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“Welcome to the Machine” by Pink Floyd is a progressive rock piece that features a rather minimalistic chord progression, with only one chord during the outro. The piece is characterized by its lush soundscape, synthesizer layering, and the use of sound effects to create an atmosphere of a mechanized world.

“Wish You Were Here” by Pink Floyd is a classic rock ballad from their 1975 album of the same name. The song features an introspective and expressive melody with a predominantly acoustic instrumentation. The chord progression for Verse 2 demonstrates a blend of diatonic and non-diatonic chords, with borrowed chords from parallel modes, which adds to the emotional depth of the piece.

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“Zombie” by The Cranberries features a relatively commonly used chord progression in pop/rock music, often referred to as a ‘vi-IV-I-V’ progression. This chord progression, in this particular case, is in the key of G Major and is made up of four chords: Em, C, G, and D/F#.

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The chord progression in the verse of “Apocalypse Please” by Muse is mostly based on the F#m and C# chords, with a strong emphasis on the i and V7 relationship. The progression moves back and forth between these two chords without straying far from the Tonality of F# minor while maintaining a tension and release structure.

“Heart Is A Drum” by Beck is a simple, yet emotional and effective piece, written in the key of C major. The chord progression of the verse revolves around the tonic (C) and the subdominant (Dm7), resulting in a gentle, down-to-earth feel, characteristic of Beck’s folk and alternative music influences.

Pink Floyd – Welcome To The Machine – Verse 1

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Chord Progression

Em, Cmaj7, Emadd9, C, Am, Em, C, Emadd9, C, Em, Em, Cmaj7, Emadd9

Chord Progression Analysis

Em (i) – Cmaj7 (VI) – Emadd9 (iadd9) – C (VI) – Am (iv) – Em (i) – C (VI) – Emadd9 (iadd9) – C (VI) – Em (i) – Em (i) – Cmaj7 (VI) – Emadd9 (iadd9)

Similar Chord Progressions

1) Radiohead – “Exit Music (For a Film)”
Am (i) – Am(add9) – Dmaj7 (IV) – Fmaj7 (VI) – E (V) – Am/E (i)

2) David Bowie – “Space Oddity”
Em (i) – Emadd9 (iadd9) – Em7/A (♭III) – Cmaj7 (VI) – Em (i)

These songs share a similar atmosphere and use of extended or borrowed chords to create a distinctive sound. While not identical to Welcome To The Machine, they exemplify artists’ exploration of chord progressions that venture beyond simple diatonic harmonies to produce emotionally evocative music.

Musical Analysis

The progression starts with Em (i), which establishes the tonality of the piece. The following chord, Cmaj7 (VI), is a borrowed chord from the E Aeolian mode, adding a sense of depth and richness to the progression. The next chord, Emadd9 (iadd9), is an addition of the 9th degree to the tonic chord, creating a more ambiguous and dreamy texture.

The progression continues with a series of diatonic chords, such as C (VI) and Am (iv), reinforcing the tonal center around E minor. The repeated use of Emadd9 (iadd9) throughout the progression further accentuates the emotional and ethereal atmosphere of the piece.

Overall Analysis

The chord progression in Welcome To The Machine by Pink Floyd features a combination of diatonic chords and some extensions to create a lush, ethereal sound. The progression mainly circulates around the key of E minor, with added color tones and an emotional center created by the interplay of chords such as the major 7th and the addition of the 9th degree to certain chords.

Style Analysis

Pink Floyd is known for their unique approach to songwriting and their experimental use of harmony and texture. This particular chord progression exemplifies their affinity for creating lush soundscapes and using unexpected chord extensions or borrowed chords to evoke strong emotional reactions. The signature sounds of their extended guitar solos and atmospheric synths also significantly contribute to the overall character and identity of this piece.

Chords in the Verse 1 section of Welcome To The Machine by Pink Floyd are:

Em, Cmaj7, Emadd9, C, Am, Em, C, Emadd9, C, Em, Em, Cmaj7, Emadd9