Music Theory Alchemy

Search

Related Music Theory Alchemy

“Hey You” by Pink Floyd is a prog-rock song featured on their iconic album, “The Wall.” Its chord progression showcases a unique blend of chords that creates a sense of yearning and emotional intensity. The use of borrowed chords from parallel keys enhances the song’s emotive quality, and the overall structure shows a level of harmonic sophistication typical of Pink Floyd’s work.

“Welcome to the Machine” by Pink Floyd is a progressive rock piece that features a rather minimalistic chord progression, with only one chord during the outro. The piece is characterized by its lush soundscape, synthesizer layering, and the use of sound effects to create an atmosphere of a mechanized world.

The chord progression of the Verse 3 in the song “California Kids” by Weezer features a blend of diatonic and chromatic chords in the key of C major, exhibiting a classic pop-rock feel with some variations in the chord structure. The progression also showcases the use of chromatic bass motion to add harmonic interest.

“Penny Lane” by The Beatles is an eclectic and elegant piece of music evident in its rhythm, harmony, melody, and lyrics. It is predominantly in the key of A Major, but it has several key changes and introduces chords that are non-diatonic, giving it a progressive and unexpected feel.

** The chord progression in Verse 3 of Radiohead’s “Fake Plastic Trees” is a combination of diatonic and non-diatonic chords in the key of A major, featuring the use of suspended chords, 9th chords, and 6th chords. The progression has a tonally ambiguous and ethereal quality, which is characteristic of Radiohead’s style.

**

Pink Floyd – Hey You – Verse 3

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

Emadd9, Bm, Emadd9, Bm, D, G, D, C, Bm, Am, Emadd9

Chord Progression Analysis

– Emadd9 (iadd9)
– Bm (v)
– Emadd9 (iadd9)
– Bm (v)
– D (VII)
– G (III)
– D (VII)
– C (VI)
– Bm (v)
– Am (`iv`)
– Emadd9 (iadd9)

Similar Chord Progressions

1. “Stairway to Heaven” by Led Zeppelin: Am (i), G (VII), F (`VI`), Am (i), C (III), D (IV), Fmaj7 (`VI^7`), Am (i)
2. “Blackbird” by The Beatles: G (III), Em (i), C (VI), G/B (III`64`), A (`VII`), D (VII), G+ (chromatic passing chord), `A^(-7)↘`, Em7 (i7)

In these examples, both songs feature chord progressions that blend diatonic chords and borrowed chords, creating a sense of depth and evoking emotions that are a hallmark of great songwriting. Additionally, the use of extensions, such as add9 and maj7 chords, contributes to the overall mood and complexity of the music, as seen in “Hey You” by Pink Floyd.

Musical Analysis

The verse starts with an Emadd9 chord as the tonic, giving a sense of minor tonality while adding color with the added 9th. This immediately sets a moody atmosphere. The progression moves to a Bm chord, which is the v chord in E minor. The alternation between Emadd9 and Bm creates a sense of yearning and tension.

The next chord is D major (VII), which is a borrowed chord from E Mixolydian and has a strong pull to the G major (III) chord that follows. This adds some brightness to the progression. Following G major is a return to the D major (VII) chord and a transition to the C major (VI) chord, which gives a sense of a plagal cadence, often found in pop and rock music.

After that, the progression moves to Bm (v) and Am (`iv`), which is a borrowed chord from the E Phrygian scale. This adds some darkness and intrigue to the progression, enhancing the overall moodiness. Finally, the progression resolves back to the Emadd9 (iadd9) chord, giving a sense of closure while still maintaining a lingering tension due to the added 9th.

Overall Analysis

“Hey You” by Pink Floyd is a progressive rock song from the concept album “The Wall.” The song is characterized by its atmospheric sound created through a combination of acoustic and electric guitars, haunting vocals, and a variety of effects. The chord progression of Verse 3 is interesting as it features a mix of diatonic chords, borrowed chords, and extensions such as the add9 chords that contribute to the song’s unique sound.

Style Analysis

“Hey You” exemplifies Pink Floyd’s unique approach to progressive rock, which often involves blending minor tonalities with added note chords to create an emotive atmosphere. The use of borrowed chords, such as the D major and Am chords, adds interest and emphasizes the unconventional nature of the music, which is a defining feature of progressive rock.

Chords in the Verse 3 section of Hey You by Pink Floyd are:

Emadd9, Bm, Emadd9, Bm, D, G, D, C, Bm, Am, Emadd9