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Related Music Theory Alchemy

The chord progression in Verse 2 of Pink Floyd’s “Welcome to the Machine” is a complex and somewhat unconventional progression. It primarily features chords from the E natural minor scale, with some borrowed chords from the parallel E major scale. The progression creates an atmospheric and moody soundscape that is characteristic of Pink Floyd’s music, especially in their album “Wish You Were Here.” It also displays a certain level of sophistication in the harmony which underscores Pink Floyd’s musical depth.

“Wish You Were Here” by Pink Floyd is a classic rock ballad from their 1975 album of the same name. The song features an introspective and expressive melody with a predominantly acoustic instrumentation. The chord progression for Verse 2 demonstrates a blend of diatonic and non-diatonic chords, with borrowed chords from parallel modes, which adds to the emotional depth of the piece.

“God Only Knows” by The Beach Boys is one of their most well-known pieces and a primary example of the sophisticated harmonic writing characteristic of the group’s 1966 “Pet Sounds” record. This piece is particularly designed in the key of A major. The Outro of the song includes the following chords: ‘A’, ‘E/G#’, ‘F#m7’, ‘E/G#’ and many other chords throughout the song with complex chord changes that might not be typical in a pop song, but are characteristic of the band’s sound.

“Yellow” by Coldplay is in the key of G major and employs a mix of diatonic chords, extended chords such as the seventh chords, and the occasional borrowed chord from G minor. The progression presents variations of a common IV-V-I pattern seen in pop and rock music.

“Somewhere Only We Know” by Keane is a softly and tenderly written song that rests primarily on the key of C Major. However, it uses a fair amount of borrowed chords from the parallel minor key, giving it a warm, melancholic tone, which is typical of many pop ballads.

Pink Floyd – Welcome To The Machine – Outro

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Chord Progression

Em

Chord Progression Analysis

The chord progression in the outro is very simple, consisting of only one chord:
Em (‘i’)

Since there is only one chord in this progression, there are no borrowed chords.

Similar Chord Progressions

While single-chord songs are not very common, here are some examples of other songs that feature a repeating single chord throughout:

1. The Beatles – “Tomorrow Never Knows”
Chord progression: C Major (‘I’)

2. The Velvet Underground – “Heroin”
Chord progression: D Major / D5 (‘I’)

3. Neil Young – “Dead Man Theme”
Chord progression: Dm (‘i’)

4. Brian Eno – “1/1” (from “Ambient 1: Music for Airports”)
Chord progression: F#m (‘i’)

Please note that these songs may not have the same progression throughout the entire piece but showcase prominent sections with a single chord as their basis.

Musical Analysis

The outro’s single-chord repetition establishes a hypnotic, drone-like quality, which is enhanced by various ambient soundscapes and textures. This evokes a sense of being lost or trapped in the machine, with no resolution or escape. The use of a minor chord (Em) gives a melancholic and unsettling feel, further adding to the oppressive atmosphere of the track.

Overall Analysis

“Welcome to the Machine” by Pink Floyd is a progressive rock piece that features a rather minimalistic chord progression, with only one chord during the outro. The piece is characterized by its lush soundscape, synthesizer layering, and the use of sound effects to create an atmosphere of a mechanized world.

Style Analysis

As a progressive rock band, Pink Floyd is known for their experimental and innovative approach to music making, blending various styles and genres. “Welcome to the Machine” showcases their affinity for electronic music, with the extensive use of synthesizers and sound manipulation. The minimalistic chord progression reflects their willingness to step away from the conventional rock and pop templates, allowing them to create something more atmospheric and evocative.

Chords in the Outro section of Welcome To The Machine by Pink Floyd are:

Em