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Related Music Theory Alchemy

“Time” by Pink Floyd is a progressive rock song that features an uncommon chord progression with some unique harmonic choices. The Verse 2 progression has a strong sense of tonal ambiguity and the chords often fluctuate between major and minor tonalities. This contributes to the emotional depth and complexity of the song, which is characteristic of Pink Floyd’s music.

The chord progression in Verse 2 of Pink Floyd’s “Welcome to the Machine” is a complex and somewhat unconventional progression. It primarily features chords from the E natural minor scale, with some borrowed chords from the parallel E major scale. The progression creates an atmospheric and moody soundscape that is characteristic of Pink Floyd’s music, especially in their album “Wish You Were Here.” It also displays a certain level of sophistication in the harmony which underscores Pink Floyd’s musical depth.

The chord progression in Verse 3 of “Congratulations” by MGMT features a mix of diatonic and non-diatonic chords. The song appears to be in G major, and the progression showcases several common techniques such as the use of inversions (G/F#), borrowed chords (Dsus4), and extended chords (Em7).

“Give Me The Night” by George Benson features a smooth jazz and funk-influenced style. The chord progression in Verse 3 demonstrates a strong use of extended and altered chords, which create a richer texture and interesting harmonic movement. This particular chord progression is reminiscent of other popular songs from the same period and genre, displaying the influence of jazz harmony on contemporary R&B and pop music.

“And I Love Her” is a masterful composition by The Beatles that beautifully demonstrates their ability to mix pop songwriting with complexities of harmonic journey. The song is in the key of E Major, which is unique for being a popular song written by the Beatles in a major key. The main repeating chord progression of the Verse 3 is a progression that modulates between F# minor (the relative minor of A Major, which is the subdominant of E Major), and C# minor (the relative minor of E Major, the original key). The progression’s use of E6 at the end, which is a borrowed chord from the parallel minor (E minor), adds a unique flavor of sixth interval. Finally, it concludes on E6, a somewhat uncommon way to ground a song within a major key.

Pink Floyd – Time – Verse 3

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Chord Progression

Em7, A, Em7, A, Em7, A, Em7, A, Cmaj7, Bm7, Fmaj7, G, D7#9, D7b9, Bm

Chord Progression Analysis

Here is the chord progression with full chord names and their Roman numerals:
“`
E minor 7 (‘i7’),
A major (‘IV’),
E minor 7 (‘i7’),
A major (‘IV’),
E minor 7 (‘i7’),
A major (‘IV’),
E minor 7 (‘i7’),
A major (‘IV’),
C major 7 (‘VI7’),
B minor 7 (‘v7’),
F major 7 (‘♭II7’),
G major (‘III’),
D7#9 (‘♭V7#9’),
D7b9 (‘♭V7♭9’),
B minor (‘v’)
“`

Borrowed Chord:
“`
Fmaj7 (‘♭II7’)
— Borrowed from the E Phrygian mode
“`

Similar Chord Progressions

1. Radiohead – “Paranoid Android”:
“`
A minor (‘i’),
G minor (‘♭III’),
F major 7 (‘VI7’),
F minor/M7 (‘vi7’),
A minor (‘i’)
“`

2. The Beatles – “Strawberry Fields Forever”:
“`
E minor (‘i’),
D major (‘VII’),
G major (‘III’),
A major (‘IV’)
“`

3. Genesis – “Firth of Fifth”:
“`
A minor (‘i’),
G major (‘VII’),
F major (‘VI’),
E minor (‘v’)
“`

Musical Analysis

This chord progression starts with a pattern of alternating between the Em7 and A chords, creating a sense of uncertainty and suspense. It then moves into the Cmaj7, which functions as a pivot to the v7 chord (Bm7). Following this, the Fmaj7 (borrowed from E Phrygian mode) creates a sense of tension before leading to the G major chord, providing resolution. The progression ends with two altered dominant chords, D7#9 and D7b9, further increasing the tension before ultimately resolving to B minor.

Overall Analysis

“Time” by Pink Floyd is a progressive rock piece characterized by its reflective lyrics, syncopated rhythms, and distinctive use of chromaticism and modality. This chord progression takes place in the third verse of the song, where the harmonic structure is more complex and features borrowed chords, creating a sense of tension and resolution, reflecting the lyrics and conveying emotions of nostalgia and regret.

Style Analysis

“Time” is a prime example of Pink Floyd’s progressive rock style. The song features complex harmonies, explorations of non-diatonic chords, and unconventional chord progressions. The song also showcases the band’s penchant for using meaningful lyrics and storytelling, as well as blending rock and psychedelic elements with lush orchestration.

Chords in the Verse 3 section of Time by Pink Floyd are:

Em7, A, Em7, A, Em7, A, Em7, A, Cmaj7, Bm7, Fmaj7, G, D7#9, D7b9, Bm