenced by blues and jazz, with a relaxed and reflective mood.

Chorus 1

The chord progression in Muse’s “Feeling Good” is in the key of G minor and showcases an interesting and creative use of borrowed chords and inversions. The progression follows a cyclical pattern that creates tension and release throughout the verse. The style is reminiscent of soul and jazz influences with a hint of rock elements, which is a common characteristic in Muse’s music.

“Right Where It Belongs” by Nine Inch Nails features a non-diatonic chord progression that creates a sense of tension and resolution. The progression makes use of borrowed chords from parallel keys, contributing to its distinctive sound. The overall key of the song is D minor.

“The Long and Winding Road” by The Beatles is an iconic pop ballad renowned for its rich harmonic content. It employs both modal interchange and secondary dominants, thus securing its place as an exemplary piece in pop music harmony. Its dominant tonality is D Major, however, it makes use of many borrowed chords.

Pink Floyd – Welcome To The Machine – Verse 1

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Chord Progression

Em, Cmaj7, Emadd9, C, Am, Em, C, Emadd9, C, Em, Em, Cmaj7, Emadd9

Chord Progression Analysis

Em (i) – Cmaj7 (VI) – Emadd9 (iadd9) – C (VI) – Am (iv) – Em (i) – C (VI) – Emadd9 (iadd9) – C (VI) – Em (i) – Em (i) – Cmaj7 (VI) – Emadd9 (iadd9)

Similar Chord Progressions

1) Radiohead – “Exit Music (For a Film)”
Am (i) – Am(add9) – Dmaj7 (IV) – Fmaj7 (VI) – E (V) – Am/E (i)

2) David Bowie – “Space Oddity”
Em (i) – Emadd9 (iadd9) – Em7/A (♭III) – Cmaj7 (VI) – Em (i)

These songs share a similar atmosphere and use of extended or borrowed chords to create a distinctive sound. While not identical to Welcome To The Machine, they exemplify artists’ exploration of chord progressions that venture beyond simple diatonic harmonies to produce emotionally evocative music.

Musical Analysis

The progression starts with Em (i), which establishes the tonality of the piece. The following chord, Cmaj7 (VI), is a borrowed chord from the E Aeolian mode, adding a sense of depth and richness to the progression. The next chord, Emadd9 (iadd9), is an addition of the 9th degree to the tonic chord, creating a more ambiguous and dreamy texture.

The progression continues with a series of diatonic chords, such as C (VI) and Am (iv), reinforcing the tonal center around E minor. The repeated use of Emadd9 (iadd9) throughout the progression further accentuates the emotional and ethereal atmosphere of the piece.

Overall Analysis

The chord progression in Welcome To The Machine by Pink Floyd features a combination of diatonic chords and some extensions to create a lush, ethereal sound. The progression mainly circulates around the key of E minor, with added color tones and an emotional center created by the interplay of chords such as the major 7th and the addition of the 9th degree to certain chords.

Style Analysis

Pink Floyd is known for their unique approach to songwriting and their experimental use of harmony and texture. This particular chord progression exemplifies their affinity for creating lush soundscapes and using unexpected chord extensions or borrowed chords to evoke strong emotional reactions. The signature sounds of their extended guitar solos and atmospheric synths also significantly contribute to the overall character and identity of this piece.

Chords in the Verse 1 section of Welcome To The Machine by Pink Floyd are:

Em, Cmaj7, Emadd9, C, Am, Em, C, Emadd9, C, Em, Em, Cmaj7, Emadd9