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Related Music Theory Alchemy

“Time” by Pink Floyd is a progressive rock song from their iconic album, The Dark Side of the Moon (1973). The listed chords form the harmonic basis of the chorus section. The harmony is characterized by diatonic major seventh chords, interspersed with a few borrowed chords. The chorus features a fluctuating major/minor tonality, giving the song an emotional and contemplative feel.

“Wish You Were Here” by Pink Floyd is a classic rock ballad from their 1975 album of the same name. The song features an introspective and expressive melody with a predominantly acoustic instrumentation. The chord progression for Verse 2 demonstrates a blend of diatonic and non-diatonic chords, with borrowed chords from parallel modes, which adds to the emotional depth of the piece.

The chord progression in Verse 3 of “Congratulations” by MGMT features a mix of diatonic and non-diatonic chords. The song appears to be in G major, and the progression showcases several common techniques such as the use of inversions (G/F#), borrowed chords (Dsus4), and extended chords (Em7).

** The chord progression in Verse 3 of Radiohead’s “Fake Plastic Trees” is a combination of diatonic and non-diatonic chords in the key of A major, featuring the use of suspended chords, 9th chords, and 6th chords. The progression has a tonally ambiguous and ethereal quality, which is characteristic of Radiohead’s style.

**

“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

Pink Floyd – Time – Verse 3

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Chord Progression

Em7, A, Em7, A, Em7, A, Em7, A, Cmaj7, Bm7, Fmaj7, G, D7#9, D7b9, Bm

Chord Progression Analysis

Here is the chord progression with full chord names and their Roman numerals:
“`
E minor 7 (‘i7’),
A major (‘IV’),
E minor 7 (‘i7’),
A major (‘IV’),
E minor 7 (‘i7’),
A major (‘IV’),
E minor 7 (‘i7’),
A major (‘IV’),
C major 7 (‘VI7’),
B minor 7 (‘v7’),
F major 7 (‘♭II7’),
G major (‘III’),
D7#9 (‘♭V7#9’),
D7b9 (‘♭V7♭9’),
B minor (‘v’)
“`

Borrowed Chord:
“`
Fmaj7 (‘♭II7’)
— Borrowed from the E Phrygian mode
“`

Similar Chord Progressions

1. Radiohead – “Paranoid Android”:
“`
A minor (‘i’),
G minor (‘♭III’),
F major 7 (‘VI7’),
F minor/M7 (‘vi7’),
A minor (‘i’)
“`

2. The Beatles – “Strawberry Fields Forever”:
“`
E minor (‘i’),
D major (‘VII’),
G major (‘III’),
A major (‘IV’)
“`

3. Genesis – “Firth of Fifth”:
“`
A minor (‘i’),
G major (‘VII’),
F major (‘VI’),
E minor (‘v’)
“`

Musical Analysis

This chord progression starts with a pattern of alternating between the Em7 and A chords, creating a sense of uncertainty and suspense. It then moves into the Cmaj7, which functions as a pivot to the v7 chord (Bm7). Following this, the Fmaj7 (borrowed from E Phrygian mode) creates a sense of tension before leading to the G major chord, providing resolution. The progression ends with two altered dominant chords, D7#9 and D7b9, further increasing the tension before ultimately resolving to B minor.

Overall Analysis

“Time” by Pink Floyd is a progressive rock piece characterized by its reflective lyrics, syncopated rhythms, and distinctive use of chromaticism and modality. This chord progression takes place in the third verse of the song, where the harmonic structure is more complex and features borrowed chords, creating a sense of tension and resolution, reflecting the lyrics and conveying emotions of nostalgia and regret.

Style Analysis

“Time” is a prime example of Pink Floyd’s progressive rock style. The song features complex harmonies, explorations of non-diatonic chords, and unconventional chord progressions. The song also showcases the band’s penchant for using meaningful lyrics and storytelling, as well as blending rock and psychedelic elements with lush orchestration.

Chords in the Verse 3 section of Time by Pink Floyd are:

Em7, A, Em7, A, Em7, A, Em7, A, Cmaj7, Bm7, Fmaj7, G, D7#9, D7b9, Bm