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Related Music Theory Alchemy

“Comfortably Numb” by Pink Floyd is a classic progressive rock song from their 1979 concept album “The Wall”. It features unique chord progressions, ambient guitar tones, and an atmospheric vocal performance. This particular verse progression is inspired by the Dorian mode, contributing to its melancholic and introspective atmosphere.

“All You Need Is Love” is in the key of G major. The song primarily uses the chords within the key signature and has a relatively simple harmonic structure. However, the song does utilize a few distinct chord choices that contribute to its unique sonic character. The song applies modal interchange with an inclusion of A minor from the G Mixolydian mode and the D7 and D6 which evoke a hint of the D Mixolydian mode.

Paranoid Android is a progressive rock song by Radiohead from their album “OK Computer.” The song features various time signature changes, complex harmonic structures, and a blend of distorted guitar tones and strings. The given chords belong to the first verse of the song. The overall tonality of the song is predominantly centered around the C minor key. However, there are some instances of borrowed chords and chromaticism in the chord progression, which adds tension and an unstable quality to the music.

“Hey Jude,” by The Beatles, is an iconic song. The chord progression is in the key of D major and it follows a sort of Variation on I-V-IV-I progression of many pop and rock songs. However, what makes this song extremely unique is its out-of-the-box structure and the experimental use of borrowed cords – it shows The Beatles’ fondness for combining elements of pop, rock and classical music and results in an emotional, powerful progression that resonates strongly with listeners.

Pink Floyd – Us And Them – Verse

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Chord Progression

Dsus2, Esus2/D, Faug/D, G/D, Dsus2, Esus2/D, Faug/D, G/D

Chord Progression Analysis

Here are the full chord names and their Roman numerals:

Dadd9 (I) – Esus2/D (‘II’) – D+6 (I+6) – G/D (IV) – Dadd9 (I) – Esus2/D (‘II’) – D+6 (I+6) – G/D (IV)

Similar Chord Progressions

It’s challenging to find chord progressions that are very similar to “Us and Them” because of its uniqueness. However, here is an example of a slightly similar chord progression, which also makes use of non-diatonic chords and slash chords:

“Everybody Wants to Rule the World” by Tears for Fears:

Dsus2 (I) – G/D (IV) – A7sus4 (V7sus4) – G/D (IV) – Dsus2 (I)

In this progression, we can observe a focus on extended and suspended chords that provide a floating feel like the one found in “Us and Them.” While the progressions aren’t exactly the same, they share a common approach to creating a lush harmonic landscape.

Musical Analysis

The chords in the progression are predominantly from D Mixolydian mode, which is the fifth mode of G Major. The main deviation from the D Mixolydian mode is the Esus2/D chord, making it a borrowed chord. The chord progression starts with the Dadd9, a sus2 chord, establishing the tonality in D. It then moves to Esus2/D, a non-diatonic chord, which adds an unexpected touch to the progression. Following this, we have the Faug/D (D+6) chord, an augmented chord that creates tension that resolves when it moves to G/D, a standard IV chord in D Mixolydian mode.

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Borrowed Chords: Esus2/D
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Overall Analysis

The Verse of “Us and Them” by Pink Floyd showcases a unique and non-diatonic chord progression that focuses on D mixolydian mode with added sus2 chords and an augmented chord. It deviates from traditional harmony patterns and creates a spacious, floating feel. The chords occur in a consistent pattern and are mostly slash chords with the constant presence of the D note in the bass, which further strengthens the D tonality.

Style Analysis

The chord progression in “Us and Them” exhibits Pink Floyd’s signature style, often characterized by their use of non-diatonic and extended chords, which create a sense of spaciousness and ethereal soundscapes. The use of the D note in the bass throughout the progression adds a pedal point that gives the progression a sense of stability, despite the non-diatonic chords and the tension created by the augmented chord. The sus2 chords further contribute to the atmospheric quality of the music.

Chords in the Verse section of Us And Them by Pink Floyd are:

Dsus2, Esus2/D, Faug/D, G/D, Dsus2, Esus2/D, Faug/D, G/D