Search

Related Music Theory Alchemy

“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album, “The Wall.” It is known for its haunting, ethereal quality, achieved through the use of predominantly minor chords, lush harmonies, and a slow, atmospheric tempo. The song’s lyrics and melancholic mood reflect feelings of loss and desolation.

The chord progression in the bridge of “Hey You” by Pink Floyd is a relatively simple progression that revolves around the C Major and G Major chords, with brief appearances of D Major and E minor add9 chords. The piece showcases Pink Floyd’s signature progressive rock style, with steady changes between chords and a sense of tension and release.

“Feeling Good” by Muse is a cover of the song originally written by Anthony Newley and Leslie Bricusse for the 1964 musical “The Roar of the Greasepaint – The Smell of the Crowd”. Muse’s version is characterized by its distinct blend of jazz, rock, and pop influences, with strong orchestration and stylistically unique elements that give the song a modern edge while still paying homage to its classic roots.

“Maxwell’s Silver Hammer” is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by Paul McCartney. The song is primarily in the key of D Major and exhibits a mix of major, minor, and dominant seventh chords. This verse progression manifests the distinctive Beatles’ sound which often includes chromaticism and prevalence of secondary dominants that link the chords together, giving a smooth flow and color to the harmonic progression.

The chord progression in verse 2 of Stephen Sanchez’s “Until I Found You” is tonal and grounded in the key of G major throughout. The progression follows a strong, clearly structured pattern with repeated use of the G, Bm, C chords and a concluding D chord used to transition to the following sections. Stephen Sanchez makes significant use of the I-iii-IV chord progression in G major (G-Bm-C), which gives the song its flowing, harmonically stable character.

Pink Floyd – Goodbye Blue Sky – Verse 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

D, A7/D, G/D, D, A7/D, G/D, D, D, Am/D

Chord Progression Analysis

D (I) – A7/D (V7/IV) – G/D (IV) – D (I) – A7/D (V7/IV) – G/D (IV) – D (I) – D (I) – Am/D (i/IV)

Similar Chord Progressions

1. The Beatles – “Lucy in the Sky with Diamonds”
Chord progression: A (I) – A7 (V7) – D (IV) – Bb (bIII) – A (I)

2. Radiohead – “Paranoid Android”
Chord progression: Gm (i) – Cm/G (iv) – A7 (V7/V) – D (V) – Gm (i)

In both examples, non-diatonic chords and borrowed chords are used similarly to “Goodbye Blue Sky.” These chord progressions create a sense of tension and release, contributing to their respective atmospheric and emotional soundscapes.

Musical Analysis

The verse progression follows a prevalent pattern in popular music: I-IV-I. The D, G/D, and A7/D chords serve as the primary harmony for this verse in the key of D major. However, there is a notable non-diatonic chord – Am/D. This borrowed chord comes from D minor (the parallel minor) and is used to create an unexpected shift in harmony and add a sense of tension in the music. The pedal tone (the constant D note in the bass) also contributes to the overall sense of stability while allowing the chords above to change their tonality.

Overall Analysis

“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album “The Wall.” It is a progressive rock piece with acoustic guitar and vocal harmony that creates a haunting and atmospheric sound. The chord progression in Verse 2 demonstrates the use of non-diatonic chords, pedal tones, and borrowed chords, giving it a sense of tension and release. This unique combination of chords contributes to the overall distinctive mood of the song.

Style Analysis

“Goodbye Blue Sky” showcases Pink Floyd’s signature style of progressive rock with elements of folk and psychedelic rock. The use of acoustic guitar and vocal harmony gives a haunting, dream-like atmosphere, which suits the themes of war and destruction in the song lyrics. The utilization of borrowed chords and pedal tones adds to the progressive nature of the music, pushing the boundaries of conventional chord progressions.

Chords in the Verse 2 section of Goodbye Blue Sky by Pink Floyd are:

D, A7/D, G/D, D, A7/D, G/D, D, D, Am/D