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Related Music Theory Alchemy

“Goodbye Blue Sky” by Pink Floyd is a beautifully haunting piece with a chord progression that demonstrates their innovative use of borrowed chords and modulation to explore various tonal centers. The song is generally in the key of A minor.

The chord progression from verse 3 of Pink Floyd’s “Wish You Were Here” is in the key of C major and shows a mix of diatonic chords and borrowed chords. The progression creates a sense of smooth journey and has a certain melancholic yet uplifting character.

** The Beatles are well known for their creative and unusual use of chords and harmonies. In “Lucy in The Sky With Diamonds”, there is a clear example of their innovative harmonic vocabulary. They employ a variety of common, borrowed, and chromatic mediant chords to create a remarkable soundscape that complements the psychedelic theme of the song.

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“Glory Box” by Portishead from the album Dummy (1994) presents a haunting and somewhat melancholy ambience commonly found in their trademark trip-hop style. This song, in particular, draws from a palette of jazz-influenced harmony. The chords used, their extensions, and inversions, conjure complexity beyond basic triadic harmony. The chord progression listed appears to be in the key of D minor and employs common jazz techniques like ii-V-I progressions and usage of the half-diminished chord.

“My Name Is Jonas” by Weezer is a 90s alternative rock song featuring a catchy chord progression and memorable melodies. The verse 2 chord progression consists of a repeated set of chords: C, G, Am, F. This progression is common in popular music and creates a sense of familiarity for the listener. The key is C Major.

Pink Floyd – Goodbye Blue Sky – Verse 2

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Chord Progression

D, A7/D, G/D, D, A7/D, G/D, D, D, Am/D

Chord Progression Analysis

D (I) – A7/D (V7/IV) – G/D (IV) – D (I) – A7/D (V7/IV) – G/D (IV) – D (I) – D (I) – Am/D (i/IV)

Similar Chord Progressions

1. The Beatles – “Lucy in the Sky with Diamonds”
Chord progression: A (I) – A7 (V7) – D (IV) – Bb (bIII) – A (I)

2. Radiohead – “Paranoid Android”
Chord progression: Gm (i) – Cm/G (iv) – A7 (V7/V) – D (V) – Gm (i)

In both examples, non-diatonic chords and borrowed chords are used similarly to “Goodbye Blue Sky.” These chord progressions create a sense of tension and release, contributing to their respective atmospheric and emotional soundscapes.

Musical Analysis

The verse progression follows a prevalent pattern in popular music: I-IV-I. The D, G/D, and A7/D chords serve as the primary harmony for this verse in the key of D major. However, there is a notable non-diatonic chord – Am/D. This borrowed chord comes from D minor (the parallel minor) and is used to create an unexpected shift in harmony and add a sense of tension in the music. The pedal tone (the constant D note in the bass) also contributes to the overall sense of stability while allowing the chords above to change their tonality.

Overall Analysis

“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album “The Wall.” It is a progressive rock piece with acoustic guitar and vocal harmony that creates a haunting and atmospheric sound. The chord progression in Verse 2 demonstrates the use of non-diatonic chords, pedal tones, and borrowed chords, giving it a sense of tension and release. This unique combination of chords contributes to the overall distinctive mood of the song.

Style Analysis

“Goodbye Blue Sky” showcases Pink Floyd’s signature style of progressive rock with elements of folk and psychedelic rock. The use of acoustic guitar and vocal harmony gives a haunting, dream-like atmosphere, which suits the themes of war and destruction in the song lyrics. The utilization of borrowed chords and pedal tones adds to the progressive nature of the music, pushing the boundaries of conventional chord progressions.

Chords in the Verse 2 section of Goodbye Blue Sky by Pink Floyd are:

D, A7/D, G/D, D, A7/D, G/D, D, D, Am/D